Pitch Perfect: Bumper in Berlin

It's not award worthy in terms of script, emotional depth, or, weirdly, musical content, but the series has a whole lot going for it in Sarah Hyland whose performance as the adorable Heidi is an absolute revelation. Add in the completely over the top vamping and the ultimate in sexy German accents from Jameel Jamil as Gisela, and a glorious cameo from veteran German actress Katharina Thalbach, and there's plenty to like about this "whatever happened to" series. It's just that as a Pitch Perfect fan I would have liked a whole lot more music, especially the a capella for which the films were noted.

Cons: It's on Peacock. Who the heck has Peacock?

Pros: This is probably the best one in the Franchise. The writing is strong there were a few times that I got some genuine laugh out loud moments, but the real strength comes from the characters. They do a good job of making them outlandish without making them cartoonish characitures. Bumper who is usually one of the most obnoxious characters comes off as really likable and someone you want to root for. He was so poorly written. When I heard there was a spinoff about two of the worst characters in Pitch Perfect I was like "oof there's no way these two could carry their own movie let alone a series." BUT I was plesantly surprised, and all it took was you know making them actual characters instead of cartoon antagonists. Kudos to the entire writting staff.

The acting is the main draw here. Devine and Hyland might be my favorite on stage couple. Their chemistry is always electric. Their raw comedic talent played off as well here as it did in Modern family. Jamil is fantastic. She can usually carry a show herself (She-Hulk) but she really shines when everyone else is up top her level. Peiter and Das Boot were fantastic her dry wit played well off his buffoonery. Watched the whole series in a sitting and highly recommend. Best new show so far and I hope it gets a second season.

The Good: Great production values! The producers had obviously a lot of money to spend, and they've spent it well. Kudos to the location scouts in Berlin - a good mix of well known and nice lesser known places. A few expensive German actors have been hired: Udo Kier (who became famous in 1973/1974 by impersonating Baron von Frankenstein AND Count Dracula in the two Andy Warhol horror movies) plays a crazy artist and father. Til Schweiger, arguably the biggest German movie star right now, appears in episode 3. Katharina Thalbach, the Grand Dame of the Berlin theatre, plays a ghoulish mix of Lotte Lenya (From Russia with Love), some character by Ingmar Bergman ("Sweden is in Germany, right?" - The screenwriters.) and a crazy old lady. Granted, only Udo Kier should be a part of this good news section. But this is a musical and the most important aspect is of course the musical quality. The music is well produced and nice. Unremarkable, but nice. Actually there should have been more of it.

The Strange: The casting! There are quite a few questionable and strange casting choices. I guess Adam Devine is an acquired taste, something I did not quite manage to achieve. He is the goofy normal guy and I respect the choice to make him the star of a show and not just the comic relief sidekick, but I'm sure he'll annoy a few people. Very annoying is the permanent grimacing of Flula Borg. He looks like he's got some severe mental problems. Whoever told him to act this way made a big mistake.- Some scenes are completely nonsensical, confusing strangeness with humor. A prime example for this is the appearance by Til Schweiger in a Youtube-2017-like sketch as Pickle Til. It is desperately unfunny, but there are layers upon layers of absurdities.

The Bad: The ignorance! The screenwriters didn't have the foggiest idea about Germany. They got everything wrong, and they didn't care at all. Using some stereotypes for humorous effects is fine, but the total ignorance is just lame and stupid. US-screenwriters in the 1970s have been much more culturally savvy that this bunch of hacks. The writers' ignorance is universal. At one point they have a bureaucrat, who spends his leisure time at a music festival, legally perform a marriage. There is no country on earth, where this is possible. "But that's the joke!" No, it isn't. This is a musical and the story is clichéd and silly, alright. But especially in episode 6 this reaches levels of sillyness and cringe that shouldn't even be possible. There is no discernible connection to reality. Going completely over the top can be a stylistic device, but here it only feels amateurish, childish and sluggish. The authors probably feel like high-riders, thinking big and stunning the plebs. That's funny. They should not give up their daytime jobs. They are terrible.

The Bottom Line: Technically fine, but utter nonsense - watch it with really low expectations.

Crazy how this came out almost 2 years ago, it's better than Pitch Perfect 3 and I love how Elizabeth Banks got the idea for the series because of Loki having his own series which reminds me I didn't see season 2 yet for some reason. Adam Devine and Flula Borg is magnificent I remember when Flula was YouTube comedian before becoming an actor which was awesome content! This series might've been under-appreciated but it's a great one for what it is. Nice glow about it surprised only 2 members from the movies are part of this, the Bella's really moved on. I'm glad I got around to this series it's delightful!

They took a fun franchise and chose the most unlikeable character for a spinoff -what could go wrong? There are a few redeeming qualities but there are not even any good a capella performances. Still, for some reason I kept watching -maybe because of nostalgia for the movies as well as liking Sarah Hyland. Shooting in Berlin is also great but it's weird having almost everything in English. Lera Abova is excellent as the DJ sister and it was nice seeing her smile come thru without totalling softening her as a character. Gisela as the villain is a bit ridiculous but still provides some interest.