The Last Stand

A lot of my favourite films growing up and to this day are some of Arnold's Classics like T2, Predator and countless others. Although not one of his best, The Last Stand is one of Schwarzeneggers better films and perfect for him to do what he does best - shoot bad guys and crack one liners. This film is a quality made action film that contains some innovative stuff blending old school car chases, blazing gunfights and an intriguing yet simple story in a solid modern action movie. Other than the action,the film blends comedy very nicely. The whole theatre was cracking up especially at the characters of Johnny Knoxville and Luiz Guzman. The movie overall is a solid, fun and entertaining film that keeps the momentum going to the final climax which is sure not to disappoint. If that sounds appealing to you, Check it out and you'll be sure to enjoy.

Overall: Solid 7/10

I grew up watching Arnold, I own every film of his, I am what you would call a serious Schwarzenegger fan. I have waited a decade for his return to the cinema, and I wasn't disappointed. The Last Stand isn't perfect, but Arnold fans can rejoice, for he truly is back!!

The premise (for those that haven't watched the trailer a dozen times like me) is a Mexican cartel boss (Eduardo Noriega) has escaped custody during transport and is heading to the Mexican border, and he is going to get there by going through the sleepy town of Sommerton, Arizona. Arnold is the Sheriff in this sleepy little town, and he is the FBI's last hope at stopping the ruthless gangster.

This movie is full of intense, bloody action, exciting car chases (thanks to a supped up Corvette ZR1 with over one thousand horsepower!) and funny one liner's. The film never takes itself too serious (which is good thing) and is surprisingly funny throughout. Arnold's acting is a little rusty, but he more than made up for it in the action scenes. And the (many) action sequences were exciting and bloody, the theater kept cheering out loud. The pacing was perfect, the film flew by.

The cast was great...Luis Guzman is hilarious as Arnold's Deputy, Forest Whitaker as the lead FBI agent, Peter Stormare as the maniacal "right hand man" villain, Johnny Knoxville as the town clown, Harry Dean Stanton as the crotchety old farmer, the list goes on...

The film was everything I wanted from an Arnold movie, it's fun(!), full of fast paced action and lots of (funny) one liner's. The non-Arnold fan probably won't get much from this, but this movie was made for Arnold fans, and it delivers.

Ray Owens used to be part of an elite LAPD anti-narcotics task force but now he is enjoying a quieter life as a small Arizona town on the Mexican border. His peace and quiet is about to be shattered... drug lord Gabriel Cortez is being moved by the FBI but following a dramatic escape he flees south in a stolen 200MPH supercar and an FBI agent hostage. As he heads south his heavily armed associates set about placing a mobile assault bridge over the narrow canyon near Sheriff Owens's town. They kill the landowner causing somebody who misses him to contact Owens. An investigation leads to a confrontation that leaves one deputy dead. As Cortez heads to the border Owen and his surviving deputies get ready for his arrival; before that though they will have to face his henchmen in a showdown on Main Street.

This action film is a lot of fun; it starts well with the spectacular escape. It then turns into an effective western as the small town sheriff and his small number of deputies prepare for the arrival of a superior force of bad guys while they know help will not arrive in time. Arnold Schwarzenegger shows that he still has what it takes to play the lead role in an action film. The supporting cast, which includes some familiar faces is also solid enough. South Korean director Kim Jee-Woon, best known for 'Oriental western' 'The Good, The Bad, The Weird' once again combines action, some of which is quite bloody, with an enjoyable degree of humour without tipping it into being a comedy. The action is nicely varied with car chases, smashing through road blocks, fights and shootouts... one of which involves Arnie using a Vickers machinegun! Overall I'd say that this is an enjoyably action film full of western tropes; it might not be a must-see but it is still worth watching if you are a fan of the genre.

This movie is a lot of fun for what it is, a mindless, bloody, shoot em up action movie complete with some Schwarzenegger one liners.

This is pure guilty-pleasure cinema. You know you can't defend seeing lots of nameless guys in black suits and machine guns mowing down people and that there's only a bullet here or there that might get one of our good guys (and I mean, y'know, Luis Guzman, who is always fun to watch in that very familiar character-actor way by the way, same for Harry Dean Stanton's walk-on), and it hearkens back to that time in the 1980's and 90's when Arnold Schwarzenegger dominated cineplexes with this kind of action trash. But over time, as super glossy and hyper-kinetic and chaotically-shot cinema floods theaters, this almost comes as something of a refreshment. How do I simply say "I got thrilled by the action, laughed at the craziness in the set-pieces, and loved seeing Arnold tear it up and have one-line retorts: "How do you feel?" asks a towns-person - "OLD!")

But aside from the story, which seems to be fairly cookie-cutter with the Mexican cartel kingpin who is getting across from Nevada down to the border to get back to his safe land, and with various tropes that can be read from not too far away (given some heft by the fact that Eduardo Noriega cuts a very sharp figure as a madman with a zest for stunt- driving - like a character one might find almost in Rodriguez/Tarantino's Grindhouse, or a hybrid of such characters they write), what is there? How about that the director, Kim Jee-Woon, has a track record from back in South Korea as being a hardcore, awe-inspiring action and genre director, who can make them very, very intense and harrowing (I Saw the Devil), or truly spooky and harrowing in a quieter, more sinister way (Tale of Two Sisters). But what got him the job, I suspect, was The Good, the Bad and the Weird, his wild homage to everything Western - Spaghetti, yes, but good ol' American variety. He must have read the script and said 'I can do this, this is a Western to the bone just in 21st century garb... matter of fact, it's Rio Bravo on steroids!'

Well, that's my suspicion anyway. Think about it - a Sheriff in a ponam town with not many residents at all (and those that do stick around all day won't leave cause of some gunfire - there's a cheese omelette cooking after all at the diner), and has some good deputies, and some others he has to recruit not by his better judgment but by lack of other good officers, and has a Big Bad Motherflipper coming right his way. "I've seen a lot of blood and death. I know what's coming," says the not-quite quipping Arnold. And the first half does build, somewhat decently if predictably, the pieces of the characters, the basic set-ups of who may die (or will) and what betrayals are happening and who knows what (and what, really, Forest Whitaker can do as the Man in Charge in the suit - powerful, but he's not a Schwarzenegger).

It's the second half of the film, as the preparations intensify and then the big attack comes to Sommerton Junction (even the name is out of a Sam Fuller western or something) that the film REALLY picks up steam. And by steam, I mean lots and lots of bullets, sometimes from huge guns that fire way too many bullets. What helps in Jee-Woon's favor in The Last Stand is how he takes the fantasy of all of this to such a degree that you (or I really) can't help but admire how high it ends up going. It will please hardcore action fans, but unlike the only other recent Schwarzenegger films (so to speak) of the Expendables franchise, it doesn't really insult your intelligence either. The villains on display in this flick are not pushovers, and it leads to some impressive action from the performers, from the cameramen, from the bullets themselves which become their own actors. And the final chase through a cornfield, just when you think the film has nothing else to give you, comes back for a surprise set-piece that feels fresh and inventive; we haven't seen something quite like this where it's a cat and mouse chase through such a big space of land, but we know it is just a matter of seconds.

If you've grown up on Schwarzenegger flicks, it's like visiting the old(er) man at the condo, and jogging his memory full-throttle. I don't know if this is just a brief pop-up appearance for the (how do I write this without laughing but he is) veteran action icon, or a third and final career trajectory after years as a bodybuilder/up-and-comer, and superstar. But for now, it'll do, Johnny Knoxville's rambunctious comic-timing not withstanding.