Yue Lao

You could call this a romantic film but you can also call it a fantasy. Either way, it's a great one and a nice try for Taiwanese film. I have watched the director's and the two protagonists' films from You are the Apple of my eyes, our times. Both of them are typical, touching teenager love stories,this one reaches out to the afterlife and reincarnation,a recreation of the another world. And it also includes some vulgar and erotic jokes, just like the director's first and signature one. All in all, it's moving, refreshing, genuine and a good one.

As long as you can ignore early slapstick moments and some illogical plot holes, you'll be entertained by Giddens Ko's signature romantic drama with unique touch of fantasy, horror and thriller. Hands down to Kai, Gingle, Vivian who tied all the emotional strings handily.

The movie was advertised as fantasy romantic and I was getting confused after watching the trailer about what expecting. However the thematic afterlife and good review convinced me to watch it.

At the end I was bluffed, this movie has it all.

• Great romance (we got some tears off)
• Has a fantasy, spirits part
• Plot is wonderfully written, you feel sometimes a bit lost, which is what a plot should be. Make you impossible to guess the end. But you will get it all at the end.

• Actors play well
• On top of that, there is high level chinese philosophy even Buddhist/Indu behind the story about reincarnation, afterlife, life, karma, power of the heart and love, animals-human connection and power of metaphysics energies.

This movie is unique, a must watch.

Yue Lao is by absolutely no means perfect, nor can it even be considered well filmed, well scripted or even well acted, but I am absolutely in love with it. There are definitely some awkward moments earlier in the film, but as the film goes on you realize its tremendous world building. It's so rare to see a Chinese fantasy film's world created in such a manner, and that is kudos to Nine Knives. Combined with what Taiwanese film makers are best at, love stories, the film is an instant classic. The film also has taken so much from other genres, from traditional horrors, Wuxia, etc, it's just such a rare and enjoyable experience.

While staying interesting and never boring, Till We Meet Again's rushed narrative only makes it feels more like a summary than a feature film with a complete arc. As result, the film suffers greatly from underdeveloped characters and undercooked plot points. The genre-changing is also a tad abrupt instead of organic. The premise probably will be fleshed out better as a series instead of a film.