Rebel Moon: Part One - A Child of Fire

I wanted this to be good so badly. Like really badly.

Other than the world design and effects, there really isn't much else to salvage from it.

In true Snyder style we've got lens flare and slow motion, but this time he's dialled it up over the top.

Some of the action scenes are absolutely ruined from way too much diving in and out of slow motion.

The biggest disappointment is the writing.

The first 70% of the film is absolutely a waste of time and not needed.

You don't find out most of the characters actual relevance until the back end of the film.

Everything before that is a mixture of utterly pointless painfully boring scenes done for the sole purpose of filler.

Looks great, but that's all.

A test of the degree of imagination shown in a sci-fi film is whether it could equally have been done as a cowboy movie. "Rebel Moon Pt. 1" could have, and the movie would have been "The Magnificent Seven" (1960, 2016, 1998-2000 as a TV series, or indeed "Seven Samurai" of 1954), because the plot is err.... identical. And I expect the plot of the second half will be identical too. So if you have ever seen any of those and a spaceship taking off, you don't need to see this movie (OK, some of the spaceship imagery is very good). But I have to wonder whether anyone was actually paid for "writing" the script :-)

It is all over the place. No character connection. Vulgar scenes to force emotions. Weird cheap cocktail of Star Wars and Dune. Felt like fan-made university project with a multi-million budget that was only spend on slow motion CGI scenes. I doubt that the extended edition will have more movie magic since this one already fails in every sense.

Not even the world-building or the design felt worth watching since it felt like the characters were in costumes rather than authentic dresses. No scene composition gave the feeling of a profound world with deep history.

Too many unoriginal ideas that were thrown together with the hope of "Let's hope it will be the next movie success".

I wouldn't say that the actors were weak, rather the error or lack of writers in the writing process of the movie show how important dialogue, character building arcs and real emotional value are in movies rather than gross tasteless blood baths, torture, explosions and one-dimensional characters.

The biggest problem of the movie is the plot. It is just bad. And not just the main storyline which makes little sense and the villains are comedic, but almost every interaction ends up with the viewer asking "but, why?" or "how does it even make sense?".

The assembly of heroes (what the movie is about) is also rushed as hell, and the motivation of the people to join is straight-up nonexistent in most of the cases and is simply skipped entirely.

As for the villain who comes to find mysterious troubling rebels, apparently every single person knows who are the rebels and how to find them and shares that information to the first stranger they meet. It's not like they are even hiding.

Next, combat and action scenes. Blasters that penetrate people in armor through, but can't penetrate a thin piece of wood. Remember when in the new Star Wars trilogy a red guard could strike Ray but was just making dumb random moves to simulate action? Well, it's absolutely the same here. Maximum drama, lots of slow motion, frequent switch of the scenes every few seconds and very little sense.

The acting is ok, but it's difficult to judge the actors if they do good because the script tells them to follow an unnatural character arc in the first place. I'd say Sofia played Kora well, but Kora is just a poor character which is out of place in the very story she's central.

It's not all bad. The picture is nice.

I'd say it's the most disappointing Snyder's movie so far.

What's worse than a movie that shamelessly plagiarizes elements from other sci-fi or fantasy products? A movie that does all this and fails to even build a world in which you feel interest and curiosity in finding out how the story will evolve. However, if the terrible world-building is Rebel Moon's biggest flaw, it certainly cannot be said that everything else is able to compensate for the extremely poor script. Direction, visual effects, photography, costumes are all so aseptic and unmemorable that it is guaranteed that nothing of this movie will remain forged in people's minds for years to come, as movies and TV series have been able to do like which Rebel Moon would pretentiously love to place itself.