Freelance

This film reminded me of Dwayne's movie The Rundown with an overall picturesque theme of a Far Cry game. Compared to Dwayne's movie, this seemed like a lighter version of it with repulsive characters. Alison's character was that of a teenage girl with an entitled princess attitude, and John's was like a genetically blessed pre-teen who when asked to do something does it like an enthusiastic teen (hey buddy, wash the car please like thing), but nothing else goes behind those two eyes. Venegas character's flair reminded me of Aladeen from The Dictator film. I think the audience for the film was teenagers, and adults who hate teenagers that act like there is no real world consequences and are able to get away from the consequences. Is this worth of your money ? Spend it, if you really want to just laugh with a group of people even if the jokes are cliched, and see some 30 second ammo bursting sequences that could be seen while lazily swiping through movie clip reels.

I am gonna echo a few of the reviewers before me. This movie is somewhat in between a comedy and an action movie, yet never fully goes into any of the 2 genres despite not holding on the blood. There is a few "chuckles" moment but there was never really big hillarious moments. There is a few cool action scenes but they are not that numerous considering the 1h50 runtime.

That said the movie does have us guessing a bit in parts of the plot and never get too predictable, and John Cena charisma truly manage to keep us invested. Alison Brie is both gorgeous and charismatic as well as the sidekick. Juan Pablo Raba also has some pretty cool moments as the over the top dictator.

Basically this is a movie i enjoyed watching but i don't see myself rewatching until a pretty long time. It did the job it was suppose to do wich is entertain me for roughly 2 hours.

This movie is one step shy of being an action movie, one step shy of being a comedy, 2 steps past being an actually interesting political drama with a step or two behind the dash of a journalism thriller.

Some interesting political commentary weaves through the story to mask the, at times, underwhelming action sequences and make up for the slapsticky humor that might seem a bit immature or flat.

It was fun, and that's all you can ask for out of something like this. John Cena has some good comedic chops and Alison Brie can go from stone cold to likable and charismatic in a snap.

Fun time at the movies if you ask me.

John Cena struggles in the comedic aspects of his role as a buffoonish bodyguard, coming across as silly and unintelligent rather than funny. However, his character abruptly shifts into wisecracking fight mode when action sequences emerge, creating a lack of continuity.

Alison Brie brings little authenticity or nuance to what should be an intrepid journalist character. Her bold persona feels more like a facade, lacking the complexity that would make her motivations more compelling.

The film touches on the overdone theme of bad marriages leading to bitterness and divorce. While reflecting some realities, its portrayal leans into stereotypical notions about self-centered western culture. It offers no meaningful perspectives on relationships.

The supporting cast delivers far stronger performances, adding a groundedness that the story desperately lacks. Even the villains showcase more subtlety than the two leads.

The plot is straightforward with an absence of clever twists or unexpected turns. It does attempt some commentary on the insidiousness of dictatorships, but in uninspired fashion.

Overall, Freelance assembles an impressive cast but fails to make good use of their talents. The promising premise gives way to shallow characters and a lack of directorial creativity. Fans of the genre may forgive its shortcomings, but for most viewers the film lives down to its generic title.

In silly action comedy "Freelance" ex-Special forces John Cena's bored with civilian life (married to Alice Eve) til his ex-boss Christian Slater (now running a private security firm) hires him to bodyguard journalist Alison Brie (always likeable) as she goes to interview flashy dictator Juan Pablo Raba (good) in his South American republic... where mercenary Marton Csokas leads a coup attempt, and twisty chaos, bloodshed & double-dealing ensues. It's poorly directed (especially the fight scenes) by the experienced Pierre Morel, but written engagingly enough by the debuting Jacob Lentz. It's light & forgettable, but passable enough entertainment for undemanding viewers.