The Hit List

I was watching this and usually i turn off a Cuba Gooding movie within a half hour because of his poor performances in the last 4 or 5 years. This is the 2nd movie i have made it to the end without saying terrible. Actually this is about a 7 out of 10 because at least he had another acter that is not terrible with cuba. Cole Hauser actually makes this movie worth watching. This is worth a watch if you having nothing left to do on a Saturday night. The movie starts off with a terrible bond like move for the credits and of course it backfired i almost turned it off after that. But after that it smoothly moved into the story..With a better director and a better acting crew this could of been at the movies.

Just a few weeks after picking up Gooding's last film "Sacrifice", "The Hit List" was released. I picked it up because I am a pretty big fan of his. The film turned out to be pretty well done for a DTV thriller but just like "Sacrifice" it has it's flaws.

Jonas Arbor(Gooding) is a hit man and decides to go rouge. His reason unfolds throughout the movie but in doing this he runs into Allen(Cole Hauser) in a bar. Allen is having his own bad day by losing his promotion to a younger partner in his film and problems with his wife come to surface. Arbor and Allen meet in a bar and get drunk together. Jonas explains to Allen that he is a hit man and will kill five people for Allen free of charge. Thinking it is a joke Allen writes down names and laughs it off. It isn't long before he realizes its a joke and has to stop Jonas from completing the list.

The film has been compared to "Collateral" and while it is a fair comparison, the film does stand on its own. Its flaws lie in editing and lack of budget which is the same thing "Sacrifice" suffered from. The opening credits are done in almost a comedic or even a James Bond type of way and really turns the viewer away from what the tone is trying to be. The budget shows in the camera set ups and how rarely other angles are used. The DP obviously did not have the time or money to make the film look bigger. There is a car chase in the film that could have been much more exciting if the editing was better. All in all what saves the film is the performances by Hauser and Gooding. They do not play down to the budget level and they treat the film as if it is a big budget hit. Gooding assures the audience that he has still got it and reminds us of why he is capable of an award winning performance. He is deep and scary and really gets into the role more than he has in the last few years. The quality lies in the performances which is why this is an above average DTV Thriller.

Acting 9/10

Editing 5/10

Music 5/10

Directing 7/10

Fans of Gooding and Hauser should be pleased with this film.

The idea is peculiar, but logically and well founded, so the events following the meeting in the bar could actually happen. The value of the movie is diminished by the hit-man's past employers (another conspiracy theory?) and trivial/expected ending. However, the scenes around the people on the list are catchy to follow.

An Oscar winner Cuba Gooding, Jr. (as Jonas Arbor) gives another great performance. As for the leading actor Cole Hauser (as Allan Campbell), he was good as well, although it was my first real experience with him (I realized that I have seen many movies with his participation, but never distinguished him). Other performances were nothing special or even mediocre.

Nevertheless, The Hit List is recommended as a good and short (less than 1,5 hours) action. And, perhaps, the occurrence of bad jokes declines after seeing this...

Cole Hauser is in a bar drinking. He's seated next to Cuba Gooding Jr. Gooding claims he is a hit man, and offers to kill five people for Hauser. Thinking this is nonsense, Hauser writes down his top five picks. Gooding proceeds to kill them.

You'd expect this to be a nothing film. It's surprisingly good, in no small part due to Gooding's performance as a creaky-voiced maniac fixated on Hauser, trying to teach him some sort of weird life lesson. Don't talk to strangers? Don't make wishes that other people would be dead? Take some responsibility for your life? It's not clear. Probably the writers didn't really care; Gooding's role is to be the Terminator and die. Whatever Gooding does to make us think there's some motivation behind his actions is good acting.

I've come to the conclusion that Cuba Gooding Jr. has accepted his downfall to direct-to-DVD movies, because he doesn't seem to be trying to pick good projects anymore, including this one. In fairness, this project isn't as bad as some of his other turkeys. For a low budget direct-to-DVD project, the production values are okay, though there are signs of cost-cutting throughout (such as a number of close-ups and very few wide shots). The police in this movie don't come across as dumb as they do in other B movies, and the movie did interest me enough to wonder how the situation would be wrapped up in the end - though honestly, it wasn't worth the wait. The screenplay has a number of other problems, with some decisions by the hero to be so idiotic that I was groaning out loud, and some implausibilities by others that make no sense when you think about them closely. (For example, think about the way Gooding's character kills the second person on the list.) Gooding is simply unconvincing as a ruthless hit-man, and Hauser has to somehow make his stupid and spineless character sympathetic, which sees far beyond his abilities. If you ask me, more thought and planning went into the fancy opening credits sequence than with the rest of the movie.