Veera Simha Reddy

This film made for balayya heroism and for fans excitement that's all ,

I went for duniya vijay appearance , and it was pretty decent or little disappointed,

I got gem of actress , varalakshmi sarathkumar, man what makes me interesting in this film is just her backstory and appearance ,

What was shocking appearance was andrews (kgf) , is there in this movie , but apparenace was shocking , but not well developed .

And Ravishankar has played is normal role .

And all others are ok

But what makes me think is , in story wise the directors have taken very causally but runs well , and hood directors effort and everything, but not even stays a week in theater. Anyway this is reality .

Absolutely disaster. I dont get it how even this guys have to courage to make a movie? In this movie balakrishna's mother looks younger then him. How even audience go to the theatre watch a movie.

Absolutely pathetic story line. How even people dont get headache. This hero and his dialogues are absolutely funny. His pair with shruti hassan i mean he looks like age of her grandfather.

Music is terrible too. I mean honestly dont this guys feel ashamed when they go out and shooting abroad? I hope people get some class and watch better movies so people can make better movies. Otherwise they will create this nonsense.

I'm late to the party with this one so i'll keep it short. I was informed by my Telugu speaking friends that NBK is still seen as a comedy piece of sorts, but has kinda sorta turned things around in the last two films. That's all I knew going into this one, expected a.....Legend (Saravana) kinda film, and while it certainly does fall under that genre, it was very different from what I thought it would be. Rather, the what was expected, the how, pleasantly surprised me.

Long story short - great music, good cinematography, questionable casting with a 90s storyline. Close your eyes and listen to the 'mass scenes' and you could totally imagine an Ajith/Vijay/Rajini still making films like these, and perhaps so would their counterparts in Tollywood. If 'bigger stars' can still make ridiculous, over the top 90s movies, I don't see why NBK should be judged for making Veera Simha Reddy. With 'proper' casting, YOU KNOW the film would have been a boxoffice hit.

I have to say, I enjoyed watching this more than Pathaan and maybe Kisi Ka Bhai as well. Watch it with friends for the collective experience.

If I am going to watch ridiculous movies, I'd rather give props to films that embrace it and make me roll my eyes the least. At least Reddy garu didn't hold down two helicopters with his bare hand, John Abraham can perhaps watch and learn.

Balakrishna, as expected, dances, throws punches, mouths dialogues, acts, but still he can't save the audience from the mediocrity at disposal. Varalakshmi and Honey were decent, Duniya Vijay was let down by poorly written character, Shruti's forgettable.

Technically, the movie looks basic, in every aspect, cinematography, editing, production values, fights lack any conviction, only Thaman stands out with his riveting BGM. Dialogues pack a punch here and there.

Direction from Gopichand Malineni is the biggest disappointment, with a successful template at hand, his execution was as flat as earth. Thumbs down 👎

The film has every right to be named as a MAN MADE DISASTER. Everything is awful in this movie i.e, story, cast, BGM, dialogues. Balayya's dual role Felt like puking, i mean common man we are in 2023. The Jai Balayya hype is way too much to take. BALA KRISHNA should swallow his pride and give up films else his movies may be a virtual way to hell. The only breather this film offers is Honey Rose stellar beauty steals hearts in an instant. I humbly urge the director to read good books and make good movies not such scrap. Balayya's Dialogues, dance steps are hard to endure. The famous Innova scene is a laugh Riot to be frank rated it 1 star cuz there is nothing less to rate. The director must not forget the fact that the plot must elevate the hero and not the sound effects or useless Dialogues.