William Vincent

There will likely be a small audience for this artistic little cinematic treasure SHADOWS AND LIES, but while the audiences crowd in line for the multi-million dollar retreads of comic book heroes and potty mouth 'guy or chick flicks' it is reassuring that there are experimentalists like writer/director/editor Jay Anania and his pupil, the multi-talented James Franco who continue to push the edge of cinema and create the challenges of this jewel-like film.

Anania opens his film with a dark in medias res raw episode that quickly moves to an image of Joseph (James Franco) missing his flight to Japan because he steps out of line to retrieve a book. The plane crashes, killing everyone on board, and that opens the doors for Joseph to move to Manhattan to have a new life: he becomes William Vincent, a strange loner/drifter who has a job editing nature films for schools in a sparse storefront abode and also performs petty crimes. What gradually becomes apparent is that we maybe re-visiting what happened four years ago: William Vincent, a quiet and mysterious criminal, falls for a New York gangster's (Josh Lucas) favorite call girl Ann (Julianne Nicholson), after performing some 'deliveries' arranged by one Victor (Martin Donavan). When William's feelings are discovered Vincent is forced to flee the city, threatened with death if he should ever return. But after four years in exile (? in Japan), William secretly returns to rescue Ann from the life of derision and fear she is leading. There are quirky moments in the film where William is in the park and 'sees and talks to' two young brothers - Ty and Lewis played by Ty and Lewis Anania - who may simply be a part of William's previous existence as Joseph. But it is this very disturbing interchange of time sequences that makes the film so powerful - are we watching the now or are we watching the then, and if we are seeing the past, how does the ending make sense? Another observer states it this way: 'The story of William Vincent as he recounts the eccentric and curious path that has brought him, at mortal risk, to New York City, after four years in exile, to rescue a woman he scarcely knows, Ann, from the vague crime syndicate that first brought them together.'

Franco is disturbingly brilliant as this strange character Joseph/William and the scenes that simply sit in silence with Franco barely outlined by terrific lighting effects or interacting in spare dialogue with Ann or Victor or the Boss are visually and emotionally stunning. The cinematography by Daniel Vecchione is moody, dark and always appropriate in adding mystery to the story. John Medeski's musical score is primarily a few piano notes and the wheezing sounds of an odd organ (melodica) instrument played by a street person. It all simply works as a brilliant film. Some may label this 'film noir': it is more like experimental 'noir film noir' at every level.

Grady Harp

This movie is different. It does have some recognizable names in it and it might sound intriguing. But it might also bore you to death. Saying this was moving at a snails pace would be an exaggeration. Some people might call this "Artsy", some will call it waste of time. It's tough to say what corner you'll be belonging to.

But you will be able to tell, where your feeling about the movie lie, after a couple of minutes. Though you might not always be able to tell what the characters feel at any given minute. There was a very irritating scene with James Franco, where he is being asked things (mostly about his emotional state). It almost looks like he's about to crack up and laugh. Not something that seems fitting considering the situation he's in. That might be over analyzing, but watching this movie will bring this sort of thinking out of you

This film is a tragedy in its truest sense: tragedy in dramaturgy is sometimes defined as "potential not realized". With this great cast and crew, this director & producers should be shot for making the film stock worth so much more before it was shot.

James Franco is too good an actor to be used, misused and abused in a film like this. His teacher should not have cashed the favor on this film.

The only thing that is more boring, than the boring life of the main character, is the film itself. Telling the story of a boring character does not have to be boring. This film does not know the difference.

The ultimate irony lies in the fact that Franco plays a "film editor" -- this film if edited correctly could perhaps make an interesting 15 minute thriller -- and I am being generous.

Disappointment.

Great casting, no story for a long piece. Really long, tried to be something more, but the length was overwhelming. Fell asleep for 15 min and didn't lose anything as I continued to watch..... Could have been made into short film, a much shorter film. Franco brooding, sans dialogs pieces, didn't go.he does this well. Looking pasty and attractive..

The music at points was obtrusive and disgracing. Visually it was pretty to watch, the coloring, beautiful exterior shots, but not for this long.The movie left me with nothing....

Okay, first of all, I gotta say that I don't think the rating of this movie is very fair.

The rhythm of the movie is slow, so if you're not the type of person who could sit still for two hours and adore the visualization of a slow film, just let it go.

After the ending, I began thinking how the movie had no purpose at all and that it wasn't sending out a message. And then I thought, maybe it wasn't supposed to. Maybe it was just trying to show a small part of a depressed, not-finding-a-meaning-in-life guy's life. And even so, it still lacked something, it was a little lost, like there wasn't much thought behind the story. It wasn't very well figured out, neither were the characters.

But the good news is, it gets you thinking. The photography is beautiful, and so is the acting. James Franco does a great job in this one, every expression on his face has a meaning behind it, the tone of his voice, how the characters linger before saying something, that is All very good. Not so many great lines though, it's mostly body language.

After all, I think it's worth watching. There are many beautiful scenes that you wouldn't want to miss, regardless of the not-so-good story.