द कॉन्जुरिंग

I'm an avid horror fan. Lately I've been thinking there isn't much that can scare me (though Sinister got under my skin). I appreciate James Wan's films, I love the first Saw, Insidious was a damn good modern ghost story, but like all reviews have stated for it, the movie kinda loses it's momentum in the final act.

The Conjuring is better, scarier, and more tense than Insidious. I'm gonna go out on a limb and say it's one of the best horror movies of the last 5 or 10 years. It goes back to the classic rule of horror film making, never show the bad guy fully to your audience. Plus this movie knows suspense, I tell you, I almost threw a water bottle at the screen from sheer terror once the scare finally happened. There are no fake jump scares, the movie earned an R rating without any blood, sex, or profanity, it's all from the terror that this movie builds upon.

Not only is the movie scary, but as a film itself, it's almost a masterpiece. The script, acting, direction, style, tone, etc were all simply top notch. Wan's camera-work here is by far his best out of any of his movies. The choice to set the movie in the 70s was a stroke of genius as it feels so authentic and all the more real. If this story were set in the present, it simply wouldn't be as a effective or scary. The 70s style film making, costuming, and hair styling are a great throwback to likes of The Exorcist & The Amityville Horror.

Though there are a few (extremely minor) flaws, such are length, repetitiveness, and a resolution that happens way too fast. I don't care, every horror movie (or movie in general) has it's flaws. There will never be a perfect horror movie, if there is one, I haven't seen it yet. But all I know is James Wan's The Conjuring is one of the best horror movies I've seen in a long time, and it's been a really long time that a movie has scared me this badly.

10/10 Don't miss this one, it's an amazing theater viewing experience.

Adequate and decent horror picture in which a family falls into supernatural terror filled with scary events , chills and lots of scares . Another creepy film in which keeps horror with yet another haunted house that causes creepy goings-on in a family such as the followings classic pictures : the original ¨Exorcist¨ film (by Friedkin) that spawned a wave of demonic possession movies that continues unabated today as ¨Changeling¨ (by Peter Medak), ¨Amytiville ¨(by Stuart Rosemberg) are two further examples of this sub-genre . Supernatural terror plenty of weird phenomenon , frights , scary beings , shocks , and eerie happenings . It deals with the Perron family formed by father (Ron Livingston) , mother (Lili Taylor , she researched The exorcist (1973) to prepare for her role) and five children move into an old house . Eight generations of families lived and died in the house before the Perrons moved in , but little do they know that the house is haunted . And some of the spirits from the families never left , deaths include two documented suicides, a poisoning death, the rape and murder of an 11-year old girl, two drownings, and the passing of four men who froze to death . Most deaths occurred within the Arnold family from which the nasty ghoul Bathsheba Sherman was descended . Paranormal investigators Ed (Patrick Wilson , this movie marks the third collaboration between James Wan and Patrick Wilson) and Lorraine Warren (Vera Farmiga) work to help the family terrorized by a dark presence and ghastly mysteries in their farmhouse . There are three phases in this strange process : 1 : infestation , 2 : oppression and 3 : possession . They are attempting to find out the bottom of rare deeds by ways of the cellar and soon the poltergeists make their nasty appearance originating a lot of unusual rattles and creaks . The mediums seek to uncover the fantastic secrets that has left a witch dangerously connected to the real world .

This is a haunted house movie that contains restless horror as when the invisible and threatening beings attack . It includes usual poltergeists phenomenon caused by the scary entities with the ordinary ghastly shenanigans , the cracking floors , birds manifest as attackers , doors suddenly slam , screeching shouts , violent hitting , among others . Tension , creepy atmosphere , genuine chills , suspense is continued and appear lurking and menacing into dining room , hallway , basement and rooms . Great loads of screams , shocks , exploitation and terror abound with the usual poltergeists phenomenon caused by the scary entities . It's recreated with magnificent make-up and high grade plethora special effects which are frightening and horrifying the spectator . Based on real events , in fact Lorraine Warren and Andrea Perron served as consultants to director James Wan and the screenwriters , they both claim the movie is accurate to the real story of what happened to the Perrons during the 10 years they lived in the farm house ; as they investigated the Perrons' Rhode Island farmhouse in 1973 and 1974 . The film was given an R rating by the MPAA . The MPAA said simply that the film was so scary that there were no cuts or edits possible that would make it a viable PG-13 film ; the filmmakers did not want to alter the film's tone and accepted the R-rating without any appeals . The movie broke box office records after bringing in a total of $41 million at the box office during its opening weekend . It stands as the third highest grossing opening weekend for an R-rated horror film behind Paranormal Activity 3 (2011) and Hannibal (2001). The Conjuring made a total of $137 million at the box office.

Eerie musical score by Joseph Bishara creating a spooky atmosphere ; not only marks the second film composer Joseph Bishara has scored a James Wan film, but it is the second time he has played a demon figure for Wan , as he portrays the demon embodiment of Bathsheba Sherman and previously played a lipstick-faced demon in Insidious (2010). Dark as well atmospheric cinematography by John R. Leonetti who modeled the film's cinematography and atmosphere after vintage 1970s horror films. The film was well directed by James Wan and it was shot in just a few weeks . Wan is an expert writer and filmmaker on terror genre as he has demonstrated in ¨Saw¨ saga , ¨Dead silence¨, among others . James Wan also directed his biggest success ¨Insidious¨ equally starred by Patrick Wilson and similar technician team , cameraman : John Leonetti and musician : Joseph Bishara . And of course , it was followed by ¨Insidious Chapter 2¨ . Furthermore , producers are preparing ¨Insidious 3¨ and ¨The Conjuring 2: The Enfield Poltergeist¨.

"The Conjuring" is one of the most thrilling horror film to have come out in recent times. It is up there with "Sinister" as one of the scariest films I have watched. Since it's based off of "true events", it makes it even more interesting. I can't quite give it a full 10 star rating because it does have quite a few jump scares, but at least a good portion of those jump scares add to the atmosphere of this movie. If you are a first time watcher of this movie, it will certainly disturb you for a while. It doesn't stick with me like "Sinister" does long after, but The Conjuring is a fun watch and I always love coming back for a rewatch every now and then.

"The Conjuring" is a high class horror film, its hard not to be scared by it, we care for the characters and the story is compelling enough to make you feel interested the whole time.

Based on true life events, Ed and Lorraine Warren are paranormal investigators set to help a family terrorized by a demon, said to be one of the most terrifying cases of their lives which they hadn't shared with anyone...until now.

First of all, I loved that it takes place in the 70's, I agree completely with director James Wan's point of view that it is almost impossible to make a horror film set in the present. For example, the teenage daughters of the haunted family would be taking pictures of the demons with their iphones and would be posting them on posting them on instagram, basically the demons would turn into the victims and the humans would be the bad guys.

The movie isn't perfect though, there are a few plot holes in it, but still it does have some great scares in it that had me jumping out my seat and I liked the way it builds up tension and lets us know the characters before it starts with all the craziness. Not only is the movie set in the 70's, but it also has the feel of a 70's horror film, with slow zooms and filming styles you wouldn't expect from a modern movie. I really believe James Wan has outdone himself with this movie, I'll even go so far to calling it the scariest movie I've seen in my life. Thank you James Wan for this great movie and good luck with Fast & Furious 7.

I'd recommend it to anyone looking for a great horror film, I guess it gives the feeling audiences must have felt when watching "The Exorcist", "Don't Look Now", or Poltergeist" for the first time.

Like comedy, the horror genre can be a very subjective beast, finding or missing its mark as much do to its craft and execution as it does the particular individual who plops themselves into a theater seat. If something isn't scary to someone – someone who earnestly believes that of course – then a fright flick has failed at its core intent. Then we have something like James Wan's The Conjuring, an artful, confident throwback that succeeds in maintaining a high tensile level of pressure on our senses, crafting vital jump scares, a potent human element and all encompassing technical prowess. This is the type of brave, but stripped down horror filmmaking that forces you to analyze other elements besides just the full effectiveness of its frightening intent. Plus it's scary as hell.

The Conjuring completes a modern supernatural horror film trifecta started with Wan's own Insidious in 2010 and bridged by last year's unsettling Sinister. With these films the genre has proved that this is far from a dead, now inherently clichéd area of cinema and this effort is perhaps the best of all three. After breaking onto the scene in a big way with the trend setting Saw, the director took a bit of creative detour in the eyes of most with revenge thriller Death Sentence and supernatural doll flick Dead Silence (which is vastly underrated by the way) before rebounding with the aforementioned Insidious. For The Conjuring it seems Wan has taken everything he's learned – congealing everything he's found to be effective – and assembled them exquisitely and with ample new flare to boot.

The Conjuring pulls its inspiration from a case file of famed demonologists and paranormal investigators the Warrens, the husband and wife team who's other journeys inspired films such as The Amityville Horror. Here they are played respectively by Patrick Wilson and Vera Farmiga who are now both genre regulars with roles in Insidious and the upcoming Chapter 2 due this year for the gentleman and Orphan and television's Psycho prequel Bates Motel for Farmiga. We've all seen the painful trope of priests, exorcists, psychics and every nut-job in between showing up at the eleventh hour to save a haunted family but the way they're approached in The Conjuring stands as one of the film's greatest strengths.

Though it's something that should be completely obvious out of the gate (but still something those inspired by the Warren's stories forget) this is just as much their story as those experiencing the phenomena. In giving nearly as much screen time to this duo as it does the Perron's (a seven family troop lead by actors Ron Livingston and Lili Taylor and their five daughters) we grow and involve with these nine individuals so when things get terrifying we not only feel just as much for everyone on screen but everyone gets a satisfying arc. It's something so rare in most horror films. Though this dynamic is certainly not presented through these two separate camps – the fearful and the experts – but the men bond over their love of cars and their wives and the women over the unfathomable: harm befalling their children. It's a satisfying an utterly untapped approach for the genre.

But "wait, wait" you proclaim "this is a horror movie after all, stop talking about the little girls and get to the scares!" Graciously, somewhat rude reader. The Conjuring is creepy, intermittently nightmarish, tense, gross, unsettling, and in its purest form, scary. This is the type of film that dares you not to hug yourself or laugh nervously in the hopes you deflect some iota of the sensation of primal fear. But these emotions are never extracted in a manipulative fashion and the jump scares are orchestrated effectively through physical objects falling, bumping, banging and generally causing off-putting noises, not blaring, out of context musical chords.

The camera work is also fantastic employing every angle imaginable and even some very impressive point of view and upside-down-spin shots. It's easily Wan's best directed effort to date but never one that lets its style eclipse the mood. Similarly his use of sound both in the score (which utilizes your average brooding options as well as sharp, grating notes that call back to horror of days gone by) and practical noises such as a strained rope swinging or a door slamming shut. Again, it all adds to the experience and in eventually pulling of the major frights.

Like most fare of this nature, the restrained tension does take a bit of a hit heading into the finale, as subtlety is sacrificed for more overt horror to resolve the story. Thankfully this change in approach is handled with just as much aplomb and also manages to deliver one of the most effective exorcism sequences in recent memory – a victory made all the more notable thanks to the generally overexposed and silly nature of that staple. It's not the perfect ending that the previous acts demanded but one that by no means insults the audience and still remains scary (if in a more upfront manner).

Perhaps the biggest compliment I can pay The Conjuring is that it actually deserves a sequel. There are tales of the Warrens left to tell and the acting is uniformly strong enough that revisiting these characters would be more a treat then a chore. It takes a skillful filmmaker to take well worn themes and approaches (while avoiding gore and a high body count to boot) and make them seem as original as ever. Coming from a huge horror buff and one that experiences more disappointments then the average soul can handle, I can earnestly say The Conjuring is one of the best ever and what can serve as a fantastic induction into the genre for the uninitiated.