IMDb रेटिंग
6.7/10
2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंBrooklyn, 1975: two brothers looking for a way out of their working-class neighborhood make a pact to rob a local theater on the night of a Rolling Stones concert.Brooklyn, 1975: two brothers looking for a way out of their working-class neighborhood make a pact to rob a local theater on the night of a Rolling Stones concert.Brooklyn, 1975: two brothers looking for a way out of their working-class neighborhood make a pact to rob a local theater on the night of a Rolling Stones concert.
- पुरस्कार
- 3 जीत और कुल 3 नामांकन
Robbie Sublett
- Ray
- (as Robbie Collier Sublett)
फ़ीचर्ड समीक्षाएं
I graduated High School in 1976. I grew up in Bay Ridge/Sunset Park. I am Irish. My father was a drunk. My hobby is painting. The opening shots of the Bridge and then a pan of OLPH hit a cord with anyone who knows the area.
I wanted to like this movie a lot. It was brought down by a kind of predictable plot and predictable characters. It was brought up by some great (but uneven) acting and the way that Bay Ridge itself becomes a character in the film.
In a bigger movie, Karen Allen might have gotten an Oscar nod for her performance as a good-hearted, long-suffering, worn down Mother. Leslie Murphy totally nails her part as a Brooklyn girl. Less successful are the male leads. Steven Lang overplays the stereotype tough working class drunkard dad. Geoffrey Wigdor channeled a little too much Fonzie/Adam Dice Clay into his characterization of a Brooklyn Punk. Nick Thurston is endearing as a somewhat wide-eyed caught in a moment I can't get out of Catholic School boy wanna' be artist whose life is made difficult by the people around him for no real explainable reason. But he doesn't even try for a Brooklyn accent, and that strikes me as a little out of place.
But the bar/party scenes, the neighborhood, the stoops and corners are the authentic feel of Bay Ridge, although, in its entirety it is a much nicer more hopeful place than shown (although the 70's were it's low point). There are a lot of small moments in this movie that ring true. When Brian opens Danny's notebook that is a real punch in the gut. Two young guys sitting on a stoop talking...dead on Brooklyn, there. The idea that people would run naked through Greenwood Cemetery (one of the most famous busiest cemeteries in the country, which is crossed with roads) didn't make a whole lot of sense to me.
Overall, I would recommend this movie for the acting and the little things that it got right, although you have to overlook some senseless derivative plot elements to enjoy it.
I wanted to like this movie a lot. It was brought down by a kind of predictable plot and predictable characters. It was brought up by some great (but uneven) acting and the way that Bay Ridge itself becomes a character in the film.
In a bigger movie, Karen Allen might have gotten an Oscar nod for her performance as a good-hearted, long-suffering, worn down Mother. Leslie Murphy totally nails her part as a Brooklyn girl. Less successful are the male leads. Steven Lang overplays the stereotype tough working class drunkard dad. Geoffrey Wigdor channeled a little too much Fonzie/Adam Dice Clay into his characterization of a Brooklyn Punk. Nick Thurston is endearing as a somewhat wide-eyed caught in a moment I can't get out of Catholic School boy wanna' be artist whose life is made difficult by the people around him for no real explainable reason. But he doesn't even try for a Brooklyn accent, and that strikes me as a little out of place.
But the bar/party scenes, the neighborhood, the stoops and corners are the authentic feel of Bay Ridge, although, in its entirety it is a much nicer more hopeful place than shown (although the 70's were it's low point). There are a lot of small moments in this movie that ring true. When Brian opens Danny's notebook that is a real punch in the gut. Two young guys sitting on a stoop talking...dead on Brooklyn, there. The idea that people would run naked through Greenwood Cemetery (one of the most famous busiest cemeteries in the country, which is crossed with roads) didn't make a whole lot of sense to me.
Overall, I would recommend this movie for the acting and the little things that it got right, although you have to overlook some senseless derivative plot elements to enjoy it.
This is an incredibly good movie, the kind they don't seem to make anymore, with a pretty simple, straightforward conflict, amazingly good acting and writing, and it evokes a time and place (Brooklyn 1977) perfectly.
At the top of a long list of very good performances are Stephen Lang as the alcoholic father, Karen Allen as the stoic but deeply-loving mother, the amazing Nick Thurston (who I had not heard of before) as the son, and Leslie Murphy as his love interest.
In smaller roles Peter Reigert and Geoffrey Wigdor are extremely good.
John Gray's script and direction are extremely moving without being overblown or showy.
This movie is very emotionally honest. It clearly was a labor of love for everybody involved.
Lots of movies seem to me to be overly clever and self-regarding, throwing curve ball after curve ball at you while they're looking in the mirror smirking. This movie is a fastball right over the plate.
At the top of a long list of very good performances are Stephen Lang as the alcoholic father, Karen Allen as the stoic but deeply-loving mother, the amazing Nick Thurston (who I had not heard of before) as the son, and Leslie Murphy as his love interest.
In smaller roles Peter Reigert and Geoffrey Wigdor are extremely good.
John Gray's script and direction are extremely moving without being overblown or showy.
This movie is very emotionally honest. It clearly was a labor of love for everybody involved.
Lots of movies seem to me to be overly clever and self-regarding, throwing curve ball after curve ball at you while they're looking in the mirror smirking. This movie is a fastball right over the plate.
There were times where this movie was a little bit predictable and a little bit slow, but I still liked it. I especially enjoyed the interaction between Danny and Shauna. It seemed both genuine and touching. Some of the other acting seemed a slightly wooden at times, but when viewed as a whole and not picked apart piece by piece it was still a good movie.
So few films today provide such a rich and gritty study of both human frailty and human spirit and redemption. White Irish Drinkers is definitely one of them.
I loved it. I saw it last night and I have thought about it several times since - a mark of a good film.
I am going to act like I didn't see it and watch it again with my husband tonight. Don't think you can get a better endorsement than that.
Only very minor issues:
It is a coming of age story. All the characters are tremendously real with Karen Allen the exception. She was too cliché and wasn't able to pull off enough suffering commensurate with what she was actually going through
Ha....can't believe I actually did see a blooper. It is set in 1975 and in the opening credits scenes, there is a picture of a molded white plastic chair...which didn't exist back them. I am surprised no one noticed...especially 3 minutes into the movie.
I loved it. I saw it last night and I have thought about it several times since - a mark of a good film.
I am going to act like I didn't see it and watch it again with my husband tonight. Don't think you can get a better endorsement than that.
Only very minor issues:
It is a coming of age story. All the characters are tremendously real with Karen Allen the exception. She was too cliché and wasn't able to pull off enough suffering commensurate with what she was actually going through
Ha....can't believe I actually did see a blooper. It is set in 1975 and in the opening credits scenes, there is a picture of a molded white plastic chair...which didn't exist back them. I am surprised no one noticed...especially 3 minutes into the movie.
At the beginning of this movie, I had a bit of a negative predisposition towards it. However, the longer I watched it, the more I became emotionally involved (I'm not someone who typically cries during movies; I'll occasionally tear up, but nothing like this). The characters develop, the plot improves, everything about it just gets better. This movie is definitely under appreciated by critics and the people who have given it low scores. There were times when things happened so unexpectedly and intensely that I could feel my adrenaline rushing like I was personally involved. I highly recommend White Irish Drinkers. It's a gritty, emotional, and extremely engaging story with a dark, twisted sense of humor providing occasional comic relief.
क्या आपको पता है
- ट्रिवियाElizabeth Twining's debut.
- कनेक्शनFeatured in Ebert Presents: At the Movies: एपिसोड #1.13 (2011)
- साउंडट्रैकPop
Written by John Duffy
Performed by The Shillaly Brothers
Members:
John Duffy: lead vocals, celtic bouzouki, octave mandolin, mandolin, bass guitar, tin whistle
Chad Carrier: lead and backing vocals, guitar, bass ukulele, acoustic bass guitar
Rex Bailey: ukulele, guitar, drums, lead and backing vocals
Fred Studier: accordion, mandolin, celtic bouzouki, banjo, guitar, backing vocals
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is White Irish Drinkers?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Bilo jednom u Bruklinu
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $31,056
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $16,836
- 27 मार्च 2011
- दुनिया भर में सकल
- $31,056
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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