Tom Jones

Fiction is not history! If you want history read a freaking history book! Art is subjective and can change and differ and transform. Have you heard of speculative fiction? Alternative history?

I'm so sick and tired of boneheads voicing their boneheaded opinions. They are not trying to make a documentary on British history it's entertaining material designed to engage viewers in a fun time!

With that said I've appreciated the counters and the effort to bring this world to life but there are definite shortcomings that need to be addressed. First, the writing needed to be fighter and the acting sharper. This is mid.

It's really hard to believe that 60 years after original Tom Jones things couldn't have been done better. It is sterile, without any real emotions or life of its own.

I am old enough to remember the original Tom Jones with Albert Finney & Susannah York. Now that was funny & raucous! . This pales in comparison, but it's what one comes to expect from PBS....nothing to offend viewers. It's like it's made not to offend ANYONE!

Although we still watch PBS from Canada for some other fine shows with some more depth and substance and, dare I say, swearing. This must have been quite costly to produce....too bad there is no real life substance to it.

The 1963 Tom Jones was a deserved classic, perfectly cast and well nigh perfectly adapted. But most of all it was fantastically high spirited, with wit and energy from the first frame. It caused me to read Fielding's novel, one of the great comic romps in English literature.

The inevitable concessions to the spirit of these times don't bother me in this version. But the utter lifelessness, the joylessness, the absence of humor and wit - that does. And making Sophie the narrator and center of wisdom is just absurd. Fielding's Sophie, wonderfully portrayed by Susannah York on the movie, is a smart, but youthful ingenue, beginning her own life's journey (to be sure, with many fewer options than a young man of that v era). Giving her preternatural insight doesn't work.

In short, another BBC disaster. You'd think one of these days the writers and directors who do these things will figure out that you can't slip a little sermon into these classics and have them survive. Not yet, evidently.

Who cares if Sophia's black? Do you think even in the mid-1700s everyone was a racist? Of course not. So why isn't it possible that a grandfather might want the remaining tie to his late son, even if she's black? Yes, I know the grandfather should be Sophia's father, but also, so what?

If you get bogged down by this minutae, you'll miss out on a completely entertaining miniseries. Hubby and I laughed and laughed. Sohhie Wilde as Sophia is feisty and smart, naive and gorgeous. Solly McLeod, playing Tom, is totally charming. Charm is a necessity greater than being a great actor -- although he's very good BTW -- as Tom's the dude no lady can resist.

And one lady who can't resist him is Lady Bellaston, played in all her towering magnificence by Hannah Waddingham.

It's a terrific rom-com. The entertainment is in the journey, because you always know how it will end. It's playful, it looks gorgeous. What's not to like? Just enjoy it.

I'm sorry... I couldn't even finish the first episode. Why bother trying to re-create the wonderful movie version? If you're going to try to do that, at least cast it with fascinating actors. The biggest problem I had was the incredibly insipid portrayal of the lead character, Tom Jones. A new production should At least try to duplicate the fun loving, boisterous, joyful Tom Jones as portrayed by Albert Finley. Instead, I only saw a morose young man.

This was my biggest problem... But let's go onto others. Sophie Weston's father (in this version now her grandfather) was hilariously portrayed as a drunken, loud mouth in the movie by Hugh Griffith. Sadly, he has a stiff upper lip, albeit with a smile, in the TV miniseries.

If anyone continues to watch the series and thinks otherwise, please let us know if it got any better.