ऑबलीवियन

For decades it has been an accepted fact of life in Hollywood that, no matter how good the movie, endings are a write-off.

Hollywood has learned the hard way that, no matter how good the film (or the book on which it is based) it is impossible to do an ending which satisfies the writer, the director, the producers, the critics, the audience and (duh!) reviewers like this one.

That is why, for literally as long as there have been movies, endings are changed at the last minute; and often even multiple endings are shot so that survey groups can be brought in to make the final choice.

The reason I gave this brief lecture on the importance of endings is simple -- going into the last 20 minutes, this was a rock solid film with a rock solid script and rock solid performances.

But the ending was ... perfect.

And perfect endings are so rare these days that I needed to write a review for posterity that does nothing except note this for future readers and future viewers.

Are we still an effective team???????????

A provocative story kernel in its own right, yet it pulls fragments from too many genre greats making it a clichéd mosaic pastiche of a post apocalyptic world where everything is not as it seems.

The opening third is intriguing and well played with a strong three-way dynamic between Jack, Victoria and their mysterious video-comm handler; it piques interest and poses many questions. Jack's questioning nature and feeling that something is 'off' contrasts with the 'happy clappy', following orders vibe from Victoria.

This dynamic is enhanced with the addition of a fourth character Julia, who is already in Jack's dreams - a fabulous performance from Olga Kurylenko. From there though, the movie loses its charm and becomes completely generic.

Fabulous cinematography uses distinct color palettes to denote time and location, admirably supported by excellent effects. The soundtrack is also strong with carefully selected music.

Overall this is a good watch, but flatters to deceive. With more self-confident writing this could have become a classic.

I never gave this a chance when it was released. It received mediocre reviews and it just kinda fell off my radar.

I have to agree with others and say it's definitely underrated. Great plot (minus a few plot holes), amazing acting, cgi looks awesome (it's just as good as modern movies or better even though this is a decade old).

I've noticed a lot lately that if I go back to the mid 2010's or earlier I find a lot of good movies. It just shows you how far Hollywood has fallen off. Weirdly CGI seems to peak around that time and then studios just got lazy or something and cheaper out with bad graphics and bad writing.

Oblivion is nine years old as I write this, and in perusing the reviews written when it opened, they have aged far less well than the movie.

Those reviews are mostly concerned about whatever the hell Tom Cruise was going through at the time, or obsessed with obscure symbolism in the production design.

For whatever reason, it appears the reviewers couldn't get over themselves enough to just watch the movie and evaluate it on its merits.

On the off chance this film has escaped your attention, it is well worth two hours of your time. It is solidly acted and produced, has first class effects, and a spectacular location. The story combines some emotional heft with a clever and satisfying twist at the end.

I watched it again, but this time with my SciFi hating wife. She protested initially, watched the entire thing, and then thanked me for getting her to watch it afterwards.

That's as good as it gets.

If there is a soul, it is made from the love we share.

There are many ways to describe Oblivion, but the softly spoken afterword by Tom Cruise's character really makes you feel the human heartbeat of this sci-fi epic.

As always, the trailer is full of explosions and set pieces. Oblivion the movie is an entirely different beast that values a human story and characters that are driven by common purpose. While the cast is tiny, I found much to enjoy from Cruise, Riseborough, Freeman and that Nordic guy from Headhunters who is showing up more frequently in Hollywood blockbusters. Aside from unusually limited screen-time, Morgan and other supporting cast are effective and memorable.

The threads of the plot are well-woven and I won't give anything away, so what I will tell you is to prepare for a powerful journey into the unknown where nothing is what it seems. Explosive set pieces take a backseat for sci-fi philosophy with twists to spare.

Oblivion ticks all the boxes for correct use of literary devices and establishes enough original cannon to stick in your mind long after the credits start rolling. It is a distinct success among the largely abysmal offerings of 2013 so far, don't miss it.