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I've grown up in Tuscumbia, Alabama. Home to Helen Keller and the Alabama Music Hall of Fame, our little town sits shoulder to shoulder to both Sheffield, home of Muscle Shoals Sound Studios and Muscle Shoals, home of FAME Recording Studios. We are not a community that is well known outside the music industry but we have seen our share of big names making comfortably quiet stops in our area to work on some of their releases. Needless to say, our area has an affinity for music and when I recently came across this film, I had to check out this flick about one of Alabama's boys.

Hank Williams truly played one of the most significant roles in country music. While his life was brief, the impact he made speaks volumes to his gift of musical creativity and delivery. The scope of what he could have achieved had his life not ended is something to think about.

While this film is wonderfully acted and filmed, I must admit that I was a bit disappointed. I thought that for a biographical movie about the demise of a musical icon this film was shallow. It seemed to only scratch the surface of Hank Williams life, music, relationships and addictions. If I had to choose what it was most focused on I would say it was mostly about his first marriage. It was still, as I said, very shallow and didn't really dig into their struggles and they didn't have many scenes together in the film.

I was disappointed that his music wasn't showcased more. There were some honky tonk scenes, some Grand Ole Opry scenes and a couple acapella moments but it was just missing something and didn't seem to do him much justice. It would've also been nice to have seen some about his childhood and how he came to realize his musical talent.

Don't get me wrong, I liked this film. Hiddleston did a great job filling this role and I'm not sure that you'd find many fans that would disagree with that. I guess I was just hoping for more than I got. It was nonetheless a decent film and worth the watch.

'I SAW THE LIGHT': Three Stars (Out of Five)

A biopic based on the life, and death, of country and blues music legend Hank Williams. The movie stars British actor Tom Hiddleston, as Williams, and it costars Elizabeth Olsen, Cherry Jones and Bradley Whitford. It was written and directed by Marc Abraham, and it's based on the book 'Hank Williams: The Biography' (by Colin Escott, George Merritt and William MacEwen). The film underperformed at the indie Box Office, and it's gotten mostly negative reviews from critics and fans alike. I think it's about average for a biography, which means it's pretty boring stuff (despite it's involving subject matter).

The movie begins when Hank Williams (Hiddleston) was already a well known country and blues singer, and songwriter. He was also already unhappily married to Audrey Sheppard Williams (Olsen), who was also his duet partner and manager. He also already had a serious alcohol and drug problem as well. The movie chronicles his rise to fame, and further descent into health and relationship troubles, up until his very young death at the age of 29.

Hiddleston, despite not being an American actor (or especially from the South), gives an awesome performance in the film (he also did all of his own singing in it)! His performance is actually the highlight of the movie, but the character (and the music legend that he plays) should be a lot more fascinating. The movie recounts the details of his short life, and stardom, but it doesn't actually breath any real life into them; it's just not very involving at all (like it should be). Most biopics have this too annoying flaw though. The film is OK, especially for a Hank Williams fan, but then again, Hank Williams fans are the ones who should be the most eager for more.

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I'm only 25 years old, but I have almost all of Hank's music and have read multiple books in high school about him (including "Hank Williams: The Biography" by Colin Escott). So needless to say, I had high hopes for this movie.

I feel like my high hopes were mostly met. I thought the movie did a very good job of laying out Hank's life and showing his stardom as well as struggles. I didn't like as much that it was rated R vs a PG-13 for "Walk the Line", but then again, anyone who has studied Hank knows that his life was rough and he wasn't candy-coated by any means.

I think Tom Hiddleston does a very good job as Hank, though maybe not QUITE as spot on as I would've liked. But when a big movie comes out about probably my biggest musical artist of all-time, I won't complain. From what I've read, Mr. Hiddleston was basically trained to be as spot-on as possible, and when I saw the movie, he had me believing it was Hank. Elizabeth Olsen did a very good job as Audrey as well.

Overall, I quite enjoyed the movie and am anticipating any special edition releases when it comes out on DVD in a few months. Of course, there were moments of sadness especially toward the end, but there were also moments of happiness and (at least for me) a few chuckles. Although I wouldn't rank this as high as "Walk the Line" in my list of biopics, it was definitely worth the price of admission to me and I would totally see it again if given the opportunity.

Greetings again from the darkness. Most Hollywood musical biopics follow a similar and predictable structure, which is why Walk Hard: The Dewey Cox Story was so easily able to parody the genre. Of course, the legendary singer/songwriter Hank Williams deserves more than predictable storytelling … but unfortunately, that's exactly what he gets here.

Tom Hiddleston delivers a spot on physical impersonation of Hank – right down to the slightly hunched over (due to Spina Bifida Occulta) posture and bouncy onstage waggle. Yes, the very British Tom Hiddleston, who plays Loki in The Avengers and Thor movies, has managed to capture the presence of one of the all-time great Country and Western icons. Mr. Hiddleston worked on the beloved songs with Rodney Crowell and delivers some very nice singing - so nice in fact that the singing is distracting and misleading. Hank Williams sang his songs in angst … a tortured soul seemingly without choice in his need to share his art. No one could be expected to perform with that emotion, and the void is obvious.

As source material, director Marc Abraham (Flash of Genius, 2008) utilizes "Hank Williams: The Biography" co-written by George Merritt, Colin Escott, and William MacEwen. It may be the least creative title possible for a biography, and the movie correlates perfectly. We track Hank's early days as a struggling singer whose dream is to someday perform on the hallowed stage of The Grand Ole Opry, to his gas station marriage to Audrey May (Elizabeth Olsen), through his alcoholism, drug use, womanizing, superstardom, fall from grace, and ultimately tragic death at the age of 29.

Despite the nature of Williams' short life, the film only skims the surface and rarely digs too deeply. The steady stream of women/wives is difficult to track … perhaps that's the point. Audrey is the only one who gets much screen time and Ms. Olsen plays her as an ambitious shrew who comes across as impossible to like and as unwilling to work at the relationship. A staggering number of Hank Williams songs are embedded as merely interludes separating scenes of misery for all involved … especially Hank, who seems to find little joy in life.

We've all seen the destruction that fame often leads to, and when combined with Hank's painful back disorder and relentless alcoholism, it's little wonder his body simply surrendered at such an early age. The movie just seems a bit too high-gloss for such a tortured soul, and despite the best efforts of Tom Hiddleston, the film is not worthy of someone who left the musical legacy of Hank Williams.

"I'm So Lonesome I Could Cry" or "Your Cheatin' Heart" might have been better titles for the Hank Williams biopic, "I Saw the Light." The story written and directed by Marc Abraham has too much emphasis on his lonely, cheating persona that led to divorce and broken hearts along the arc of this film's 1944 to 1953, when he died of too much drugs and alcohol. After seeing Amy, about Amy Winehouse, I'm waiting currently for a softer biography, say of Perry Como.

Anyway, Tom Hiddleston's turn as Williams is hypnotically spot on from tics and Southern drawl to hats and all the charm in between. Hiddleston is a good singer who seems to have captured Williams in a masterful interpretation of a manic depressive genius. That's my major concern with the story: I want more of the music, its creation and its challenges, and much less of the personal and domestic warfare, led by his wife, Audrey (Elizabeth Olsen).

Olsen's Southern accent is impressively accurate without being too twangy although her singing is not up to Huddleston's level of smoothness. Audrey was apparently a strong woman who interjected herself into the studio as well as the home. Although she isn't as memorable as June Carter Cash, she is a force in Williams' life. At a point I was sympathetic to her and her children, who were small players in Williams' life.

I guess if you really want to know Hank Williams, listen to his songs. If you want to see what Loki can do outside of science fiction, see him play Hank Williams in I Saw the Light.