Dorosute no hate de bokura

Director did an excellent job filming how time travel would look like if we can peel into the future 2min intervals. Sequence started off very simple, and gradually added layers and increased complexity, filming everything very smartly. Worth your time if you're interesting in sci-fi and time travel.

A strange tale of time travel that doesn't try to be serious or explain the implausible science others usually do. The comedy is really well done and the story very character driven. It reminds me much of Turtles Are Surprisingly Fast Swimmers, which is another strange comedy from Japan. I like how here we are clueless along with the characters so we explore the situation along with them. While there is much that doesn't work or is just wrong from a "realism" standpoint but its not meant to be real. Just enjoy being swept along with the situation, finding answers and not finding answers as whatever happens just happens. Its just plain fun so sit back and enjoy the lack of stereotypical characters and events, maybe with a drink of hot chocolate.

The actual concept is very complicated but the way they tell the story is amazing. I really got entertained. I had no difficulty to follow the concept. Actors and actresses are good too. You need to watch this to understand the droste effect and entertain meantime.

Or is it go forward and do as you are told? It's kind of tricky ... it also is quite clever to say the least. That does not mean that there are no inconsistencies at all. Quite the opposite ... but having said that, if you buy into the whole idea and suspend your disbelief - you're in for quite the treat.

And if you have some love for independent cinema and movies ... well I don't have to tell you how you'll feel about it! Stay through the credits to see behind the scenes footage of how they shot certain scenes. A fun ride that takes its ... time - no pun intended. And even when you see a scene a second time - it never gets boring. The fun stays with you - a testament to the filmmakers, the idea/script and the actors, who really are transcend the fun they had shooting this (of course they were also tired as we can see in the behind the scenes footage too) ... original, quirky and just plain lovely.

'Beyond The Infinite Two Minutes (2020)' is an incredibly impressive low-budget science-fiction film about a group of friends who discover that a television and a computer monitor are linked via some sort of temporal anomaly. The monitor displays what the TV will see in two minutes, while the TV displays what the monitor has already seen two minutes ago. The film is, in essence, an examination of the age-old question: what came first, the chicken or the egg? The characters see what they're going to do, yet arguably only do it because they know they must. To them, the future has already happened; they seem to exist on a predestined timeline. The feature often follows its characters as they travel between the TV and the monitor, too. Because of this, the future becomes the past which becomes the present which becomes the past again. As you can see, the central concept is an extremely clever and heady one, and it gets even more complex as the piece progresses (in ways which I won't spoil here). Thankfully, the flick never trips over itself and also remains relatively easy to parse for its entire duration. It's intelligent, but not pretentious. It's all in good fun, too, and only carries the slightest hint of thematic potency. What makes it even more impressive is the fact that it plays out in what appears to be a single seamless take. Judging by the behind-the-scenes footage that plays during the credits (which also reveals that large portions of the picture were shot using a mobile phone), it appears the picture makes use of hidden cuts to achieve this. Nevertheless, it's still really spectacular and certainly must've taken a lot of planning to pull off. The piece is pretty much a choreographed dance in which the players have to interact with pre-recorded versions of themselves, recreating and reacting to the footage that plays out on the two screens that comprise the central temporal link. It's as enjoyable as it is admirable. The flick moves at a solid pace and doesn't feel as though it either outstays its welcome or artificially pads its length. It's entertaining pretty much from the first frame to the last. Despite all of its genuine brilliance, though, the thing is only ever so engaging or enjoyable. That's not to imply that it isn't engaging or enjoyable at all, rather that it only ever reaches a certain level of engagement or enjoyment. I guess what I'm trying to say is that it doesn't quite push past the promise of its solid opening movement or go above and beyond when it comes to how compelling it is. It's an odd complaint, I'll admit, and I'm not even sure if I'm conveying it correctly. Basically, I'm now trying to justify my entirely subjective and arguably redundant review score. The movie is technically triumphant, narratively complex and generally entertaining, but it only moves me to the point I feel as though I can rate it 7/10.