Higher Ground

Higher Ground is a beautiful and stirring tale based on a personal memoir about a woman who, after growing up in a Christian church, starts asking questions about what she's been taught. She delicately steps around the admonition not to preach to men, quietly disobeys the order against exploring her spirituality, and finally, at a turning point, learns that it is OK to be sad and angry at God, that she does not have to sing "It Is Well With My Soul" when it honestly isn't.

Though the film's critique of the church is firm and sharp in many places, its observations are fair, loving, and certainly earned. Besides being a thoroughly enjoyable film to watch, Higher Ground is an excellent starting point for dialog. Those who are other than Christian, even perhaps those who dislike Christians, may be able to put voice to their concerns in a new way, and can maybe be led to see that most Christians are honestly just trying to be the best they can be. Christians can take the critique as a mirror to hold up to their own congregations, looking for areas where perhaps they are inadvertently hurting others or themselves. To those inside the church, I would suggest that this film is a God-given opportunity to examine yourselves, to open your eyes enough to realize that the church is not infallible, and perhaps take the prompting to apologize for areas in which you and the church have failed to represent Christ accurately.

Religious or not, whether you seek dialog or just pure entertainment, Higher Ground is an excellent choice. It is worth every minute, a fun way of looking at a serious topic, and it will always stand out in my mind as an exceptional piece of art.

Catching up on Vera Farmiga's work is my current goal, and seeing as how she directed this one I felt more obligated to see it at this time. She's captivating and heart-breaking, infusing her subtle charm and many nuances to great effect. I don't think the film is all that great, particularly because I see quite a few holes in some of the character relationships and some of the writing arcs, but it's serviceable and Farmiga's directing reminds me somewhat of Sarah Polley's. I do think Farmiga is quite easily the best thing about it, both her directing and acting and for that it's worth a watch. Her younger sister also shows some acting talent.

A lot of folks are posting to point out that HG is just plain boring. I say it's not.

What it is, is mundane. Farmiga set herself a difficult hurdle. She decided that she wanted to set this odyssey in the context of the life of, really, an ordinary woman. And so there's a notable wash of the quotidian over the whole movie; lots of pastels and a paucity of striking drama and color. Who buys a ticket to eat oatmeal? Well, there are a couple of redemptive factors, esthetically speaking.

One thing she does is place flashpoint moments of pretty intense drama, such as when the personality conflict with her husband culminates in violence; a real white-knuckler! And, that being merely a notable punctuation point in the action, a careful tracking shows the flick to be a kind of moderated exposition, ranging from the truly mundane to some pretty challenging stuff; and everything in between and every which way.

HG is an invitation to lovingly and thoughtfully consider those of our brethren who have addressed their existential crises by buying into this particular "out"; socializing themselves into fundamentalism.

Interestingly, the eye of the camera viewing this epic could be the fairly dispassionate eye of a deistic god: For example, I found the scene where our heroine meets with a "prophetic" councilor particularly challenging. It requires that we get off our duffs, roll up our sleeves, and personally address the issue: From whence do persons who promote themselves as social arbiters derive their credentials? Does his firm, unblinking claim to divine calling overrule the intuitions of women who simply feel unfulfilled? HG is, I think, carefully directed to leave you to answer this, and other questions, in the tabernacle of your own heart. This will naturally put off some moviegoers who never really felt that this was the purpose of film.

I'm not kidding: I'm fully aware that this style of filmmaking puts off plenty of people. Farmiga didn't make this film to be popular: She made it to be honest with herself.

And perhaps that's the foundation point of the best recommendation for this flick: How often do you get to see films like that?

Higher Ground is a story about an honest search for faith in a fearful, posturing world. It is an unpretentious film. It is also Vera Farmiga's directorial debut and it showcases her signature style. She displays astonishing depths, carrying roles with integrity and intelligence. I've always noted that she has an atypical screen glamor that grows in its unfurling. In fact, it's a special beauty but it fits a needed niche. If you have ever walked the path of faith, honestly questing, be prepared for a cathartic, ambiguous denouement that may take you to higher ground. I enthusiastically recommend this soft, sad but lovely journey by cinema.

This amazingly intelligent and touching film, directed by Vera Farminga, her first, in which she also stars, was among the best I have seen this year. Farminga, known for Down to the Bone, Up in the Air, and a half dozen other fine films truly exhibits the range of her talents as an actress. The film portrays Christianity in particular, and religious faith in general at its best and its worst, depending on ones point of view. One thinks of the Tennyson quote: "there lives more faith in honest doubt than in half the creeds," I loved the scene of her outside the church building with the dogs, which took on an amazing symbolism in its context as she had just been warned by her Christian counselor that she would be cast out of heaven "to the dogs." The ending will surprise viewers. It is not predictable. The music is also powerful and authentic and carries the mood and spirit of the faith the film faithfully reflects.

I think some of the negative reviews come from Christians who are offended at how this film portrays faith but there is no doubt that the kind of faith the film reflects is very alive and well, even though Christianity has many expressions around the world. This kind of charismatic evangelical fundamentalism is quite common outside the mainstream churches.