Death and Other Details

I have seen a lot of mystery series lately from the big movies like glass onion and death on the nile to only murders in the building and the white lotus. The list goes on, but none of them felt like a good mystery. Death and other details on the other hand had me crying. Not due to sadness, but because the mystery is so good. At a certain point you start feeling like the show is about to wrap up, and then the mystery just kicks in so hard it left me in tears. This before the truth was even revealed. I dont get how people are saying this is bad compared to the long list of other mystery series. Clearly people are fangirling over Selena Gomez. I like her too, but Only murders is so boring to me. This show "Death and other details" was anything but.

If you are looking for a good mystery and a good time, then I personally recommend you give this one a go. I now need a second season. I did like The white lotus. Not so much for it's mystery but for it's commentary and silly characters/over the top comedy.

This show however had me hooked, and the ending is crazy! The characters are awesome, and who they all truly are unfolds beautifully. I'm trying really hard not to give shows a 10/10, but if I did, then this would get it! Dont let Only murders fans stop you from watching this, cuz to me this one is so much better.

I was planning on ending my review here, but I need to give credit to the cast (Picking out favourites is impossible as they all nail their roles), the writers, costume department, not to mention the special effects team (especially towards the ending) and pretty much everyone involved. I really hope people give this a go like I did, even tho the reviews had me a bit nervous. Wich is also why I decided to write my own. Something I dont do very often. This was finally a win for me when it comes to the mystery genre. This one truly felt well thought out.

Imogene Scott (Violett Beane) is a guest of her rich best friend Anna Collier (Lauren Patten) on an oceanliner. As a child, Imogene lost her mother in a car bombing and celebrated private investigator Rufus Cotesworth (Mandy Patinkin) failed to solve the case. She was raised by the Collier family. While on the ocean cruise, Anna is in negotiations with the Chun family for a corporate takeover. Imogene is shocked that Chuns have hired Cotesworth. She is further annoyed by Anna's loser brother Tripp's entitled investor Keith. She plays a prank on him who later turns up murdered.

This is part Agatha Christie and part White Lotus. It is nowhere near as good as the best of either. It does have some fun with the mixture. It is pretty good for most of its run until the show gets to the season's big reveal. That reveal presents me with some problems. This really should be a limited series, but it seems to have left the closing open-ended. I hope that there is no second season.

I feel like I've been watching for months.

I can't remember anyone's name.

The business deal is odd. People at this level should have a better ability to evaluate investment.

What episode am I on. Am I supposed to care about the death of that lady's mother. Why are there so many scenes going nowhere.

The photography is perfect. Composition and montage and lighting is all done away.

The characters are opaque. It's hard to care about them.

Rahul and Hugo make the most of their scenes.

Mandy's accent needed more work.

Violett's hair makes this feel like an SNL skit.

How am I still watching this.

Whose idiotic idea was it to have Mandy Patinkin put on the world's worst English accent for no reason? That's hard to get past, but otherwise so far this is a fun mystery with good pacing and good performances. Even Patinkin if you can get over the useless accent is good. I'm looking forward to the rest. I will say it has a very familiar vibe, so if your into Murder on the Orient express or Hercule Poirot or any of the other ensemble murder mysteries I have a feeling this will be satisfying. The modern time frame set on the vintage yacht provides a little twist on the ambience of the genre. I'm liking it. But get rid of the accent Mandy!

The series has an affable comedic mystery tone, interesting stock characters, decent performances and an engaging pace. Direction and dialogue are generally good.

The main detective repeatedly breaks the fourth wall to exort the audience to pay attention to details and nudges us to notice things. We're apparently meant to follow along and solve the case with (or, if we're sharp enough, ahead of) the protagonists. It's a nice concept for a mystery series but the writers don't even try to pull it off. Instead whenever they paint themselves into a corner they use a flashback to add facts, information, scenes and/or backstories that retroactively alter previous events. No matter how closely you pay attention you can't notice details that won't exist until a flashback exposition dump three episodes later. The writing turns an active concept into passive viewing.