1963 में इंग्लैंड में, निकोलस इलियट एमआई 6 के लिए एक खुफिया अधिकारी के रूप में काम करते हैं, उन्हें पता चलता है कि उनके करीबी दोस्त और सहयोगी किम फिल्बी गुप्त रूप से केजीबी के लिए एक डबल एजे... सभी पढ़ें1963 में इंग्लैंड में, निकोलस इलियट एमआई 6 के लिए एक खुफिया अधिकारी के रूप में काम करते हैं, उन्हें पता चलता है कि उनके करीबी दोस्त और सहयोगी किम फिल्बी गुप्त रूप से केजीबी के लिए एक डबल एजेंट के रूप में काम कर रहे थे.1963 में इंग्लैंड में, निकोलस इलियट एमआई 6 के लिए एक खुफिया अधिकारी के रूप में काम करते हैं, उन्हें पता चलता है कि उनके करीबी दोस्त और सहयोगी किम फिल्बी गुप्त रूप से केजीबी के लिए एक डबल एजेंट के रूप में काम कर रहे थे.
- 1 BAFTA अवार्ड के लिए नामांकित
- 1 जीत और कुल 9 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
A movie about the world of spies, not a spy movie.
Captivating and dynamic to the end; even in crescendo.
The central character Nicholas Elliott is wonderful. He is "the spy among friends". The friends are everyone else: the defector Philby, the commoner Ann from MI5, the impetuous yankee Angelton, the arrogants Sir... "More involved than he looks", he is the real spy, with a vision. He puts things in order; everyone learns from him.
The film is not about Philby; but how do you make things move forward, how do you manage a crisis... in british style.
A film about the great world of British espionage, with the imperial spy Elliott.
P. S. It's in small spaces because it's not an action movie. And it's not "in darkness" but in the shadows. Because the focus falls on the characters, it's a battle of intelligences.
Captivating and dynamic to the end; even in crescendo.
The central character Nicholas Elliott is wonderful. He is "the spy among friends". The friends are everyone else: the defector Philby, the commoner Ann from MI5, the impetuous yankee Angelton, the arrogants Sir... "More involved than he looks", he is the real spy, with a vision. He puts things in order; everyone learns from him.
The film is not about Philby; but how do you make things move forward, how do you manage a crisis... in british style.
A film about the great world of British espionage, with the imperial spy Elliott.
P. S. It's in small spaces because it's not an action movie. And it's not "in darkness" but in the shadows. Because the focus falls on the characters, it's a battle of intelligences.
Written by Alexander Cary of Homeland fame, and also starring Damian Lewis of Homeland fame alongside Australia's own Guy Pearce, A Spy Amongst Friends tells the story of disgraced British double agent Kim Philly (Pearce) - by all accounts, one of the biggest intelligence coups of the Cold War, on either side - and his friendship with Nicholas Elliott (Brody, who is brilliant) and the defection of Philby to Russia. Elliott is being debriefed by British officials in the aftermath of that defection. This is one of those shows, similar to the early seasons of Homeland, where you need to pay very close attention to everything going on. A slow burn series, but a very good one.
If you want a Mission Impossible style bang fest or a Bond style romp this isn't your thing. If you need a plot recap after every ad break you lack the concentration for this.
But if you want a drama that engages, immerses, and makes you think then this will do the job.
Some reviewers have said it's slow, drab, tedious, the constant changing between timelines is distracting and that Mrs Thomas is an anachronism.
I think they're missing the point.
This is only 20 years after WWII, 20 years after these events government offices looked little different. Anyone who was in the Civil Service during that period will know the details are accurate.
The tension and mistrust between CIA, the Security Service, and SIS that followed the war, Blake, Burgess, and McClean is abundantly clear and so to the extent this hampered both their efforts.
One must also remember that this was only 2 years after the Cuban Missile crisis and the suspicions of East about West and the efforts and paranoia of intelligence and counter intelligence operations is very apparent.
This drama is a mind game that reflects the way that Philby manipulated his friends and acquaintances over decades. The constant reviewing of events by those involved akin to the thoughts of a cuckolded husband as he tries to spot what he has missed. The sense of betrayal almost palpable.
The drabness, the politeness, the ordinariness in stark contrast to the fatal impact of Philby on those he betrayed.
Pearce is exceptional as the idealistic Philby and there is an almost physical change as the realisation of his decisions and the realism of living in the Soviet Bloc hit home.
If he had been born half a century earlier Lewis could have been Elliot in reality. I couldn't make up my mind if he was an exceptional actor, or not acting at all he was that convincing.
And as for Maxwell-Martin, yes, Mrs Thomas was made up. My interpretation was her character aptly contrasted with the old boys club of Philby and Elliot and was created for this purpose. If SIS and the Security Service had had more like Mrs Thomas to challenge the status quo then perhaps the Soviet moles might not have burrowed so far into the establishment.
So stick with it. I thought it well worth a few hours of my time.
But if you want a drama that engages, immerses, and makes you think then this will do the job.
Some reviewers have said it's slow, drab, tedious, the constant changing between timelines is distracting and that Mrs Thomas is an anachronism.
I think they're missing the point.
This is only 20 years after WWII, 20 years after these events government offices looked little different. Anyone who was in the Civil Service during that period will know the details are accurate.
The tension and mistrust between CIA, the Security Service, and SIS that followed the war, Blake, Burgess, and McClean is abundantly clear and so to the extent this hampered both their efforts.
One must also remember that this was only 2 years after the Cuban Missile crisis and the suspicions of East about West and the efforts and paranoia of intelligence and counter intelligence operations is very apparent.
This drama is a mind game that reflects the way that Philby manipulated his friends and acquaintances over decades. The constant reviewing of events by those involved akin to the thoughts of a cuckolded husband as he tries to spot what he has missed. The sense of betrayal almost palpable.
The drabness, the politeness, the ordinariness in stark contrast to the fatal impact of Philby on those he betrayed.
Pearce is exceptional as the idealistic Philby and there is an almost physical change as the realisation of his decisions and the realism of living in the Soviet Bloc hit home.
If he had been born half a century earlier Lewis could have been Elliot in reality. I couldn't make up my mind if he was an exceptional actor, or not acting at all he was that convincing.
And as for Maxwell-Martin, yes, Mrs Thomas was made up. My interpretation was her character aptly contrasted with the old boys club of Philby and Elliot and was created for this purpose. If SIS and the Security Service had had more like Mrs Thomas to challenge the status quo then perhaps the Soviet moles might not have burrowed so far into the establishment.
So stick with it. I thought it well worth a few hours of my time.
'A Spy Amongst Friends' is a demanding dramatic production. It insists its audience vest close attention in both the key actors, and the rather complex plotline.
Set in the sixties era of the early cold war, it is a classic British spy drama.
For me, supported by an exceptional supporting cast, it is Anna Maxwell Martin who stands out as a performer. Her character, Lily Thomas, is delightfully situated. In her role, she delivers. Her character is positioned as an antithetical antagonist to the misogynist MI5 organisational culture. In a male dominated social space, entrenched by upper class British intellectuals, and peers of the realm, stupidity falls at the feet of the old boys club.
Lily Thomas is literally the cat amongst the pigeons, tasked to evaluate and assess a senior MI6 (SIS) spymaster. Noncompliant with the male network of trust and innately insular existential social hierarchy, she (Lily), cuts through the masculine dogma and gender obfuscation.
This is a fictional drama which uses mostly real world player's involved in a time of near collapse of the British secret services. It is very well written. Actors et al deliver a collective continuum of stella performances. This is not an action movie, but for the attentive, vested viewer it is exciting, compelling and highly rewarding.
Set in the sixties era of the early cold war, it is a classic British spy drama.
For me, supported by an exceptional supporting cast, it is Anna Maxwell Martin who stands out as a performer. Her character, Lily Thomas, is delightfully situated. In her role, she delivers. Her character is positioned as an antithetical antagonist to the misogynist MI5 organisational culture. In a male dominated social space, entrenched by upper class British intellectuals, and peers of the realm, stupidity falls at the feet of the old boys club.
Lily Thomas is literally the cat amongst the pigeons, tasked to evaluate and assess a senior MI6 (SIS) spymaster. Noncompliant with the male network of trust and innately insular existential social hierarchy, she (Lily), cuts through the masculine dogma and gender obfuscation.
This is a fictional drama which uses mostly real world player's involved in a time of near collapse of the British secret services. It is very well written. Actors et al deliver a collective continuum of stella performances. This is not an action movie, but for the attentive, vested viewer it is exciting, compelling and highly rewarding.
In the 1950s, John Le Carre (as he wasn't yet known) had to leave his job in the British secret service following the defection of the Kim Philby. Le Carre adopted his pen name and took up a new career as a writer of spy thrillers; and most directly fictionalised the Philby story in his most famous novel, 'Tinker, Tailor, Soldier, Spy'. This was adapted into a brilliant, talky television drama, featuring many of the outstanding British actors of the 1970s. It was more recently made into a film; but in a very different style. 'A Spy Among Friends' is new, less fictionalised account of Philby's defection, but it's far more like the 1970s version of Le Carre's work than the later film. Guy Pearce, Damian Lewis and Anna Maxwell Martin, among others, sit around talking. I should absoultely love it, given how much I adore its spritual predecessor, and it is good; but it's a little bit too clever, and it can be hard to follow all the subtle twists of plot. The Australian Pearce in particular is very good (and convincingly English) as Philby, but it's a muted affair.
क्या आपको पता है
- ट्रिवियाDominic West was originally cast to play Kim Philby, but had to withdraw from the project because of COVID delays and his ongoing commitment to The Crown (2016).
- गूफ़The series is unfair to James Jesus Angleton, largely portraying him as a rube, who is constantly discovered by British intelligence and is completely taken in by Philby, even after Philby's betrayal is revealed. In reality even Angleton's critics acknowledge that he was, for a long time, a brilliant agent, although one who ultimately became consumed by paranoia.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does A Spy Among Friends have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Шпигун серед друзів
- फ़िल्माने की जगहें
- बुखारेस्ट, रोमानिया(Beirut, Moscow, Berlin, Vienna, Istanbul)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा
- रंग
- पक्ष अनुपात
- 2:1
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