पृथ्वी के बाकी संसाधनों को निकालने के लिए भेजा गया एक पुराना सिपाही इस सवाल में उलझ जाता है कि वह अपने मिशन के बारे में और अपने बारे में क्या जानता है.पृथ्वी के बाकी संसाधनों को निकालने के लिए भेजा गया एक पुराना सिपाही इस सवाल में उलझ जाता है कि वह अपने मिशन के बारे में और अपने बारे में क्या जानता है.पृथ्वी के बाकी संसाधनों को निकालने के लिए भेजा गया एक पुराना सिपाही इस सवाल में उलझ जाता है कि वह अपने मिशन के बारे में और अपने बारे में क्या जानता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 17 नामांकन
David Benyena
- Grow Hall Survivor
- (as David Madison)
John L. Armijo
- NASA Ground Control
- (बिना क्रेडिट के)
Fileena Bahris
- Survivor
- (बिना क्रेडिट के)
Joanne Bahris
- Tourist
- (बिना क्रेडिट के)
Andrew Breland
- Survivor
- (बिना क्रेडिट के)
Suri Cruise
- Jack's Daughter
- (बिना क्रेडिट के)
Z. Dieterich
- Survivor
- (बिना क्रेडिट के)
Paul Gunawan
- Survivor
- (बिना क्रेडिट के)
Julie Hardin
- Librarian
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
If there is a soul, it is made from the love we share.
There are many ways to describe Oblivion, but the softly spoken afterword by Tom Cruise's character really makes you feel the human heartbeat of this sci-fi epic.
As always, the trailer is full of explosions and set pieces. Oblivion the movie is an entirely different beast that values a human story and characters that are driven by common purpose. While the cast is tiny, I found much to enjoy from Cruise, Riseborough, Freeman and that Nordic guy from Headhunters who is showing up more frequently in Hollywood blockbusters. Aside from unusually limited screen-time, Morgan and other supporting cast are effective and memorable.
The threads of the plot are well-woven and I won't give anything away, so what I will tell you is to prepare for a powerful journey into the unknown where nothing is what it seems. Explosive set pieces take a backseat for sci-fi philosophy with twists to spare.
Oblivion ticks all the boxes for correct use of literary devices and establishes enough original cannon to stick in your mind long after the credits start rolling. It is a distinct success among the largely abysmal offerings of 2013 so far, don't miss it.
There are many ways to describe Oblivion, but the softly spoken afterword by Tom Cruise's character really makes you feel the human heartbeat of this sci-fi epic.
As always, the trailer is full of explosions and set pieces. Oblivion the movie is an entirely different beast that values a human story and characters that are driven by common purpose. While the cast is tiny, I found much to enjoy from Cruise, Riseborough, Freeman and that Nordic guy from Headhunters who is showing up more frequently in Hollywood blockbusters. Aside from unusually limited screen-time, Morgan and other supporting cast are effective and memorable.
The threads of the plot are well-woven and I won't give anything away, so what I will tell you is to prepare for a powerful journey into the unknown where nothing is what it seems. Explosive set pieces take a backseat for sci-fi philosophy with twists to spare.
Oblivion ticks all the boxes for correct use of literary devices and establishes enough original cannon to stick in your mind long after the credits start rolling. It is a distinct success among the largely abysmal offerings of 2013 so far, don't miss it.
Oblivion is nine years old as I write this, and in perusing the reviews written when it opened, they have aged far less well than the movie.
Those reviews are mostly concerned about whatever the hell Tom Cruise was going through at the time, or obsessed with obscure symbolism in the production design.
For whatever reason, it appears the reviewers couldn't get over themselves enough to just watch the movie and evaluate it on its merits.
On the off chance this film has escaped your attention, it is well worth two hours of your time. It is solidly acted and produced, has first class effects, and a spectacular location. The story combines some emotional heft with a clever and satisfying twist at the end.
I watched it again, but this time with my SciFi hating wife. She protested initially, watched the entire thing, and then thanked me for getting her to watch it afterwards.
That's as good as it gets.
Those reviews are mostly concerned about whatever the hell Tom Cruise was going through at the time, or obsessed with obscure symbolism in the production design.
For whatever reason, it appears the reviewers couldn't get over themselves enough to just watch the movie and evaluate it on its merits.
On the off chance this film has escaped your attention, it is well worth two hours of your time. It is solidly acted and produced, has first class effects, and a spectacular location. The story combines some emotional heft with a clever and satisfying twist at the end.
I watched it again, but this time with my SciFi hating wife. She protested initially, watched the entire thing, and then thanked me for getting her to watch it afterwards.
That's as good as it gets.
The trivia tells us that this is based on a comic book that director joseph kosinski wrote in 2005 but was never published. The story takes place in 2077, just after the "memory wipe" that jack (cruise) describes for us. And the invasion by space travelers, which destroyed most of the cities and made living on the surface mostly impossible. Some great special effets. The control panels, the copter, even the wrecked surface of the planet. Jack is tasked with protecting the structures that support the floating living quarters for the remaining population. I LOVE the mini moto that jack rides around on... kind of like a george jetson briefcase that folds and unfolds. Google it. Some beautiful scenery of iceland, and various film locs in the united states. When another human from the past crash lands, we're not sure what her mission is, or who's side she is on. Some really good suspense, while we wait for answers. Especially when morgan freeman is involved. Really good sci-fi stuff!
This movie is - without a doubt - one of the most visually spectacular that I have ever seen, standing shoulder-to-shoulder in that department with the likes of Watchmen, Prometheus, Sunshine and Kosinski's preceding effort - TRON: Legacy. Also (like TRON) the soundtrack is excellent and very well used throughout, enhancing the action and adding depth to some - at times - distinctly average acting performances.
Tom Cruise plays Tom Cruise but that's not a bad thing in this case, in fact his natural charisma carries the movie through some of its slower sections. Morgan Freeman plays Morgan Freeman though he's really not on screen for long enough to influence the movie one way or another. Olga Kurylenko's statuesque profile is unfortunately not matched by her acting ability and I often found it difficult to believe in her character's actions and emotions. Andrea Riseborough turns in maybe the best performance, convincing as the sad and confused Victoria, unwilling - or perhaps unable - to confront the disturbing truth.
At over 2 hours I think that it's too long by about 20 minutes. A shorter cut would tighten up the story and eliminate some of the slower sections which I think hurt the movie's overall rhythm and flow.
Overall, I would definitely recommend going to see this movie in the cinema, on the biggest screen that you can find. It just won't be the same on TV. The visual appeal alone is reason enough, but combined with a clever (if not entirely original) script, a thumping soundtrack and some exciting action, you should be entertained.
Tom Cruise plays Tom Cruise but that's not a bad thing in this case, in fact his natural charisma carries the movie through some of its slower sections. Morgan Freeman plays Morgan Freeman though he's really not on screen for long enough to influence the movie one way or another. Olga Kurylenko's statuesque profile is unfortunately not matched by her acting ability and I often found it difficult to believe in her character's actions and emotions. Andrea Riseborough turns in maybe the best performance, convincing as the sad and confused Victoria, unwilling - or perhaps unable - to confront the disturbing truth.
At over 2 hours I think that it's too long by about 20 minutes. A shorter cut would tighten up the story and eliminate some of the slower sections which I think hurt the movie's overall rhythm and flow.
Overall, I would definitely recommend going to see this movie in the cinema, on the biggest screen that you can find. It just won't be the same on TV. The visual appeal alone is reason enough, but combined with a clever (if not entirely original) script, a thumping soundtrack and some exciting action, you should be entertained.
An engrossing film, with a well-developed post-apocalyptic premise, along with an unpredictable plot, visually stunning cinematography, paired with thrilling action sequences and great performances, although the plot got a bit convoluted at times and there were some plot holes.
क्या आपको पता है
- ट्रिवियाThere were ten days of location shooting in Iceland, where daylight lasted virtually 24 hours. Joseph Kosinski wanted to make a film that was very much based in daylight, considering that a lot of classic sci-fi movies like एलियन (1979) and ब्लेड रनर (1982) were shot in near darkness.
- गूफ़Shortly before the end of the film, Jack listens to the contents of the black box which he found in the crashed crew module with the hibernating "Odyssey" crew members. The recorded cockpit conversation between Victoria and Jack goes on after sealing off the module with other crew members and even continues after jettison of the module. At first glance it seems the cockpit conversation could no longer be on the black box, but the system could have been transmitting the recorded conversation to the crew module with the black box.
- भाव
Jack Harper: If we have souls, they are made of the love we share... undimmed by time and bound by death.
- क्रेज़ी क्रेडिटThe Universal logo features the Earth in its ruined state in 2077 in the film, with the logo's letters rusted.
The Tet space station is seen orbiting the world.
- इसके अलावा अन्य वर्जनThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- कनेक्शनFeatured in Projector: Oblivion (2013)
- साउंडट्रैकRamble On
Written by Robert Plant, Jimmy Page
Performed by Led Zeppelin
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $12,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $8,91,07,235
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,70,54,485
- 21 अप्रैल 2013
- दुनिया भर में सकल
- $28,61,68,572
- चलने की अवधि
- 2 घं 4 मि(124 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें