Biosphere

At the end of the world, former President of the United States Billy (Mark Duplass) and his science advisor and best friend Ray (Sterling K. Brown) live out their existence in a self-sufficient shelter made by Ray. When the last female fish in their eco system dies, the two become consigned to the fact their days are now number with the artificial ecosystem no longer self-sufficient. However, destruction is averted when one of the remaining male fish begins to undergo sequential hermaphroditism, the process of which allows it to change from male to female and procreate. With the appearance of a mysterious greenlight in the sky, a similar process soon begins to happen to Billy.

Biosphere comes to us from the Duplass Brothers production company and is written and directed by Mel Eslyn along with Mark Duplass who also stars in the movie based on an outline the two developed at a writers retreat in 2018. As one can note from the Duplass films of the past, the brothers have a filmmaking style that often mixes quirky indie tropes around uncomfortable or charged topics. Biosphere is no different here as it takes a very loaded approach and while it has charm and some unique ideas, it also feels like a movie that's maybe a little too stretched.

To start off on a positive note, Sterling K. Brown and Mark Duplass have fantastic chemistry together and with the movie being a chamber piece it definitely needed that authentic buddy dynamic in order to sell this premise with the two being something of an "odd couple" with Ray the more optimistic and knowledgeable one while Billy is the slightly dumber pessimist. The movie itself is rather odd and the best way I can describe it is if we followed Dr. Strangelove past its ending and mixed it with the movie Nothing with a seasoning of Junior (the Schwarzenegger film from 1994). The directions the movie takes are so unexpected (especially going in blind) that I was legitimately engaged in spite of the rather rambling nature of the film. The movie clocks in at about 107 minutes, and it definitely feels like it could've benefitted from being trimmed to a leaner 85 to 90 at most. A big reason is the primary plot doesn't really shift into gear until about a half hour in and that first half hour offers a lot of points that feel repeated throughout the later bit of the film. I certainly enjoyed the shifting character dynamics and relationships in the film, even if the film itself sometimes proved a challenge to get through. Biosphere certainly isn't the first film to go into this kind of territory as it was flirted with in the 1985 science fiction film Enemy Mine and we even saw it explored to a degree in the "Brinky" episode of Pinky and the Brain, and while I definitely prefer those over this given the choice, Biosphere isn't without it's own insights into the premise.

Biosphere won't be for everyone and for people who already like the Duplass brothers or premise you'll need to give the film a lot of patience in order to get to the best parts of the film. For those willing to give it a chance you'll find a flawed movie, but one with some interesting ideas.

Before screening this film at The Toronto Film Festival, the presenter asked the audience not to spoil it. This request limits the possibility of a thorough review, as there is not much that can be said about it's plot without giving away it's one trick pony.

Genre-wise, the film steers between sci-fi, drama and grotesque comedy, relying on a single outstretched joke that becomes quite tiresome after multiple iterations. Some members of the audience were laughing throughout, but it may have just as well been a coping mechanism to deal with content that wasn't entirely easy to stomach.

There wasn't any actual beginning or an end, just references to a backstory that was never fully explored. There was no resolution offered here either, making it feel as though the writers have given up halfway.

What did hold this together and stopped me from walking out (in addition to my middle row seat), was the excellent acting by Sterling K. Brown & Mark Duplass. They were extremely believable, despite the ridiculousness of the plot, adding to the overall atmosphere of discomfort that it evoked.

There's a lot I like about Biosphere and a lot that didn't fit right for me. The obvious thing that works about this film are it's performances by Sterling K Brown and Mark Duplass. Brown brings a sturdiness to Duplass's humor, creating a great dynamic that is fun to watch and believable. Brown's character Ray provides a grounding to such a serious moment. Duplass's Billy brings the levity necessary to keep two guys in a small dome funny and fresh. Some of the dialog and plot points in this film are absolutely hilarious.

This film has a huge idea and a very small scope to demonstrate it. The choice to skip most of the exposition in how we got here is welcome. I enjoy not being spoon fed the situation, reading clues and attempting to discover what has happened and what will happen is much more satisfying. Throughout the film, I kept wondering "how will they wrap this up?" And they did so by leaving all of the plot points as loose ends which will bother many who watch Biosphere. I didn't mind this choice but the ending left me with a bit of a "then what?" Feeling.

It's hard to review this film without spoilers, but there is so much to the backstory that is never fleshed out, no flashbacks, no additional settings or characters. With such a small scope, some will be very aggrieved at this, others will be content like I was to explore what we do know. This scope hampers the development of place and time but enhances the interest in our two characters and their potential outcomes. The feeling of place in this movie is quite distinct but somewhat empty given our lack of outside knowledge.

Making a film that explores a theory becoming reality is incredibly challenging. Duplass and Brown are able to deliver on this tall, daunting task but it's not great by any stretch.

It's an interesting premise. The strength of this film is the way the setup and characters back stories are disbursed very gradually, a drip at a time, which keeps your attention. In the end though, the set up doesn't really matter a whole lot.

When the main thrust of the narrative becomes clear, rather than running with it and guiding us towards a memorable conclusion, the film chooses to go with blandness, presumably hoping we take the non-committal ending to be open and courageous, and not simply uninspired.

Good performances, good ideas, good direction. The story was just a little too weak for me.

Ray (Sterling K. Brown) and Billy (Mark Duplass) are best friends and last people on Earth. They survive under a dome built by Ray. They rely on fish farming for food, but the last female fish just died. Eventually, their fishes will run out and so will they. Somehow, life finds a way.

This is an indie from Mel Eslyn and Mark Duplass. It's a two person play and a high concept sci-fi post-apocalyptic flick. It starts with some mildly humorous best friends banter. It turns into an one-joke concept. I would like the premise to have a more specific scientific explanation. I doubt that the film cares that much about that. They are playing this for the comedy. It's awkward. It's uncomfortable. It's cringe comedy and only slightly funny to me.