Rez Ball

This is a story about a Navajo basketball team, so I wonder why the writers who write the description blurbs on streaming sites and IMBD can't be bothered to state that the team is Navajo, instead of "Native American". OK, that was my one quibble with the way the film is marketed.

The film itself is well produced and has a good cast. The story is, for the most part, believable. It does seem to be aimed at ticking as many boxes as possible for woke points. What's good is the number of relatively new faces in the cast as well as some familiar actors such as Ryan Begay, Kiowa Gordon, Morningstar Angeline and Amber Midthunder. None of the cast did bad jobs with their roles, IMO, all good work.

How many of these rag tag kids go from outcasts to heroes sports movies do we need? Watch Bad News Bears, Hoosiers, Mighty Ducks then repeat if you want to watch the same movie again. For that matter, if you substitute an individual for the kids, you can just watch Rocky (the first 3 anyway) or Million Dollar Baby and get all the underdog overcomes adversity to win sports contest thrills you will ever need.

Rez Ball is just the same plot with poor direction, no development of a connection between the viewer and the character, obtrusive musical montages instead of actual acting and checking off some Dine stereotypes. Oh, and if they said the phrase "Rez Ball" one more time, I planned on sticking an icepick into my eardrums.

I'm all for using Native American actors in films wherever you want to cast them. Just make sure you create a good movie first.

Netflix brings us a sports drama from director and screenwriter Sydney Freeland that takes us to the Navajo reservation with an emotional basketball sports drama.

The long list of sports dramas in the cinema is varied in terms of memories and quality, and here Netflix gives us a proposal where we can find many of the iconic clichés in action, but which guarantee a fairly emotional and functional pastime like those moments of the most outstanding titles of this subgenre.

The film, while not afraid to follow the tried and true beats of the genre, is the specificity of the film that is handled with total care by its director who knows how to give you just the right amount of sports drama, life drama, Navajo drama and social drama that with all of that makes the perfect mix so that the path to the heroic act works as the main course of the film in a satisfactory way.

With a fairly efficient cast, where Kauchani Bratt stands out in the main role and a satisfactory Jessica Matten in her leading role, they are the most notable point of a cast that in its entirety is quite fulfilling and rewarding.

A proposal that knows how to mix comedy, courage, drama and redemption in a genuinely exciting way that makes us have an entertaining film without having to demand itself, but rather with the solvency of having a sports drama full of everything that one seeks to find within these proposals, but it does so with the desired measure so that nothing is too much and neither is it limited so that it is unsatisfactory, a mix with the precise doses to give a good weekend show.

This deserves way more credit. 6.3/10 is not doing this movie justice. If you like a good bball movie it's definitely one! I'd want to see a bit more background on the coach but really loved the WNBA/lgbtq trope, which off course you see coming when you hear WNBA! I liked the highs and the lows and it was all in all really entertaining.

I don't often write reviews but damn, this is worth it. You can always count on female creators for recommendations! In this case Lily Gladstone and Erica Tremblay came through for the indigenous community and hyped this up! (And no, it's not just about community, this movie was a good one)

Highly recommend for a family movie night or like in my case...a singly single pop corn/wine all alone Saturday movie night 😂

For what they spent and all the hype building it up, I expected better.

In the end, it's just another forgettable Netflix film not worth a repeat viewing. Some average cinematography, choppy editing... nothing stands out, except the countless times they have to show Shiprock in the background with a long lens. This is such a native/New Mexican movie cliche that its lost its caché.

Hoosiers this ain't! Don't expect to see Gene Hackman, or really anyone mildly recognizable in this mediocre digital file. Glory Road was even better than this! I won't discourage others from watching, but I will say don't expect much.