The Fall of the House of Usher

This is a series that can be in the family drama genre rather than in horror and mystery genres. It's a good drama series that used only enough violence and nudity the story demands.

The fall of an evil pharmaceutical family company known as Usher Family, the death of each of the heirs of that company and the mystery of their deaths is the summary of the series.

The heart of this series is the characters and the actors performances. It really hooks the audience rather than the horror elements of the scenarios.

A binge worthy series created by Mike Flanagan, inspired from the gothic short stories written by the American writer and poet Edgar Allen Poe in the 1800's which Flanagan developed in a way that it is related to the things happening in the present world.

The Fall of the House of Usher isn't for everyone. It's a slow-burning, ponderous journey into the heart of madness and the mind of opulence.

But, Mike Flanagan understood his assignment.

Though this miniseries is very loosely based on the Edgar Allen Poe short story of the same name, it has almost nothing to do with it. Instead, it uses some of Poe's best works and his most poignant prose to tell a unique tale through the lens of surreal, horrific rapacity.

On that note, the horror elements on display are mostly subdued and thematic, sans a couple of admittedly shocking, fun death scenes. Thus, if you're looking for a visceral horror experience, then you should look elsewhere.

Instead, The Fall of the House of Usher is a strange, dark descent into the soul of a broken family. A family that has been dealing with the devil in bad faith for so long that evil is a pervasive normalcy. A family that has an inevitable price to pay for every deed.

Or is it the tale of the Fortunato pharmaceutical company told from the vengeful perspective of Montresor Flanagan?

Either way, the series is shot exceptionally and the acting is top-tier.

I learned recently that Mike Flanagan has a wave of haters, as all successful creators have, but I've seen him as somewhat of an auteur in the horror genre since he burst onto the scene with Absentia and Oculus. He's a master storyteller, and he understands the essence of horror like few other directors.

You know what the greatest filmmakers and the Adult Film industry have in common? When you see them, you know it.

I just know a Flanagan project when I see it, because he has a defined cinematic style and a measured approach to writing. Everything is both whimsical and grounded at once, which can lend surprising levity to often complex, or even convoluted, plot structures.

And that's probably The Fall of the House of Usher's biggest shortcoming. The pacing is all over the place, especially considering such an outrageous story.

Oddly, I sometimes feel the same way about Poe's stories, so maybe that disparity is intentional.

Still, I found many of the slower scenes, and there are many, to be meandering and circular. Exposition is delivered in long closeups to the background of long strings focusing on long faces.

I think if this were a six hour movie instead of an eight hour movie, it would have been a masterpiece.

But, what I got is still a beautiful, haunting delve into the world of Edgar Allen Poe and the mind of Mike Flanagan. The Fall of the House of Usher was clearly a passion project for all involved, and the story ended with a satisfying finale that gave me chills, just like Poe's best works.

Will I watch it again? Nevermore. But I'm not mad that I did.

I recommend this one to fans of slow-burn cerebral horror or tragic, dark family drama.

8/10 - Great.

I enjoyed pretty much everything about this series. The creative way the Poe stories were integrated to each episode and then tied all together with one big Usher bow. Just great.

However, the standout for me was Bruce Greenwood's performance. He, to me, really rose above the rest. I think it lies within the fact that he played against what we normally see from him: strong, stoic, often aloof characters. Seeing him as a sometimes pathetic soul: crying, crawling on the ground in terror, etc. Was fresh, unexpected and played perfectly (In my not so humble opinion). This will be a Halloween season classic for me from now on. Loved it.

A huge family run empire at the height of its powers begins so crumble, as one by one the heirs and offspring begin to die.

It's a binge worthy eight part series, one you won't want to end. It's a twisted look at one greed and vanity can do, even among siblings.

It's dark and twisted, it gets better with every passing episode, Flanagan knows only too well how to spin a yarn, and this is another wonderful series. The final episode was perhaps my favourite segment, how rare for a series to end on such a high note, it's wonderful.

Beautifully produced as you'd expect, you get a real insight into what life is like for those that live with huge wealth, sadly they're all monstrous, every single time you think an Usher has come good, you have to think again.

It highlights what it is to have everything, and what it is to have nothing, only you have to question what exactly is worth having, does wealth amount to anything at all ultimately?

Lots of familiar faces, and they all perform, it's worth seeing for Mark Hamill alone, although it owes a great debt to the versatility of Carla Gugino, who gets some show stealing scenes.

Am already counting down for the next Flanagan series.

9/10.

In my opinion, polarising creations are always fascinating, and generally I don't think ill of people who happen to dislike what I enjoy very much. I'm not particularly fond of being meta in my reviews either, but I feel that in the case of "The Fall of the House of Usher" something needs to be said on this matter.

I'm not going to question personal taste when it comes to the technical aspects of this show, such as acting, directing, and production value. Personally, I think is an excellent TV series graced by some seriously spectacular money shots (the rave party's abrupt ending comes to mind), but that's just my take.

The hill I'm ready to die on is about whether or not Flanagan did justice to Poe's work, and I'm afraid I won't be very forgiving to whoever says he didn't.

Poe didn't just write Gothic literature, he added heavy personal touches to it that would eventually become genre-defying, and ultimately, the most iconic aspects of his work. If you ask Chat GPT to write like Poe, that's what you'll get.

But whilst extremely picturesque and entertaining - and tempting, from a Production's pov (the costumes, the Victorian gloomy setting, the riddles, it's a guaranteed spectacle) - those elements are the proverbial arabesques on top of something infinitely more substantial.

The deep psychological implications of his work is what makes Poe a genius, and not just a good writer. The man described illnesses and neuro-divergences centuries before there was even a name for them. He delved in universal fears and anxieties that not only have transcended his time, they couldn't be more relevant today: the unhealthy approach toward death, living in an alienating society that has lost its human touch, feeling the constant pressure of uncertainty.

The core of Poe's work is bleak and modern, and Flanagan captured it to perfection with "The Fall of the House of Usher". Above the must-have iconic references, he resisted the easy road of a shallow costume piece, and focused his script to what's underneath instead. I, for once, can't praise him enough for it.

The only reservation I may have with this TV series is about the title's choice, which may have mislead some spectator to believe that this was going to be an adaptation of the eponymous short novel instead of a broad homage to Poe's greatest hits.

Other than that, as a longtime fan of Poe's work, I won't shy from stating that "The Fall of the House of Usher" is storytelling at its best, and nothing short of one of the most quintessential Poe-esque piece of content in existence.