Manodrome

Is this part of the new wave of filmmaking that features protagonists who don't know what they want, and have no goal? Do things happen in this movie? Sure, lot's of things that make no sense whatsoever because the protagonist is a malformed character who basically functions as a broken robot for whoever wrote this. Is he human? Sure. Does he act like any human being ever has? Probably not. Do we care enough about him to want him to succeed? Succeed at what? All he does is meander around making one terrible decision after another as if he had no backbone or even the intelligence of a parrot.

I'll never understand how stuff like this gets greenlit.

Jesse Eisenberg at his most physical preformens. Adrien Brody is really an actor of a generation, and for me Odessa Young is a Revelation. But alongside some powerful scenes and well crafted disturbing imagery, it seems that the creator of the film hasn't quite decided where to take the story. And here it falls short of similar masterpieces like Gone Girl or Power of the Dog.

I saw the film at the Haifa Film festival. It was interesting to see the reaction of the audience, including one husband who, ironically, how couldn't stand the film any longer and informed his wife that he would meet her outside. You'll see which scene it happened in.

Manodrome is a wild ride where we follow the subtlies of a quiet "average" man who meets the wrong people at the right time causing a pressure cooker situation. People saying the film was null of meaning may need some self reflection, the movie clearly nods at what is to come early on and the leads erratic behaviour shows how the pressure guides his choices. The film is the sad, violent and lonely story of a man who because of his upbringing was never able to express himself and now he's invited to open up and influenced into taking matters into his own hands, but his emotions have boiled over in ways he cannot understand nor control before it's too late.

Manodrome is an entertaining take on the toxic masculinity. Jesse Eisenberg alongside Adrien Brody and Odessa Young deliver stellar performances, though, the movie takes so many wild turns by the end, it loses some credibility and could even make you laugh, like it did for me.

The idea was there, and the direction was also promising. For the first half of the movie, I could feel what Ralphie, the main character, was going through. The frustration was crystal clear, and Jesse fantastically portrayed a person trying to handle it by himself. Yet, at one point, the density of dramatic scenes and explosive, reckless actions taken by him turned out to just be too much.

Although I must say, while Manodrome didn't exactly work for me, it kept me engaged until the end, thanks to a stellar mix of great acting, music, and cold, almost raw shots.

On top of that, it's a movie that provoked the most different reactions to it. I experienced it at a movie festival in Wroclaw, and during the whole event, no other film sparked so many different opinions. That is why, even though I felt it was decent personally, I think it should be seen if you have the chance.

There were times when they used to produce movies like Fight Club.

Now they spend $24m to waste our time with some nonsense script.

It's not the first time for Oscar nominee Jesse Eisenberg to play an unlikeable, confused, and soulless person, but what happened to Adrien Brody? Didn't he win an Oscar for the Pianist, at least that was 20 years ago ... I guess some actors don't read their scripts anymore before accepting their $400k roles.

I usually watch the movies to the end to make up my mind but had to stop watching this one after 30 minutes since I could not relate to any of the characters in this movie.