The Hit List

This is the kind of movie that you could feel since the beginning that the director should be making sandwiches in a cafeteria. With the performance of Cuba Gooding Jr. here compared to Men of Honor ( 2000 ) anyone can see what a difference can make a good director. The girl is pretty but is out of timing though for moments she gets on the roll. The scenario or the background looks cheap and boring, thats because the movie's budget was very low even though the director I think that for a job like this he refuse to be paid. The script is so so, not even close to Jackie Chan movie. Finally, this movie looks like a students film.

The idea is peculiar, but logically and well founded, so the events following the meeting in the bar could actually happen. The value of the movie is diminished by the hit-man's past employers (another conspiracy theory?) and trivial/expected ending. However, the scenes around the people on the list are catchy to follow.

An Oscar winner Cuba Gooding, Jr. (as Jonas Arbor) gives another great performance. As for the leading actor Cole Hauser (as Allan Campbell), he was good as well, although it was my first real experience with him (I realized that I have seen many movies with his participation, but never distinguished him). Other performances were nothing special or even mediocre.

Nevertheless, The Hit List is recommended as a good and short (less than 1,5 hours) action. And, perhaps, the occurrence of bad jokes declines after seeing this...

I was watching this and usually i turn off a Cuba Gooding movie within a half hour because of his poor performances in the last 4 or 5 years. This is the 2nd movie i have made it to the end without saying terrible. Actually this is about a 7 out of 10 because at least he had another acter that is not terrible with cuba. Cole Hauser actually makes this movie worth watching. This is worth a watch if you having nothing left to do on a Saturday night. The movie starts off with a terrible bond like move for the credits and of course it backfired i almost turned it off after that. But after that it smoothly moved into the story..With a better director and a better acting crew this could of been at the movies.

I don't think it's a spoiler to say this film has a great deal to do with Collateral. Unfortunately, I think that perhaps the distributors also felt the same way, to the point of rejecting the film for fear of some kind of backlash. Although superficially it does share much with Collateral, it goes its own way, and has its own conclusion. And it's a good one. It may not be the most high- budget movie, and it may not be the best edited movie, but it does deliver better than most efforts seen lately, even in the big-budget category. Cuba may have a new career here as an Ice-T reminiscent bad-ass. Worth a matinée ticket.

For what it is, 8/10.

I've come to the conclusion that Cuba Gooding Jr. has accepted his downfall to direct-to-DVD movies, because he doesn't seem to be trying to pick good projects anymore, including this one. In fairness, this project isn't as bad as some of his other turkeys. For a low budget direct-to-DVD project, the production values are okay, though there are signs of cost-cutting throughout (such as a number of close-ups and very few wide shots). The police in this movie don't come across as dumb as they do in other B movies, and the movie did interest me enough to wonder how the situation would be wrapped up in the end - though honestly, it wasn't worth the wait. The screenplay has a number of other problems, with some decisions by the hero to be so idiotic that I was groaning out loud, and some implausibilities by others that make no sense when you think about them closely. (For example, think about the way Gooding's character kills the second person on the list.) Gooding is simply unconvincing as a ruthless hit-man, and Hauser has to somehow make his stupid and spineless character sympathetic, which sees far beyond his abilities. If you ask me, more thought and planning went into the fancy opening credits sequence than with the rest of the movie.