Rushlights

Mark Leeper from the ONLINE FILM CRITICS SOCIETY gives Rushlights a 6 out of 10, compares it to "early Cohen Brothers". While I agree with the Cohen Brothers likeness, my vote stands at a strong 8 out of 10. Rushlights is a solid, at times exceptional thriller. Director Antoni Stutz has a unique, talented eye - you can see right away that an artist is at work. In addition the acting is top-notch, however I think the script is a bit over the top. It'll be very interesting to see what project Stutz picks next, considering Rushlights is his first feature. Over the years, one sees a lot of first timers come and go - in this case, I'm certainly taking notice.

Sofia Peterson

This was a great movie/story, plenty of twists and turns. There were very low key tricks in the movie that at first I thought they were bad acting or bad editing, but they made sense once the movie ended.The cast was fantastic, the filming was awesome,I could feel a Tarantino vibe. My only complaint was the music it really did not go with a Texas, bad boys / fast car movie. It was more of an annoying type of music in 'eyes wide shut'or Hitchcock type movies.There some music repetitions that made you want to get up and leave if they didn't stop soon. josh Henderson delivered his wicked ways and he is my vote for '50 shades of Gray'. josh is a home town boy and the only reason I went to see this movie that has had no preview. I saw it and chose this movie because of josh and there was not any other drama movies available. Only animation / super hero movies.

The plot of this film is so ridiculous, it really is camp. The twists and turns are ridiculous. Josh Henderson is damn cute/hot and kept me tuned in. Most of the acting is over the top, and gives this movie a surreal feeling. The lighting is very,'TV movie of the week,'as are the sets. Watch only at 4a.m. when you can't sleep.

This is a pretty good thriller as well as a mystery that takes many twists and turns with some unexpected surprises along the way. And the surprises don't end when the movie does.

I was going to say Crispian Belfrage, whoever that is, gave the standout performance. As drug dealer Eddie he looks and talks like Keith Urban, if Urban didn't shave for a while and let his hair grow even longer and was an angry blue-collar soccer fan from Liverpool. And was hoarse from too much singing.

But, no. While both Beau Bridges and Aidan Quinn did good jobs early, they really showed what they were capable of later. Especially Bridges.

I'm not familiar with Haley Webb but she showed quite a range, starting out cute and nice but then having to be strong in the face of danger. Plus there is one close-up of her in her underwear. I do wonder why if it was so hot she was wearing shorts on one of the nights, why was she covered up so much in bed the other nights?

I saw the name Joel McKinnon Miller in the credits but couldn't remember who that was. He is the warm and fuzzy if incompetent senior detective Scully on "Brooklyn Nine-Nine". He isn't warm and fuzzy here and in fact, in a brief role, he gets quite angry and violent.

There's quite a contrast between lawyers here. Cameron is professional and seems honest and moral. Once you see Philip Lenkowsky knowing he plays a lawyer, you know he is exactly who you want if you intend to sue for a lot of money and don't care what you have to do to win.

We also get two types of waitresses. Sarah is cute and friendly but she is in the big city. The small town sassy blonde waitress is found in Tremo, and at first I thought she was Amy Poehler. She just looks like her.

Is this family friendly? I don't think so. There may have been some details missing when this was cleaned up for TV. A lot of words certainly were. But there were references to being gay and suggestions of something that would have ruined the reputation of the respected Niles whose fortune was supposed to go to Ellen. Plus there is some violence, but not a lot considering the type of movie. The bloodiest scenes involve a body wrapped in a sheet and being dragged, with blood dripping all along the way, and someone being shipped in the way slaves were in "Roots".

Most of the music was not my taste. A couple of songs were what I would describe as "real country". Most of the music, including a lot of the background music, was a style related to blues and classic rock. This might be what is referred to as "roots" music. A less aggressive version of the style can be a part of bluegrass.

Overall, this was really well done, and while not ideal for me, quite exciting at times.

Holy cow was this bad. I had no idea this was so high on IMDb.

The acting sucks, the script was horrible and the pacing left much to be desired. It started out so slow that I almost fell asleep at the wheel myself. The Production Design and Cinematography are the stand outs in this film. The whole move looks great and it's nice to see an indie film that was still shot on 35mm instead of Digital. All the sets look really good and I couldn't tell which was a built set and which was a location, which is pretty impressive.

There's quite a few more complications and maybe had the film had better direction it might have been enjoyable. But it moves at such a sluggish pace that every twist of the plot just slows it down.

To be honest, Rushlights was not a good career move for anyone involved.