Manodrome

It has the feel of Fight Club but by far has lost itself in a film that you wait for a punch but it never comes. There was no surprise at the ending, the acting could be a ten but the storyline spares none of the performances , I'm a huge fan of both Jesse Eisenberg and Adrian Brody that brought about the most disappointing of all. I even wish I could say the film had any kind of potential but no go. Brody's performance as god was a stick man with a soft guy with nothing else overcomes the soft guy personality. If you watch this prepare yourself for a let down and maybe spare yourself the disappointment and watch something more promising!

Manodrome is an entertaining take on the toxic masculinity. Jesse Eisenberg alongside Adrien Brody and Odessa Young deliver stellar performances, though, the movie takes so many wild turns by the end, it loses some credibility and could even make you laugh, like it did for me.

The idea was there, and the direction was also promising. For the first half of the movie, I could feel what Ralphie, the main character, was going through. The frustration was crystal clear, and Jesse fantastically portrayed a person trying to handle it by himself. Yet, at one point, the density of dramatic scenes and explosive, reckless actions taken by him turned out to just be too much.

Although I must say, while Manodrome didn't exactly work for me, it kept me engaged until the end, thanks to a stellar mix of great acting, music, and cold, almost raw shots.

On top of that, it's a movie that provoked the most different reactions to it. I experienced it at a movie festival in Wroclaw, and during the whole event, no other film sparked so many different opinions. That is why, even though I felt it was decent personally, I think it should be seen if you have the chance.

Manodrome is a wild ride where we follow the subtlies of a quiet "average" man who meets the wrong people at the right time causing a pressure cooker situation. People saying the film was null of meaning may need some self reflection, the movie clearly nods at what is to come early on and the leads erratic behaviour shows how the pressure guides his choices. The film is the sad, violent and lonely story of a man who because of his upbringing was never able to express himself and now he's invited to open up and influenced into taking matters into his own hands, but his emotions have boiled over in ways he cannot understand nor control before it's too late.

John Trengrove's "Manodrome" is an incel-era update of "Fight Club," a story of an average guy whose inner demons are unleashed when he meets a group of men trying to reclaim their perceived place in the world. "Manodrome" weaves modern themes like the emergence of toxic incels across the internet into a tale of a loner who becomes emboldened by the wrong people, echoing "Taxi Driver" as much as the Chuck Palahniuk classic but failing to tie any of its hot-button issues into a coherent statement or character study. It's a hollow provocation with about as much to say about the human condition as an internet troll who learned a few buzzwords this morning and wants to spew them at somebody to feel superior. The cast gives their all, but the film ultimately has nothing to offer.

Is this part of the new wave of filmmaking that features protagonists who don't know what they want, and have no goal? Do things happen in this movie? Sure, lot's of things that make no sense whatsoever because the protagonist is a malformed character who basically functions as a broken robot for whoever wrote this. Is he human? Sure. Does he act like any human being ever has? Probably not. Do we care enough about him to want him to succeed? Succeed at what? All he does is meander around making one terrible decision after another as if he had no backbone or even the intelligence of a parrot.

I'll never understand how stuff like this gets greenlit.