White Irish Drinkers

At the beginning of this movie, I had a bit of a negative predisposition towards it. However, the longer I watched it, the more I became emotionally involved (I'm not someone who typically cries during movies; I'll occasionally tear up, but nothing like this). The characters develop, the plot improves, everything about it just gets better. This movie is definitely under appreciated by critics and the people who have given it low scores. There were times when things happened so unexpectedly and intensely that I could feel my adrenaline rushing like I was personally involved. I highly recommend White Irish Drinkers. It's a gritty, emotional, and extremely engaging story with a dark, twisted sense of humor providing occasional comic relief.

I was invited to an advanced screening of White Irish Drinkers with no expectations of the film, and I must say I was truly impressed.

From the acting of Steven Lang, who, as always - was extraordinary, to the under-appreciated Karen Allen in one of her best roles. And finally to Nick Thurston who delivered a strong, measured performance that anchors the story.

In addition, Seamus Tierney provided some exceptional cinematography shot on location in Bay Ridge, Brooklyn - rarely seen on film since Saturday Night Fever in 1977, which coincidentally is the roughly the year when Drinkers is set.

But it is the director/writer/producer John Gray who's long career of solid work has served him well in bringing this powerful story to life.

I graduated High School in 1976. I grew up in Bay Ridge/Sunset Park. I am Irish. My father was a drunk. My hobby is painting. The opening shots of the Bridge and then a pan of OLPH hit a cord with anyone who knows the area.

I wanted to like this movie a lot. It was brought down by a kind of predictable plot and predictable characters. It was brought up by some great (but uneven) acting and the way that Bay Ridge itself becomes a character in the film.

In a bigger movie, Karen Allen might have gotten an Oscar nod for her performance as a good-hearted, long-suffering, worn down Mother. Leslie Murphy totally nails her part as a Brooklyn girl. Less successful are the male leads. Steven Lang overplays the stereotype tough working class drunkard dad. Geoffrey Wigdor channeled a little too much Fonzie/Adam Dice Clay into his characterization of a Brooklyn Punk. Nick Thurston is endearing as a somewhat wide-eyed caught in a moment I can't get out of Catholic School boy wanna' be artist whose life is made difficult by the people around him for no real explainable reason. But he doesn't even try for a Brooklyn accent, and that strikes me as a little out of place.

But the bar/party scenes, the neighborhood, the stoops and corners are the authentic feel of Bay Ridge, although, in its entirety it is a much nicer more hopeful place than shown (although the 70's were it's low point). There are a lot of small moments in this movie that ring true. When Brian opens Danny's notebook that is a real punch in the gut. Two young guys sitting on a stoop talking...dead on Brooklyn, there. The idea that people would run naked through Greenwood Cemetery (one of the most famous busiest cemeteries in the country, which is crossed with roads) didn't make a whole lot of sense to me.

Overall, I would recommend this movie for the acting and the little things that it got right, although you have to overlook some senseless derivative plot elements to enjoy it.

Went because Karen Allen is a neighbor to a special screening on a nasty night for weather. So glad that I did. This is a very honest movie that is realistic and avoids stereotypes of a blue collar neighborhood. Shows local pride and strong bonds coupled with distrust of those who aspire to something different from the norm. Some violence (not extreme)is shown for what it is and not glamorized.

Many nuanced performances, including all the leading character. Lots of humor and warmth. And in addition to the excellent characterization, authentic depiction of the 1970s and good sense of local color, there is a strong story line. A real pleasure to see a technically and artistically excellent and honestly crafted piece of work.

This is an incredibly good movie, the kind they don't seem to make anymore, with a pretty simple, straightforward conflict, amazingly good acting and writing, and it evokes a time and place (Brooklyn 1977) perfectly.

At the top of a long list of very good performances are Stephen Lang as the alcoholic father, Karen Allen as the stoic but deeply-loving mother, the amazing Nick Thurston (who I had not heard of before) as the son, and Leslie Murphy as his love interest.

In smaller roles Peter Reigert and Geoffrey Wigdor are extremely good.

John Gray's script and direction are extremely moving without being overblown or showy.

This movie is very emotionally honest. It clearly was a labor of love for everybody involved.

Lots of movies seem to me to be overly clever and self-regarding, throwing curve ball after curve ball at you while they're looking in the mirror smirking. This movie is a fastball right over the plate.