All the Light We Cannot See

Firstly, I read the book, All the light we cannot see and found it to be a profoundly beautiful book. Doerr the writer described the events in such beautiful terms and moves the reader with his words, I just had to put the book down on occasions to close my eyes and be there, with them, for a minute to let the emotions and images wash over me. To be truthful I was a little bit worried when I heard Netflix was doing a series, but overjoyed when I read that Louis Hoffman, from the brilliant Dark, was playing Werner the main character. Aria Maria Loberti a legally blind new actress, was also very believable and strong. I think that the series tried very hard to encapsulate the concepts of the story. Nothing can ever be as good as the book. Very few series or films are as good as the original book, in which our own imagination draws the environment, the people and their natures and their characters. In this series the two young main characters were absolutely beautiful, and Lewis Hoffman is a stunning young actor and I have much regard for him and found it an absolute pleasure to watch. My only complaint about the whole series was Marie-Laurie walking without shoes with glass and debris everywhere go r so long towards the end, but that's a small complaint overall. I'm also rereading the book now.

Brilliant acting by the 2 teenagers. I rooted for them throughout the story. The set design made it look like they were really in those places, and not sets. Or, were they even sets? I think Mark Ruffalo is a great actor. He should have not even tried using an accent. Often the accent would come and go, kinda spoiling his performance a little bit. Same with Hugh Laurie. But Louis Hoffman was spot on with his dialog. Does he really have a German accent? The scenes of destruction were spectacular, how did they create those scenes so realistically? No spoilers here but I felt the ending was perfect. Nothing was left hanging for me to wonder what happened.

In summary, this 4-episode series is a remarkable and highly-produced work that goes beyond the typical TV series. Created by renowned figures Steven Knight and Shawn Levy, it tells a unique perspective of the Nazi-occupied small town in France during a historical period. The plot primarily focuses on the search for a blind young woman who becomes a symbol of resistance during the war and a young Nazi who is forced to hunt her down. The series weaves two distinct life stories, the radio plays a central role in connecting both characters, serving as a bridge that links their lives and stories together. One set in the past with intricate subplots, leading up to the heart-wrenching war scenes in the present. What makes it exceptional is the fact that the lead actress is a real blind actress with no prior acting experience, and she delivers a natural and captivating performance. It's a series leaving a lasting impression and is definitely worth watching.

Engaging and watchable 4 part series telling the tale of a blind French girl, a German soldier/radio operator and, somewhat loosely, the French resistance during WW2 in occupied St Malo in France. Good cast, Hugh Laurie as ever excellent but not convinced Mark Ruffalo was right for his part, some slightly odd accents going on there! Along with the great cast, good cinematography, pacing and dialogue make the whole thing work well if not exactly standout. Just think maybe it could/should have had more of a European feel about it considering the subject matter. Still, it's far from the worst thing Netflix has put out...

Netflix took a Pulitzer-Prize winning novel and arrogantly thought they could somehow make it better by changing the story line and fates of the characters in so many ways. They absolutely did not make it better, or even do it justice. I absolutely loved the book and was so excited to watch this. I am so beyond disappointed in this adaptation. Why couldn't they have at least found actors who could pull off a French accent instead of sounding like some odd British-American combination? Did the script writers and casting agents ever even read the book all the way through? Please stop doing this to great books!