King of Kotha

DQ screen presence was awesome however the script was very weak. 2nd half was too lagging. I kept looking the time, why is not getting over. When you do a pan indian release expecially a south indian movie people expect a minimum quality to the script. I wonder if Abhilash showed the script to his dad just to take a opinion.

I couldn't also stop noticing Gokul Suresh was only in police uniform entire 2nd half and his looks remind you of old Suresh Gopi. Music and bgm were top notch. Aishwarya lakshmi was wasted. Soubin was hardly in the movie for 5 minutes, either way that is OK because he can can really annoying with his stereotype acting.

Abhilash you had all the right ingredients just you dint do right. Anyway long way for you to go and do things right next time.

When you have Dulqeer Salmaan on screen and an ensemble cast featuring Shabeer Kallarakkal, Prassana and Aishwarya Lekshmi, expectations are high. Alas, it was a case of wrong expectations. The movie had everything going for it on the drawing board - a gangster saga, a hero who's a brilliant actor, a stylish villain but it was all unravelled by a single fatal mistake. The movie is so slow that one can sleep through it and still wouldn't have missed anything.

On the positives - The background score by Jakes Bejoy is as good as it can be.

The movie is strictly for DQ fans.

As a producer, DQ had the tools to create a cult gangster classic, he has fluffed it & he knows it.

First, let's talk about the things I liked in KoK, since they're very few.

• 3 scenes, in all of 3 hours: For a film with an excruciating run-time of 175 minutes, only three little scenes left a mark. Two of them involve Shammi Thilakan, who absolutely towers over the rest in terms of sheer screen presence (as a retired gangster turned family man). The third is a random drinking scene featuring DQ's and Shabeer's characters, and the only one where the dialogues sounded natural and indicative of a "supposedly" deep friendship. The rest of the film is completely flat, and of the two intro scenes for DQ's Raju, the first is slightly better. Chemban Vinod, playing a funny bad guy, is also quite good.

• That kickass background score - Jakes Bejoy single-handedly tries to cover up the gaping holes in the script with a fantastic effort on the score. If there's any reason to catch this on the big screen, it is to recognize this guy and the stuff he brings to the table even for the most mediocre flicks. "People of Kotha" is great ringtone (+ workout) material indeed.

• Cinematography & colour grading - Nimish Ravi paints Kotha in shades of brown and yellow, making for some organic visual texture. The setups and backdrops for some scenes actually look better than the scenes themselves. The colour palette is beautiful, be it in a bookstore, a bar, or at a playground.

Now, let's talk about the things that put me off.

• The writing: Abhilash N Chandran, who previously penned Porinju Mariam Jose, seems way too interested in creating conflicts that even lack a basic structure. Everything and everyone in Kotha is so random. How annoying it is that even when the writing lazily spends hours trying to detail various characters, including the main protagonist and antagonist, you don't feel emotionally connected to their journeys AT ALL! There's no shock of betrayal, no thrill of revenge; plus a surprising lack of elevation moments (except for the ones mentioned in the positives). The screenplay is old wine in an old bottle!

• Performances: Take a bow, seniors! The gangster crime sagas from your generation were obviously a lot better. DQ probably gives it everything he could, but Raju isn't a character anyone emotionally attaches themselves to, and he's too much of a charmer to carry/pull off the grit of a raw, cold-blooded gangster with almost psychotic shades. Shabeer Kallarackal's Kannan Bhai boasts a peculiar (but also familiar) blend of behaviours, and even though the guy's got the look and the gangster mannerisms right, I couldn't envision him as a "final boss". Aishwarya Lekshmi is utterly wasted, while Nyla Usha makes for an interesting-but-underwritten femme fatale.

• Sluggish pacing: Okay, when the story developments are so damn predictable, why director Abhilash Joshiy chose to stretch scenes out the way he did is beyond my understanding. Several scenes in both halves bring the pace to a drastic halt, and it takes a really long while to get to that forseeable finale. The tail-end also leaves much to be desired.

• Fight choreography: Except for the climax set-piece (which apparently was re-shot), the fight sequences in KoK are really meh. Action is an area where guys like Tovino and Antony Varghese have shown promise, but DQ falls way behind on this list. He's got a long way to go before he can even get close to what his father can still manage to do at 70+. For now, I'll put the blame sorely on the choreography, as even the final set-piece looks uninspiringly rehashed from the recent John Wick films.

Conclusion - Again, one could say that the massive hype and promotions for this film made you believe something incredible was in the works (of several second-generation artists and technicians), but unfortunately, they failed to deliver.

I am a diehard fan of DQ. But honestly I am saying that it's not boring and lag movie. But it's most of the scenes are predictable and time is too much. But the making of abhilash sir and bgm of jakes sir,songs by dabzee and asal sir was wonderful. And action of DQ was awesome. Mainly the second part is more better as raju madrassi. Anyway I also like shabeer sir as villain. Anyway one thing I wanted to say is that don't degrade any film. It cames to low level film due to the degrading happened by the first show. Otherwise it will run for more days than this. I don't think it's that much bad. It's anyway best to watch for one time for those who think it's bad by the words of others. If u watch it one time u will understand that.

Kinguuu...! Kinguuu...!

What a screen presence!

First one hour was top class, went down a bit later. Looked like it's picking up in the second half but again it went down. Elevations are too good but felt like it had more potential. Could've been better. The BGM was top notch. Throughout the second half I was thinking that it would've been ultimate if they showed the story of Raju Madrasi also atleast for 15-20 mins. But they kept it for the second part.

Mahanati, Charlie ( One of my all time favourites ), SitaRamam ( One of my all time favourites ), Didn't realise that I've become DQ fan...