No Limit

Once upon a time there was a film made about Gandhi who insofar as I remember was Indian. They used a British Jewish actor to play Gandhi. I still wonder why? No Indians available?

Then later on and before that they would make cowboy movies with white actors painted to look like Braves. Here in these Woke years they use actor Sofiane to play a character called Pascal which may seem a bit odd to some viewers; did they run out of Frenchmen who are not French Arabs? It seems unnecessary to me but anyway he does a great job here as the Baddie of the piece.

As regards the other main protagonist her acting is okay here only during the bar scene with the secondary love interest does she giggle a tad like a brainless model; the rest of the time she is really quite adequate even very good at times. The other acting folks here are all pretty good not stellar But pretty good.

The tale here is a total grim fest. Both main characters have childhoods that would make Dickens and Eugène Sue blush and they tell you about them. The activity they are engaged in is to a sane person so crazy that it beggars belief.

I remember the film The Big Blue (1988) from years ago (Luc Besson 1988) and this was excellent (free diving is huge in France) ; here we have what it has come to now an exaggeration a crazy hyperbolic take on free diving full of technology machines and pushing the human body to a place where it can only die.

Trying to produce no spoilers here but it does not end well surprisingly. Do not watch this film if you want something to cheer up this will not tick that box. Also it is intimated that something of the same nature happened in real time to a real female diver in The Dominican Republic; maybe just an homage; probably not a cut-and-paste

To summarise it is very adequate film well-made the acting I would rate at 75% of what it could have been; but whichever way you cut this the storyline is strong and that is a very crucial component of any movie...

PS so i went and watched The Big Blue (1988) again after all these years and that too was not a tale of joy either .... I had forgotten the ending probably just remembered the cuddly dolphs and gorgeous curves of Rosanna .... but yes in a way "Sous Emprise" is just an amped version in the more accelerated and cruel world of 2022 .... I remembered The Big Blue (1988) as chipper chirpier ... but noooooo it sure was not.

Was expecting something more whit the story they had in hands with this movie, feeling like they're lost a great opportunity to explore a lot more. Feelings, expressions, moments, emotions... It was like the producer director was just sleeping while they've been producing the whole movie.

As a.follower of the american's productions tho is natural for me to feel frustrated with any other movie from another country. But this goes beyond that. The actors could really act way better as much as the.plot could have been way better worked out.

So that said, I want to make sure if you are going to watch this, go without any expectations as I did and maybe you can like it, I mean,,, it's not that bad as I made it seems like hahhaha Have a great time.

Quite nice cinematically, typically French and good if you're in a deep and thoughtful mood, but with some quite depressing themes so not one to cheer anyone up! This is exactly the sort of 'world' film that I like to watch by myself because no one else woukd watch it with me - it was dubbed but I might have actually preferred original French with subtitles as it keeps the arty quality.

There were a lot of things I found frustrating and nonsensical about the storyline until I wondered whether it was based on a real person, and then it started to make sense because real life is full of awful choices and watching flawed people make decisions that are hard to fathom.

Honestly so much of the story had me thinking 'that would never happen' that you pretty much couldn't make it up.

The main characters are often a bit unlikeable in my opinion and the ones that are decent seem to get the rough end of the deal... Unfortunately true to life you might think.

I do like the sea though, and it was interesting to learn about the sport and the psychology around it. I quite liked it but again, you'd need to be in the mood for something pretty slow but dramatic!

Surprised to see this rating on IMDB but for me this movie is 10/10.

Totally breathtaking from the first minute - maybe because for me water is a great mystery and every time they dive in I was stressed out, waiting to see what will happen.

A lot to learn from the story of the main character - Roxana and all the way she goes towards achieving her dream - to find her purpose.

Entangled within the hard live she had, the hard live her love had and the mistakes they want to "fix", there is a love story so complicated that you want to see it ending in a different way.

And I did not expect the ending of the movie which quite made me think of the whole story for days.

This fiction movie I found out after watching it is actually based on the life of Audrey Mestre (1974 - 2002) a French world record-setting freediver and her husband. Since it is actually a fiction movie, it is obvious that someone took liberties and embellished this story - they either had insider information on her personal details or made up a bunch of baloney for a story as it doesn't really match the Wikipedia biography on her. This disturbs me a bit because although 20 years have passed, I have no idea what the laws are in France but I assume that someone got paid or gave permission to do this Netflix story - and I truly hope it wasn't her husband exploiting her memory for money. He was actually portrayed as her boyfriend in this movie who was a diver himself and taught her how to dive. The movie itself was kind of interesting and gave me a greater understanding of the sport itself. I have no idea why someone would want to do it although I have seen lots of Greek divers in FL get started by diving for sponges, The acting was a little bad but the likeness of the FL was very similar to the real person.