सत्यप्रेम की कथा

Satyaprem Ki Katha is a heartfelt love story that resonates deeply. With its engaging narrative and captivating performances, this film truly stands out. It not only boasts great music and memorable songs but also presents a unique blend of romance and comedy.

The chemistry between Kiara and Kartik is simply remarkable, leaving a lasting impression on the audience. Moreover, the film's screenplay strikes a perfect balance between lightheartedness and emotional depth, making it much more than just a typical romantic comedy.

The supporting actors deliver commendable performances, adding depth and nuance to their respective roles. Collectively, the cast contributes to the overall success of the movie.

Satyaprem Ki Katha sheds light on a well-known yet rarely discussed topic, serving as a powerful message for a society bound by orthodoxy. It tackles the subject matter with sensitivity and addresses important societal issues.

While Satyaprem Ki Katha has its strengths, it is not without flaws. One of the shortcomings is that at times it diverts from its central idea, causing some inconsistency in the storytelling. This can occasionally detract from the overall impact of the film.

Furthermore, although the ending of the movie wraps up the narrative, there is a sense that it could have been better executed. It feels somewhat rushed and lacks the finesse that one would hope for in a satisfying conclusion. This rushed ending can leave viewers wanting more and may not do justice to the emotional journey depicted throughout the film.

It's important to acknowledge that while Satyaprem Ki Katha has its imperfections, it still manages to deliver an engaging story, remarkable performances, and memorable music. The film's flaws, such as the diversion from the central idea and the hurried ending, should be considered in the overall evaluation, but they don't overshadow its positive aspects.

The cinematography was well done. Nice colours throughout the film.

The story was very basic and full of usual cliche. Nothing new to be remembered.

What bother me in that film was the humour. The joke was so childish. Even the main character acted like a child most of the time. It was painful to watch.

The actress did a good job however ad she didn't have to make jokes.

In the first half of the film, the actress didn't like the main actor and I dont blame her for it.

As I'm from Western Europe, perhaps it's the difference in culture that makes me cringe every time they delivered their lines.

I forget about this movie as soon as I left the screen.

The first half is horrendous, they tried to incorporate comedic elements to incite laughter, but they largely fell flat. Neither the one-liners nor the mannerisms of Kartik Aaryan could salvage anything redeemable.

Speaking of Kartik, I think he is still stuck in his Pyaar Ka Punchnama role, repeating the same set of quirks over and over again. If he really wishes to be called a competent actor, he must come out of his shell and broaden his horizons. The same set of expressions and the same way of delivering his lines (Like he has been doing since his debut) will only cut it short term.

Now coming back to the movie: following a dreadful first half, I began to grow impatient and was losing hope, but then the interval block came as a glimmer of hope, it brought some promises, and luckily, the proceedings got significantly better in the second half, albeit the ending once again came across as being overly preachy and stingingly pretentious.

I'm all up for messaging, especially one that holds importance and is relevant to modern-day society, but that message needs to be communicated in a fitting fashion. Or else, the essence could get lost, and it would not leave the intended impression, and that's exactly what happened here.

And I would like to put the blame not only on the ambitionless direction but also on the writing, which is burdened with incompetence, especially regarding its characterisations. Barring Kartik and Kiara, every other major character, for some odd reason, felt so unsure about themselves, dithering in their actions and how they carry themselves.

The saving grace was Kiara; she once again proved her mettle and played this complex part with utmost sincerity and conviction. I wish we would have seen more of her.

Wow. This movie isn't what anyone expects it to be. I just loved how the movie changes genre with one twist mid way through the movie. Such a thought provoking drama disguised as a rom com. It will certainly not be an easy watch for anyone who is expecting a cute romantic comedy but will delight anyone who wants to see something new and relevant.

This is perhaps Kiara's best acted movie and even Karthik Aryan who is his usual self in the first half raises his game in the second half of the movie. Supriya Pathak is delightful in the movie and Gajraj Rao gives another terrific performance. The story is completely fresh and the direction of such a sensitive topic is masterful. The movie is applause-worthy. I hope it does well.

Watching OMG2 and this in the last couple of weeks is really making me contemplate my decision of not taking the present Bollywood seriously.

A much needed topic and social message delivered almost perfectly without much overacting or overdramatization in the process. The way the Hindi cinema industry is embracing such non-cliched "hatke" stories not concerning much about the profit or blockbuster status really makes the budding cinephile in me happy.

Not a fan of Kartik Aryan but he really impressed with his acting and justified portrayal of a low wit ordinary boy.

Kiara Advani is exceptional (IMO she is even better than in Shershah) with her range. Her raw acting and expressions in the climax is one of the best I have seen in Bollywood in a long time.

It manages to hit the ball home right from how it slowly builds up to finally culminate in the credits with a strong textual message.

It would be a 4/5 except for the lacklustre dance numbers, few underutilised characters and an awful rendition of Pasoori !!

Will end with quoting Jauhari ji from MiH S2 "lekin aab agar kiske sath aisa hoga toh dhindora peetna chahiye".