An Irish Goodbye

An okay film, with an average script.

Unoriginal, and not overly well shot (dinner table scene did not flow).

Predictable story. We have seen many bucket list films before.

Dialogue was sketchy and weird timing... felt unintentionally awkward and it didn't flow.

The acting was fine, but certainly it did have a stand out performance by James Martin as brother Lorcan, who was very, very good.

We watched all the nominated shorts (short list), and couldn't work out why this was on the list, it felt the weakest by far. That's not to say it's a bad film. But there was nothing original about it, and it felt overly sentimental.

For this to rise to the top is a surprise, and for it to win an Oscar is bizarre. Guess it goes to show that anything is possible! So regardless of my thoughts, congratulation to the team.

A thoroughly-enjoyable short film centering around the difficulties and complexities of family life. Two adult brothers reunite for their mother's funeral against the backdrop of rural Northern Ireland. Seamus O'Hara and James Martin portray the tragi-comic duo with raw athenticity and a dash of Irish humour.

The younger of the two siblings, Lorcan, strives relentlessly to re-bond with his estranged brother Turlough and avert the possibility of having to live with their only remaining relative, an aunt. What unfolds is a series of subtle comic episodes between the pair as they embark on the journey to fulfil their deceased mother's bucket list. Paddy Jenkins as Father O'Shea further adds to the humour one can only expect from the Irish. A crackin' short from start to finish.

This dark but delightful film, set in the Northern Irish countryside, deserves all its awards and praise. Yes, we have seen most of the plot twists before and warring brothers is a familiar theme. However, the joy of this film is in its warm heart and wit.

Paddy Jenkins, who plays the quirky and awkward Father O'Shea, was a particular favourite, but of course, the film belonged to James Martin as Lorcan. Feisty and often very rude, he owns the screen whenever he appears.

The representation of his Down's Syndrome was an education, too. We see Lorcan as more than his condition. He knows exactly what he wants in life, he always says what he thinks and leads the way in his plans for his life and in celebrating his mother's memory. This really makes the film stand out from others in its representation of disability.

The only thing I thought was a tad silly was the extremely professional looking artwork which was meant to be produced by Lorcan. Yes, of course it was a visual joke, but something slightly rougher would have had the same effect.

Seamus O'Hara returns to the family farm and his pugnacious brother James Martin. Their mother has died, and what are they to do with the acres.... and James. Before they do anything else, they agree to do the one hundred tasks on their mother's bucket list.

Difficult families are one of the basic tropes of good story-telling, from Oedipus Rex on, and this falls into that category, with some ill-tempered sullenness and awkward silences in between the increasingly odd and downright fanciful quests of the late old woman, poor woman.

And now I had better end this review before I begin to sound like Barry Fitzgerald in THE QUIET MAN.

I have now rewatched this film 5 times and each time note a different nuance, expression or film angle.

The script is hilarious throughout, mightily irreverent but laugh out loud funny.

It finished leaving the question "what next" for the brothers. But I see only a very happy ending.

For only three actors to produce such a slick coherent work is remarkable. Well done to all three. The northern Irish accent can some times be difficult to interpret but I heard every syllabul. The opening sequence of the bleak open moorland leading to the family home echoed the plot of the bereaved brothers.

A masterpiece as far as I'm concerned.