The Haunting in Connecticut 2: Ghosts of Georgia

A small family moves into a home in Georgia only to discover they are not alone. Soon they realize that the house holds a mysterious past...

Although I do not understand the title or the need to call it a sequel I thought this movie was good. It offered a solid background story with outstanding acting. The movie starts well paced and keeps going until the end. The climax I found to be a bit outlandish but good and the ending offers a good resolution the story. The horror scenes are well placed and not overdone. The set ties in well with the story and the production quality is excellent. This film will satisfy the horror movie junkie and is well worth your time.

This is loosely based on real events, which doesn't help explain the completely absurd title. Research into the Wyrick hauntings won't ruin the film for you however as the only comparison to recorded events are the names of the characters.

As with any horror movie these days there are plenty of stock thrills: ghosts in white dresses, waking from a dream to find you are still in a dream, swings that move by themselves etc. The best thing about this film is that the characters are quite likable and you do become invested in their welfare. There's enough twists and turns to keep you guessing at the real nature of the evil. The breakout star is Emily Alyn Lind, who is so adorable that you want to reach into the movie and rescue her yourself, her plight not helped by her somewhat inconscient father who encourages her friendship with an old dead guy if it means directions to hidden treasure. His commitment to his daughter is only outweighed by his commitment to their hapless rescue dog.

The two female leads are nicely balanced. All the women in this 'see dead people', and it's how they handle it that is the crux of the film, their conflicting reactions and opinions driving the plot forward as the truth is revealed. This is obviously low budget, shots of the forest using various filters providing the atmosphere, the gore is minimal and the special effects fairly low key, but enough here to give you a tingle, even if it's only the fact that Mr Gordy really did appear to Heidi and he gets his photo in the end credits.

Overall, THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA, does a good job delivering what it promises, despite the idiotic tie to its namesake movie. Folks, this film has literally nothing to do with the first film NOR Connecticut, even tangentially, and the transparent money grab in the title was all at once deceptive, obvious, and detrimental to the movie's image. So much so, I almost didn't watch it.

So why did I watch? The simple answer is Abigail Spencer, a truly fine actor I first encountered in her role on the excellent TV series RECTIFY. Spencer is spot on and was the driving force behind this movie. Her performance as a clairvoyant mom-in-denial from a family of clairvoyants is well executed -- not her best work I've seen, but just very good. Nevermind the script is a rife with clichés and could have offered so much more to work with had the writer been on his game. Spencer still digs in and elevates her character beyond what one would expect from both a weak script and the genre. I predict there are big things in the future for this skilled actor.

Not that the other actors gave poor performances. Katee Sackhoff, whose acting can be hit or miss (which may be a function of her choice of roles), delivered a good performance and especially rang true as Spencer's sister. There's an undeniable sibling vibe between the two, and this helps the movie.

Chad Michael Murray adds some fairly non-substantive beefcake to the mix. He didn't make any big mistakes, but it's hard to mess up showing off a polished physique and looking hot in jeans. Finally, toward the end, he hits the sweet spot in a dialog with Spencer that reveals he actually can act at more than just a surface level of non-wooden competence. It's an important scene, and he gamely rises to the occasion.

A juvenile Emily Alyn Lind and her chin deliver a performance better than anything I've seen in her young adult roles. She was god awful in the recent THE BABYSITTER: KILLER QUEEN, and this movie is a reminder that she can actually act if she could just get out of her own way.

I would be remiss not to mention the great Cicely Tyson, positively the most unnerving though benign character in the film. She accomplishes more in a few short minutes of screen time than most of actors can in an hour. She's a national treasure, brilliant and timeless, as always.

What hurts THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA most of all is the aforementioned weak script by David Coggeshall. It stays on track and doesn't lose focus, but it also somehow lacks excitement. It occasionally plods, but that's not the worst of it. It moves in a straight line, and mostly lacks the reversals and twists that create true suspense. Dialog is its main strength, and at its best, it reads as real and well though out. There's very little throwaway jawing. Oh that dialog were all a script needed to succeed. Coggeshall has an impressive list of credits -- maybe he just wasn't feeling it on this one.

More, director Tom Elkins, an apparently first-time director, seemed to play it a little bit safe. It appears he stayed in his lane rather than try to remediate. Overall, however, a good first film for a new director, which could have been great had his more experienced scriptwriter handed him something less in need of fixing.

Otherwise, the production values were good. The camera work is focused and clear, even in dark scenes; the color saturation is good; the lighting is atmospheric; and the sparse special effects, while not at all original (are we getting tired of the elastic ghoulie scream mouth yet), are clean and well done. It would have been cool if the filmmakers had followed the lead of, for example, the Hearse Driver in BURNT OFFERINGS, whose smile haunted me in the dark for years. Let the actors be scary. They can do it, and without the help of a computer!

The sound, too, was good: the dialog was crisp and clear, the sound effects were correct, the Foley artists exercised restraint, and the music provided atmosphere while not competing with more important elements of the film.

There are a lot of good things to say about THE HAUNTING IN CONNECTICUT 2: THE GHOSTS OF GEORGIA. I debated between a 6- and 7-star rating. Unfortunately, the good can't overcome the deficiencies in this movie's founding document.

Recommendation: Watch for good performances and good production values, while understanding the script overall is workmanlike at best, though not full of holes and sporting some pretty decent dialog.

First off, let's just get something out of the way. "The Haunting in Connecticut 2: Ghosts of Georgia" never had a chance to succeed. With a paradoxical title like that, audiences are given a red flag immediately. If the producers of a movie can't decide on a better name for a film, then how could they make bigger decisions during production? Just pick a name! Was "Ghosts of Georgia" any more generic than "The Haunting in Connecticut?" The reason I sound so frustrated is because it deserves better.

The Wyrick family moves into a country house in Georgia. Their daughter, Heidi, soon begins telling her parents she talks to a man who warns they're in danger. Upon investigating, they find out their house is located on land once owned by a stationmaster of the Underground Railroad. The souls of the slaves are restless and begin haunting the family for unknown reasons.

Director Tom Elkins and writer David Coggeshall put together quite an impressive ghost story with "The Haunting in Connecticut 2: Ghosts of Georgia." While "based on a true story," it's obvious some creative license is utilized to spice things up. However, there are some genuinely frightening moments that will resonate with viewers. Let's just say Elkins and Coggeshall know our innermost fears and exploits them.

The entire cast of "The Haunting in Connecticut 2: Ghosts of Georgia" put forth their best efforts and embrace their individual characters. You can tell they took the material seriously and ran with it. Chad Michael Murray plays the father of the family. Abigail Spencer takes on the role of the mother. Katee Sackhoff portrays Spencer's free-spirited sister who comes to live with them. Emily Alyn Lind is perfect in as the little girl Heidi. She embraces the role straight-faced with an air of authentic innocence.

"The Haunting in Connecticut 2: Ghosts of Georgia" is a good supernatural tale that should have been released in theaters like its predecessor. There are nice twists to the story, the acting is good, and the scares are genuinely creepy. Maybe it's selfish, but I was looking forward to seeing the movie on a big screen in a quiet atmosphere where it could have my full attention. Seeing the movie at home will provide genre fans with a satisfying experience, too.

I'm not really sure why they called this movie The Haunting in Connecticut 2 when all of it takes place in Georgia, other than to tie it to the equally not scary The Haunting In Connecticut from a few years back, but my best advise is to pass on this one until you can see it for free on cable because you will get more scares out of this story on cable on Destination America. We were pleasantly surprised when this story began and the little girl started talking about seeing a Mr. Gordy and realized that this story was based on a haunted house story we saw on the Destination America series A Haunting. Sorry to report, the episode on A Haunting is twice as scary as this clunker with probably a tenth of the effects budget. Abigail Spencer is pretty good as the mom who sees dead people and it's good to see Katee "Starbuck" Sackhoff in something other than Battlestar Gallactica, but this movie generates almost no scares and builds virtually no tension. And once you get to the meat of the back story and it tries to get all serious, you're just left with little to be afraid of. So take a pass and check out A Haunting for more frights and a much more realistic story.