Yahsi Bati

Spending large amounts of money is not enough for a good movie. But in a country like Turkey where capital is really rare Cem Yilmaz was lucky. He is a great comedian, and has proved himself as a great entertainer. Thus it was not difficult for him to secure the investment for this big project. That's why we were filled with expectations more than the usual. At the end it was a big disappointment; the script was not strong. The story was weak and so were the jokes. I am sure the next movie of Cem Yilmaz will be full of lessons learned from this movie. We, the Turkish audience, are expecting the next big hit from him. Our expectations are justified when we think about his talent.

Having to wait until this feature came out on DVD was no disappointment, just be prepared to read subtitles - which is OK with me.

Being quite familiar with some of the idiosyncrasies of Turkish life from a foreigners view, I had a blast watching this collaborative production mix some of the finer points of the old west with the comedic lifestyle of a few Ottoman Turks making their first diplomatic trek to the Wild West.

As always, I enjoy the humor of Cem Yilmaz, but in order to really enjoy this film, one has to be quite familiar with the 'finer points' of living amongst our Turkish brethren – it's the little things that mean a lot.

'Chuck!' You know what I mean...

For most cases, quite poor art work is seen in Turkish movies. But Cem Yilmaz and his team are doing a great job by designing environment with all its details. Well written scenario and lively characters are making this movie as one of landmarks of early Turkish cinema history.

Cem Yilmaz is a great comedian and has so many fans in Turkey. Whatever he does is acceptable and mostly laughable for many Turks. Therefore, he has got a good degree of creditability as well. I am thinking that 'Yahsi Bati' is the bast Cem Yilmaz movie only comparing to GORA and AROG. As I mentioned I also think that Cem Yilmaz is a clever and funny guy but I was horrified when I saw GORA as I did not like it a bit. I must admit that after three goes I could not watch the entire movie and gave up. With some of its flaws AROG was a good film but not great. I think Yahsi Bati made me laugh more than the other two. I also believe that classification for the film should be +15 as there are way too many jokes containing swear words ***the kinds that are not approved by Turkish people on the other hand used on daily base by many -)*** I appreciate Cem Yilmaz's efforts to make good films and I believe that all three movies were great when it comes to visual work especially Yahsi Bati was superb.

The movie is about two Ottoman officials trying to deliver a diamond from the Sultan to the American President. On the way they get robbed. Penniless they start a journey to find the diamond and go back to their country.

All cast was successful and there were not a single person I disliked in the cast. I also have the feeling that his new project will take us to China and after Yahsi Bati I have a feeling that I am looking forward to it.

When I posted a review of A.R.O.G. a couple years ago I wrote that "Cem Yilmaz is financing his future good movie with a bad one". Judging by the pattern he followed until that day, I hoped that his next movie would a good one such as "Hokkabaz" or "Hersey Cok Güzel Olacak"... I was wrong.

Despite the wonderful visual effects, impeccable decor and costume, electrifying music, and so many other technical achievements worthy of praise, the movie is ultimately a bad one. The screenplay is too long and inflated with so many witless jokes. It is formulaic, repetitive and unoriginal. It is basically G.O.R.A. (or A.R.O.G.) in the wild west. Turkish comedy should outgrow fart-jokes, accent-abuse and overused unsubtle cross-culture references.

Even the decor has problems, since there is a nylon American flag in Sheriff Lloyd's office, and poker is played with plastic chips. After all that attention to detail, stuff like that ruins everything.

The fact that the movie is a lengthy commercial for a cola drink is also disturbing.

One clever thing Cem Yilmaz did with the script is to make it a story told by a shifty-eyed antique dealer. That saves him from a whole lot of criticism. Maybe if he had hired a professional screenplay doctor from Hollywood instead of a visual effects artist, the movie would be a much better one.