The Greatest Showman

I have watched this film approximately twenty or more times. That is in no way an exaggeration and I may be low-calling it. Sometimes, I just have it on in the background while I work out or in the morning or while getting ready for work or I play it while cooking in the evening.

On a couple of occasions, I've even caught my boyfriend humming the tunes. To say the songs stick with you, is an understatement.

In fact, we've listened and watched it so much, that on every 20th Century Fox Movie "opening" sequence on any and all other subsequent 20th Century Fox movies we've watched, I automatically think of this one, and I am half expecting to see and hear the "Ah, ah, ahhh, ahh ..." and Hugh Jackman with his low "Ladies and Gents . . . ". Besides having a catchy and moving soundtrack, the film itself is a wonder to look at. The cinematography is beautiful, the costumes are well-done, and again, come on: HUGH JACKMAN singing and dancing. What could be better?

Well, for one, not better, but almost as great, is Rebecca Ferguson as Jenny Lind. The lady is gorgeous, and while she actually doesn't sing her rendition of "Never Enough" (Loren Allred does), the passion and zeal she brings to her onstage performance, is one for the books. I could literally (and have) replay that one scene over and over. Zac Efron and Hugh Jackman also have a duet which is fun and witty and very creatively done.

The only reason I did not give it a "10", is probably an unpopular view, and I know I will amass a hugh (not a typo :)) number of thumbs down, but oh well: I did not care for Zendaya AT ALL. I think she was so very miscast. I do not think she looked pretty in the film (although after filming, I saw her giving a couple of interviews and she looked beautiful); I thought she had absolutely zero chemistry with Zac Efron; and lastly, both her acting and her voice are like chalk grating on a blackboard to me. I think Logan Browning would have been cuter in the role. That's just me though, although it did affect my thoughts on the film and my score.

All in all, WATCH IT if you have not yet done so. It is beautiful to look at and a (modern) masterpiece to the ears.

This was the perfect family night movie. I loved the music although at first I thought it would be annoying. I enjoyed the scenes and the costumes and everything about this magical film. I would definitely watch it again.

Sunday was my niece's birthday. 16. I invited her and two of her friends to do whatever they wanted. They chose to stay home, eat cake and watch The Greatest Showman on HBO and I thought Oh no. But, I had cake with them and sat to watch this Michael Gracy, who? Michael Gracy to see the story of PT Barnum with Hugh Jackman. Sentimental and pretty, yes but also, engrossing, moving, beautiful and structured in such a way that doesn't fall into the usual biopic traps. It moves at a breathless pace with smart and unexpected transitions. Hugh Jackman is great and Michelle Williams truthful to a fault. She's never less than that. What a wonderful actress. Zac Effron gives, what it may very well be, his most convincing performance and the Swedish actress Rebecca Ferguson was a revelation to me. The script by Jenny Bicks and the remarkable Bill Condon tells a classic tale with contemporary rhythms and contemporary pace. Needless to say, I enjoyed it much more that I could possibly had imagine. So, thank you Lilli, happy 16!

As usual, the critics fail to grasp the obvious. Does the movie entertain? Yes, it does. Absolutely. Sure, it may not match the real story, and many things are not based in reality, but that's the point! It's a movie! It is a fun musical, very well done and enjoyable.If it was a made up story about John G. Pigglestack, then the critics would have nothing to complain about. I actually likes this much better than La La Land. Guess it's more upbeat. Musicals are a rare breed. Enjoy them while you can.

I love the circus. I love quality cinema. Not since Billy Rose's Jumbo (1962) has a motion picture so successfully combined these two elements. I wouldn't be surprised if it won the same awards as Cecil B. DeMille's The Greatest Show on Earth (1952). Michael Gracey skillfully brought together the best music, choreography, cast, cinematography, visual effects, costumes, and set decoration I have seen in recent years, all fresh and original, and integrated them into nothing short of a masterpiece.