Napóleonsskjölin

This is a perfect example of how you completely fail at adapting a book into a movie. The only thing this film has in common with the book is its title.

The story, characters names; their backstory, age and even gender are different from the book in every way. I wonder how the book's author could have possibly greenlit this script. The result is a paper thin film, a typical cliché which brings nothing original or fresh to this genre of "made for Hollywood" film market.

The characters drive, ambitions and goals are never solidified in any believable way. Heck they're barely introduced to the viewer by name half of the time.

Just to top it all, the "plot" behind the movie is hastily explained after everything has transpired, followed by the lame "two weeks later" on a black screen. The tone of the film weirdly changes to an Indiana Jones movie, completely contradicting the vague character building we have been objected to throughout the film.

The ending then gives a hint at a sequel which is funny considering there is only one book. But hey, why not, the book has already been established as a mere formality at this point.

A great film. The day before yesterday I stood outside the cinema and had the worst selection of films in front of me. There was Barbie, Doggy Style, Blue Beetle, Teenage Mutant .. Mayhem, The Last Voyage of the Demeter and Meg 2. I would have liked Oppenheimer, but it's just too long.

Well, I went to The Last Voyage of the Demeter and it really wasn't good (4/10), but so what? Then today I stumbled across this film "Operation Napoleon" and what can I say after the unspeakable "Indiana Jones 5" film, which for me was also a low point in cinema, what a surprise.

Why doesn't such a well-made film, financed by ZDF (German television) come to the cinemas and instead something like The Last Voyage of the Demeter, also financed by Germany?

"Operation Napoleon" is a film with an exciting plot at last. Yes, it borrows from good films of the past, but with characters you can sympathise with. The film is quite varied and there are enough villains to make life difficult for the heroes.

I'd like to see more of them, European cinema can still produce good films, but unfortunately you have to look for them.

Operation Napoleon is a great film for fans of mysteries and international intrigue. Its interesting plot shines, thanks to stellar cinematography and despite a rough screenplay and sometimes wooden performances from the cast.

Operation Napoleon follows Icelandic lawyer Kristín (Vivian Ólafsdóttir), who is drawn into an international conspiracy and falsely implicated in a murder after her brother finds a Nazi plane atop the Vatnajokull Glacier. Now she must unravel the history behind the conspiracy, codenamed Operation Napoleon by the CIA, and escape U. S. agents tracking her down.

As with many Nordic films, the style of acting in Operation Napoleon is very understated. This does not do the film too many favors when it comes to scenes of life and death, in which the characters struggle to emote and to immerse the viewers in each scene. The editing and cinematography are highlights - sets are believable; the color correction is consistently cold (to do justice to Icelandic winters); and everything looks great. The film doesn't slow down to breathe too frequently, which helps keep the momentum of the action going. But the screenplay is a mixed bag; the script doesn't provide enough detail behind many characters' goals and ambitions, and the story waits until the end to explain the real motive behind Operation Napoleon, in a relatively awkward way. Iain Glen, who plays William Carr, and Olafur Darri, who plays Einar, are the best actors of the lot. Ólafsdóttir and her male lead counterpart Jack Fox (who plays researcher Steve Rush) both come across as one-note characters. Still, the premise of the film is interesting enough to keep you watching.

Operation Napoleon promotes honor and the pursuit of truth.

I give Operation Napoleon 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Operation Napoleon releases in theaters and on demand on August 11, 2023. By Eshaan M., KIDS FIRST!

If ever there was a 'foreign' film crying out for a Hollywood remake with a big director, star names and a decent budget, 'Operation Napoleon' is it.

The premise of a mysteriously long missing WW2 Nazi plane and its clandestine mission re-discovered in Iceland (thanks to global warming) is a damn good one.

However the low event feel, wooden cast and annoying crossover of Icelandic and English dialogue ultimately ruins it. Indeed, the film plays out more like a terrestrial tv show than a big screen movie. It even audaciously sets itself up for a sequel in an unneccesary tagged-on ending.

Plus points are the stunning widescreen vistas, good pacing and some reasonable action sequences, but these are outweighed by a clunky screenplay, lack of chemistry between the two leads and the aforementioned wooden acting. Brit actor Jack Fox (from the Fox acting dynasty) is especially bad as a bumbling professor come sidekick, while the sadistic pencil-loving female CIA agent is downright laughable.

I would suggest however, if you can get past all these obvious groans and gripes it's worth a watch, but don't expect a classic of the genre like The Odessa File, Girl with the Dragon Tattoo or Marathon Man... this is more akin to a prime-time Netflix drama set in the snow.

This film was part of a festival package for me (films based on books), but I delayed it until the last moment, because I read "action" and "conspiracy". I find American action thrillers extremely dull and dumb - I should have guessed that an Icelandic movie based on a renowned crime author would be completely different. It's captivating, refreshing, unpretentious, humorous, and fully rewarding. Anyone who's a fan of big budgets and larger-than-life "realism" would feel cheated - which already makes me chuckle. I'm glad this author has been filmed, and I'll look forward to both his books and more adaptations.