Trust

My issue is with how the 'crime' is framed - the words 'assault' and 'rape' are tossed about liberally. What is never mentioned is 'seduction', the enticement of naive young women /girls by appealing to their romantic fantasies, which has a long social and literary history. The need to feel 'loved' and 'special'. No violence is ever used. A plot point unnoticed or unmentioned by any of the posters is the father's profession. Advertising. Marketing stuff to 'tweens' using highly sexualized images. Tweens are children between the ages of 9 or 10 and 13. They're fed a constant diet of the ways to be 'desirable' and 'sexy, usually by buying stuff to make them look older and more sexually available . How can parents overcome this barrage of noxious merchandising - especially if that's what provides their good upper middle class life. It also provide the psychological conditions, along with the anonymity of the Internet, for the seduction of very young girls. Charlie is an utter creep, but he's aided and abetted by an economic order that will do anything to find new 'markets'.

Trust is an important film. This isn't fantasy, this is reality. For whatever message Trust has, it's also about the emotion, pain, and internet obsession.

If Trust was to be used towards educating, it isn't geared towards the victims, but rather the people around the victim. The victims won't be watching this film (for the subject matter), and it was a smart move to portray the daily lives of teenagers realistically while still showing the pain that occurs when situations like this happen. It's something special when you can believe and feel what is happening on screen and the creators of Trust did a terrific job keeping it true. There are other subjects involved, such as how internet communication is "breaking" the formalities of communication, how easily predators can manipulate people by knowing their strengths and weaknesses, and how you may not actually know your loved ones as much as you think you do. There are many subject matters thrown into Trust, and they all play out realistically to the point where the viewer will most likely relate to them.

The performances were outstanding and, even if this is a 2010 film, should be nominated at the next Academy Awards. Newcomer Liana Liberato steals the show with one of the greatest performances I have seen portraying a broken teenager. In a year where there were a few outstanding performances by young actors (Hailee Steinfeld in True Grit), I think Liana Liberato's underrated performance was the best of last year. Clive Owen gives his most dramatic performance to date and Catherine Keener has a few brilliant moments. Chris Coffey, who plays Charlie the predator, gives a creepy (if brief) performance in the vain of Stanley Tucci in "The Lovely Bones".

David Schwimmer (Ross from the show "Friends") did a surprisingly good job directing Trust. He got the most out of the actors and, considering the serious subject matter, had a bleak, disturbing tone to the film. The combination of a happy neighborhood/school/family worked well with the one black spot which is the daughter, the victim. After the assault happens, you see the world change and everyone's life becomes a little darker.

Should you watch Trust? Yes. The performances and the story alone make it one not to miss. There are a couple of moments where you may shed a tear. It's haunting for any age or gender. These crimes DO occur, and they happen often. While it's not a film you watch with friends; it's not an enjoyable film in the least, Trust is just one effective tale that may stay in with you for a long time.

Just like the other reviewers, this was a very hard watch. As a S. A. survivor, this was incredibly triggering. However, this needs to be shown to all girls starting at 7th grade, IMO. A friend of mine was groomed in this same way and this type of incident reverberates through the community and for a lifetime. I'm impressed that David Schwimmer took this on. This story felt so true and sadly, for many, this is so true. In movies about this subject, I feel they "Hollywood" up the victims and the assault. This movie is completely realistic to how a victim reacts and thus becomes a survivor. Thank you so all of those who created this film. It's heartbreaking, but we need to see it. The world needs to help young girls and protect them so much more than they know.

I belong to the first generation which was born in the middle of hi-tech inventions and evolving Internet. I was teased at school and felt that my parents didn't have enough time and understanding, so the Internet was like another world with kind strangers and new friends. They didn't judge me by my looks, they didn't know anything about my past and so on.

I saw this movie yesterday and it hit me down, hard. I could understand the need to be loved and the fear to be left alone. I was one of the victims of a sexual predator, but the fact that they hunted via Internet was either hushed up or people didn't simply know.

This film isn't about happy endings or life being fair. It's about a family, a life of this day, different faces of love and last but not least, surviving.

I want to thank everyone who made this film. I really hope this shakes the parents to look after their kids when they are online. Does it happen in the mall or via Internet, they are talking to strangers. Some of them are okay, some of them are not. Teach them to be cautious -Internet can be a great thing for lonely people, but at the same time it's the most dangerous jungle.

I had the privilege to be among the first in North America to screen David Schwimmer's latest film last night at the Toronto International Film Festival (TIFF), with cast members including Clive Owen and Catherine Keener (two of my favourite actors) present as well as the director, Schwimmer himself.

Before the screening, the former "Friends" star provided some valuable context for the film, sharing his personal connection to the topic. It was enlightening to learn that he himself is a dedicated advocate for survivors of sexual assault/abuse and has spent a great deal of time working and interacting with the families impacted, because the film was executed with such a sensitivity and deep psychological understanding around the difficult topic.

Before delving into my review let me just say upfront (for those who are quickly trying to decide whether or not to see this) that this is a good movie, and yes you should see it.

I also went into this film not knowing its rating and I can assure you, that while the subject is very heavy and there are some disturbing scenes and some violence, there is nothing here so sexually graphic that it is too uncomfortable to watch - even my husband who I would consider to be a "sensitive" viewer did not find the film to be graphic.

"Trust" is the kind of movie that relies heavily upon the plausibility of its dialogue and the believability of its actors. If the script was poorly written or the innumerable emotional scenes poorly acted, the whole thing might have been a disaster for Schwimmer.

Instead, Kenner and Owen turned in Oscar-worthy performances that invited viewers into their home, their marriage and their suffering. Under great direction, Owen led his character through a roller-coaster of emotions that was accessible to viewers, as we shared in his character's progression through anger, grief and understanding.

Not to be overlooked, and the true star of this film, is the young Liana Liberato who plays the daughter and the victim with such authenticity that it was at some times painful to watch. Not enough can be said about how incredible she was in this film - I think the career she has ahead of her will speak for itself.

Of course, the best acting in the world would have been wasted if the screenplay was weak, but with Robert Festinger (who wrote the screenplay for "In the Bedroom") on board, you can expect a convincing storyline and dialogue that felt real.

At times, the film comes dangerously close to being cliché or cheesy like a television drama or TV movie-of-the-week. And this is almost inevitable when trying to make a cautionary drama with the underlying objective of raising awareness around a societal issue. However any time you feel the film beginning to veer down this path, it is rescued by the incredible acting and you forget once more that you are watching a film. Even the ending which I thought at first was a bit overly sentimental, quickly took an unexpected and dark turn that, for me, restored its credibility.

This is a powerful and very important film, not just for families but also for David Schwimmer's career because now the sitcom actor-turned- director has established himself as a serious and very capable dramatic filmmaker who is not afraid to take on challenging material.

I'm not sure how well "Trust" will do outside of the film festival or if it would appeal to mass audiences, however I do hope people see it, especially those who care about this important issue.

I would definitely watch a David Schwimmer film again in the future - he has legitimate talent behind the camera and should he make more marketable movies in the future, he might actually make it big as a director.

I give this movie a solid 8 out of 10. Congratulations to Schwimmer and your team on this great accomplishment. And, as a woman and caring citizen, thank you for telling this story.