Love's Kitchen

LOVE'S KITCHEN is one of those background movies -something to put on the screen while filing, doing a puzzle, or some other task that needs little attention but an occasional distraction. Written and directed James Hacking, it is a predictable story with a predictable script and put together in a casual way that at least doesn't stir any feathers. Nor does it stir much genuine interest. It seems like a paste together story for husband/wife team of Dougray Scott and Claire Forlani.

Befuddled Rob Haley (Dougray Scott) was apparently a rising chef in London, put down by food critic Kate Templeton (Claire Forlani), and further distracted by the death of his wife. In response to the need for change he moves to the country where he finds a pub-like spot in which he decides to create a café - a truly gourmet spot in the middle of nowhere. He hires friends to help cook and wait tables. He garners interest from the townsfolk for his delicious cuisine - especially his 'perfect trifle'. His efforts do not go unnoticed - Kate Templeton visits, loves the food, and naturally falls in love with Rob... Etc Etc Etc

There is nothing wrong with this bit of British fluff: it just doesn't register on the scale. There are a few sidebars of some note and some cameos by the likes of Simon Callow. But for the most part this is background entertainment. Not bad, just background.

Grady Harp

I enjoyed a good deal of this film as there were so many nice little touches - like Rob driving along at a snail's pace along a country road as his wife had been killed in a road accident. I also liked how by the end of the film the two old, male customers had been educated to appreciate good food.

My main criticism is that the plot is too predictable but then that criticism could apply to almost all romantic comedies.

Anyway, thought I'd write a review because this film has nice values when so many romantic comedies of late don't. And it's not sexist which is another plus.

I know that cheap has a negative connotation. This film indeed suffers from a low (cheap) budget but this movie isn't as bad as many people try to claim on IMDb. Perhaps, it'll get a more fancy remake someday. Then this original will be positively reevaluated. Until that date, you might want to form your own opinion.

I wanted to and expected to enjoy this but its basically Britain's equivalent to a Lifetime movie with an absolutely unimaginative story, flat romance, bland characters and filled with every romantic comedy movie cliché going.

I was actually surprised by how, well not bad exactly -because the acting and production is fine but just unoriginal this was. I did enjoy the leads (Dougray Scott & Claire Forlani) but their romance was still pretty uninspiring. Scott plays a successful chef and restaurateur in London who loses his zest for cooking after his wife dies in a car accident. With encouragement from friends (including a cameo from Gordon Ramsey) he buys a country pub and turns it into a gourmet restaurant. Forlani is a food critique and his mousse catches her eye. 6/28/14

Rob Haley (Dougray Scott) is a successful chef in London left heartbroken when his wife is killed in a car accident. His restaurant 'The World's End' suffers a deadly review and business dries up. His friend Gordon Ramsay is horrified at his state. Rob visits the sleepy country pub that his wife was going to buy and meets American food critic Kate Templeton (Claire Forlani). She's moved back in with her English father estrange since she was 12 after the failure of her relationship. He rediscovers the love of food, gathers up a couple of his old kitchen crew, and buys the rundown pub. It's a horribly slow start. Then Kate tries his food. Food critic Guy Witherspoon (Simon Callow) comes by.

I really hate the Gordon Ramsay cameo. It takes me completely out of the movie. This is a simple predictable rom-com. I'm not railing against rom-com clichés. They're clichés for a reason. For a foodie rom-com, this needs much more food porn. Personally I love the visual delights of food porn. That's the one element missing here. The leads are perfectly lovely. The evil people are perfectly douche like. The little girl should be younger and cuter. It's not aiming for much and that's what it does.