IMDb रेटिंग
5.5/10
1.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंFollow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.Follow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.Follow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.
- पुरस्कार
- कुल 1 नामांकन
Liam Dillon
- Amercian Officer
- (as Liam Dhillon)
Micky Williams
- Children's Dad
- (as Mickey Williams)
फ़ीचर्ड समीक्षाएं
There is nothing inherently wrong with this film, it is very sweet, quaint and positively intoxicating with its timeless charm of trains in the Yorkshire countryside. But the audience need something more to keep The film from being boring; it is simply not enough to recycle the same locations and the same plot points because from very early on this film just becomes a predictable tribute to the superior 1970s version.
An interesting point to note is how everyone from film critics to members of the public have complained about the secondary theme regarding racial inequality. Nobody was expecting nor wanted this theme in the film and subsequently it is quite jarring and feels out of place according to many people. I for one argue that in order for a period film to be successful nowadays it has to carry social related issues such as racial inequality in order for it to be able to relate to the wider public. After all, we are now so much more aware of racial related issues, ignoring it is hard to do.
In spite of the beautiful shots there was a really terrible continuity errors that were next to unforgivable and the hammy acting. Of the children left much to be desired when it came down to the casting director's choices.
This film will mostly have a fondness towards it, but it's destined to be consigned to TV as a Sunday afternoon filler.
An interesting point to note is how everyone from film critics to members of the public have complained about the secondary theme regarding racial inequality. Nobody was expecting nor wanted this theme in the film and subsequently it is quite jarring and feels out of place according to many people. I for one argue that in order for a period film to be successful nowadays it has to carry social related issues such as racial inequality in order for it to be able to relate to the wider public. After all, we are now so much more aware of racial related issues, ignoring it is hard to do.
In spite of the beautiful shots there was a really terrible continuity errors that were next to unforgivable and the hammy acting. Of the children left much to be desired when it came down to the casting director's choices.
This film will mostly have a fondness towards it, but it's destined to be consigned to TV as a Sunday afternoon filler.
I gave up half way through & I rarely do that, some part of me has faith that things will improve, they really didn't!!!
I can't remain PC & give this my honest opinion, but do anything with your time rather than spend it watching this!!
It does of course have Jenny Agutter, but she should not have lowered herself to be involved!!! Lionel Jeffries would be turning in his grave.
I'd watch the original any time, but not this ridiculous pile of ****!
Didn't even see much in the way of actual trains or railways to be honest, just some carriages in a siding!
I wanted it to relight the childhood feelings that the original did, I wanted it to be at least watchable & ideally good, alas no!!!!
Do yourselves a favour and don't bother!!
I can't remain PC & give this my honest opinion, but do anything with your time rather than spend it watching this!!
It does of course have Jenny Agutter, but she should not have lowered herself to be involved!!! Lionel Jeffries would be turning in his grave.
I'd watch the original any time, but not this ridiculous pile of ****!
Didn't even see much in the way of actual trains or railways to be honest, just some carriages in a siding!
I wanted it to relight the childhood feelings that the original did, I wanted it to be at least watchable & ideally good, alas no!!!!
Do yourselves a favour and don't bother!!
Who is the audience supposed to be? I thought this would be a family movie, and expected a weak version of the original, but the writers have ruined a wonderful original tale and filled the film with unpleasant characters, racism, bigotry and bad mannered children.
Yes, the issues of racism do need to be told and historically remembered, but this is not the film for it. The Railways Children was a lovely, charming and heartfelt story of a family in crisis and how loving children helped their mother and each other. This is not the platform for a socially conscience lesson.
Write a new movie if you want that; don't leach off a gentle story.
Yes, the issues of racism do need to be told and historically remembered, but this is not the film for it. The Railways Children was a lovely, charming and heartfelt story of a family in crisis and how loving children helped their mother and each other. This is not the platform for a socially conscience lesson.
Write a new movie if you want that; don't leach off a gentle story.
This whole film is a quite weak. The story is really unbelievable, the acting isn't great and it all gets ludicrous.
It's hard to know who this film is aimed at, who will see it and even why it was made.
It's hard to know who this film is aimed at, who will see it and even why it was made.
Every time I come across films of children being packed off to the countryside during WWII, 2 films invariably come to mind - Narnia, and Hope and Glory. Unfortunately, this neither has the fantastical element of Narnia, nor the magical perspective and childlike thrill of H&G.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
For an adult director to recreate the world through the eyes of a child, requires huge amounts of perception and skill, both in direction as well as acting. This falters on both as neither is convincing enough to sustain the interest of the viewer throughout the duration of the film.
There are films where racial injustices are not only integral, but indispensable. But to force racial themes into every film film that could so easily be done without, is not only trivializing the issue but rather making a mockery of it as the audience would easily spot the digression and this is exactly what happens here.
Lastly as an aside, this period piece deals with racial justice in an era were there was little to none, compelling an unlikely amalgamation.
क्या आपको पता है
- ट्रिवियाUtilises the same Yorkshire locations as the 1970 film this story follows.
- गूफ़The blackout did not appear to be in force in Oakworth. In many scenes, from Lily climbing out of the window and running down the field with a torch, to front doors being opened in a blaze of light, there was no indication that a blackout was in force at all.
Blackout regulations started on 1st September 1939 and ended in May 1945. Rules were relaxed slightly in September 1944, but only to allow very low levels of lighting, no brighter than moonlight.
Lily's torch would have been pasted over with dark paper to dim the beam, or black paper with a slit in it.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Railway Children Return?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Railway Children
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- उत्पादन कंपनियां
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $4,66,391
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,45,904
- 25 सित॰ 2022
- दुनिया भर में सकल
- $42,98,731
- चलने की अवधि
- 1 घं 39 मि(99 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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