War Horse

I went to see this movie expecting NOT to like it. But, for 2 hours and 15 mins I was totally enthralled. I don't understand the reviews that have disliked this wonderful movie. If you want a cinematic experience this will tick the boxes. This is simply a great story - well told. Its also visually stunning. There's no stupid CGI. There's no gratuitous violence - the violent moments are tastefully choreographed and at times heartbreakingly realistic - without going for sensationalism. I'll not tell you the story or give any spoilers. Except to say this. Girls - bring hankies! Guys - don't be put off by the hankies - there's plenty of good action and the story is brilliant anyway. If you want a normal brainless CGI blockbuster - look elsewhere. If you want a class GREAT MOVIE GO AND SEE WARHORSE - you will not regret it.

World War II has been put to film a number of times in many different countries, but there are not nearly enough World War I films. Steven Spielberg set out to redress the balance giving us War Horse, an adaptation of a children's book and the play of the same name.

Albert Narracott (Jeremy Irvine) is a young man living in Dartmoor in 1914. His father (Peter Mullan) buys a thoroughbred horse when he should have plough because of his rift with his landlord (David Thewlis). Albert is able to break in the horse who he names Joey and he shows to be a very special horse, strong, determined, loyal and intelligence. But when World War I breaks out, Joey is sold to a British office, Captain Nicholls (Tom Hiddleston) and during the course of the conflict the horse see all aspects, from a Calvary horse, in rural civilian life for a French girl suffering Hollywood's disease (i.e. they say she is dying but seems perfectly healthy), as a German work horse and in no man's land.

Spielberg has a good track record making historical films with Schindler's List, Saving Private Ryan and Empire of the Sun. War Horse is a solid film rather then being a great film. It is a film that is rich in period detail, showing the brutal nature of World War I, from the effects of chemical warfare and you feel the muddy, dirty environment as horses pull a giant artillery battery up a hill and Spielberg knows how to make a mundane scene of a horse ploughing a field exciting and emotional (it must be the most boring village in the world for watching a horse ploughing to be considered entertainment). But at the same time there are also some problems, particularly Spielberg's reliance on cutesy humour, from a goose who chases people to a scene in the trenches. I would not be surprise if Richard Curtis was partially responsible. The film is too long and many scenes could have been shorten or cut, particularly in the beginning. I think the relationship and love between Albert and Joey could have easily have been done in half the time.

It was a great idea of using a horse to show the horrors of war and the different perspectives of war. It is a great opportunity to show that they are good guys and bad guys on both sides of the war. There is some success in that in the German army privates are show to be decent caring people to the horse, but the officer core and sergeants were very harsh and cruel. Compare it to the British officers who are noble, if a little arrogant or cocky, but there are hints in one of the officers that behind his eagerness that in reality he was scared of the prospect of going to war for the first time. I would have wanted to see more of a mixed picture within all sides of the war and try to give more depth to the characters.

There is a great cast in War Horse, we have emerging talent like Hiddleston and Benedict Cumberbatch who in their small roles show they are going to be big actors (well more so), new talent like Irvine who was excellent, playing his character like Sam and Frodo from Lord of the Rings and Celine Buckens where the humour works best. Emily Watson was also brilliant as Albert's mother and it great to see in a big film. And of course Joey the horse shows a lot of promise as an animal performer.

John Williams also supplies Mr. Spielberg with another great score, fitting for the film and Janusz Kaminski continues with great camera work, from the bright work of Devon in the summer to more grey and dull view of the front line of the war.

War Horse is a solid piece of filmmaking. It is typical Oscar bait but it still works as a film and Spielberg is able to make us care for Joey.

7.5/10.

A strong war story detailing the horrors of war and the underlying common bond that all men share. The acting was fairly good from the whole cast, and the war scenes felt authentic. Beautiful cinematography brought this story to life.

John Williams score - wall to wall - reminds us this is a Steven Spielberg film. The Spielberg from "Always" not the Spielberg from "Munich" To say the film is a sentimental boy and horse tale kinds of says it all but, to be honest, not quite all. The battle scenes, WWI this time, are from the same man (men) who gave us those glorious first 45 minutes of "Saving Private Ryan" The display of means is staggering. "Paths Of Glory" and "Pride Of The Marines" came to mind. Our hero, played by Jeremy Irvine, reminded me of young heroes in Disney movies, Tommy Kirk for instance. He's pretty and harmless. But the horse, well the horse is a whole other story. Brilliant performance. I think the Academy should be seriously considering an animal category. This year alone we had this remarkable horse, plus the amazing dogs in "Beginners" an "The Artist" I know, I'm rambling, well so did "War Horse" but in a much prettier way of course.

I was lucky enough to see War Horse in a special pre-screening last week, and I can safely say I will be seeing it again when its released on Christmas day. I went in with relatively low expectations, after watching the series of mediocre trailers, and walked out being able to safely say that War Horse is one of the best movies of the year, one of Steven Spielberg's best films, and, quite possibly, one of the best war films ever made, up there with my personal favorites The Thin Red Line, Apocalypse Now and Paths of Glory.

Steven Spielberg had long said that he didn't want to make Saving Private Ryan again. He said he wanted War Horse to be a war movie that parents cant take their children to and teach them something about love and war, and in this respect I can say that he more than succeeded. Spielberg comes close to the clinical perfection of Private Ryan, but more importantly, from an emotional perspective, War Horse far exceeds Private Ryan. There are many people apt to cry at Private Ryan, but War Horse is more likely to cause tears at a similar level to, say, Schindler's List. More importantly, unlike either Schindler or Private Ryan, War Horse is unlikely to cause any sort of political or moral complaints. He never tempers the anti-war message with nationalist tripe. Rather, he plays war straight. War is evil, men are good. There are no sides in this movie. In fact, at various points throughout the film, he seems to directly reject Saving Private 's heroism is dying for country message.

War Horse is based on the children's book and play of the same name. It is about a boy who's father, on a whim, buys a horse for his son that he knows will never be what is needed for the farm work it is purchased for. The boy forms an incredible bond with the horse. The first forty five minutes of the film is spent establishing the relationship between boy and horse. This part of the film is rather slow, but is necessary to establishing the film's central relationships, and is quickly made up for by the shift in pace as soon as the war begins. From the Scottish country side, after this important turning point in world history, War Horse shifts to France, where the titular horse is serving after being sold to the army. The boy is a year or two too young to follow his horse to Europe at this point, so for the next section, the film follows the horse only. From here on out, I will leave the plot a mystery, but it is gripping, thrilling, and very emotional.

There are two scenes in War Horse that I think are worthy of further mention. The first is a charge across no man's land. For anyone not familiar with the bulk of World War I's combat, it consisted of months at a time of back and forth shooting between trenches, broken up by awful charges across no man's land, to take a few hundred yards of enemy territory. These charges, as short as they were, as a result of the machine gun, came with death tolls in the thousands or higher. War Horse contains one of these charges, and it is carried out with both taste, and near perfect artistry. It is just grisly enough to get the reality across, but not so grisly that it makes the movie impossible to show to younger audiences. In fact, this trench charge ranks up with Steven Spielberg's other famous World War battle scene, the beach landing in Saving Private Ryan. It doesn't quite make it, but it comes close.

The other scene worthy of mention also occurs in the trenches, and reflects the other side of War Horse. The titular horse gets caught in the barbed wire in No Man's Land. The soldiers on either side spot it. No one knows what to do, as it is clear that its in incredible pain, but they know that leaving their respective trench would expose them to machine gun fire. Eventually two soldiers, one British, the other German both move to free the horse. The soldiers on both sides know what is going on, so no one fires a shot. This scene is unbelievably touching. The discussion they have (the German soldier happens to speak good English, explained adequately through a joke) will move even the most cynical of viewers, and gives a good idea of just what perspective War Horse takes to the act of war.

There are a few small problems in War Horse that, in most films, I would take issue with, but I will forgive in this case as I feel that they are so necessary for this film to appeal to younger audiences. The German soldiers speak English to one another, a big pet peeve for me. I would have preferred for French characters to speak subtitled French and German characters to speak subtitled Germans, but I recognize that many younger viewers refuse to read subtitles. There are a few unnecessary jokes, but again, younger viewers will enjoy these. Spielberg, as always, has three different endings tacked onto the movie, in this case necessary to provide the cut and dry resolution younger viewers require. As I said, these are still problems, but they are, for better or worse, required to accomplish what Spielberg was trying to.

I can say with absolute certainty that when Christmas rolls around, I will be dragging all my younger relatives to a screening of War Horse. I have never seen a movie so able to pull its punches enough to get a PG- 13 rating, but show enough to explain just what it is about war that makes it such an odious, disgusting, awful affair. In short, see War Horse as soon as you possibly can.