Goon

Seann William Scott often fits into a certain type, to put it bluntly, silly films. After following his favourite hockey player, Doug (Scott) goes from bouncer at a pub to pro hockey player, seems to fit the bill.

I didn't think much of the film or the story in the first say, twenty minutes. It just seemed to be in competition with the likes of Superbad and dare I say, American Pie. With Doug's best friend Ryan (Jay Baruchel) making obscene jokes every 5 seconds, I couldn't help but role my eyes. When the story moves away from him, is when the film really starts to pick up. We get to see what Scott's character is really like, which is a polite, cute, neanderthal with really hard fists.

Liev Schreiber's character is rather terrifying, creating a great juxtaposition between him and the dimwitted Doug. The camera angles used on the ice show how scary it can be and bring the audience into the match. Now that I know it's based on a true story, I only want to meet the real Doug and give him a hug.

I must say I was a bit nervous as a Hockey fan about how this movie would fare in UK. There is a fairly good following but there are still a lot of people who don't realise that fighting is part of the game and that 'Goons' actually do play the game.

I thought there were some good laughs, entertaining fights and an overall heartwarming story that for me make this into a very entertaining movie. Yes, the dialogue and jokes are simple and the plot is quite thin but what were we expecting? Too many people expect movies to all be Oscar-contenders and don't see a film for what it is, in this case and entertaining comedy-drama that doesn't take itself even slightly seriously.

I think that if you go to see this movie, you know what you're getting into. It's essentially a love letter to the violent side of hockey written by Jay Baruchel and Evan Goldberg, both of whom are known for a particular kind of comedy, and it stars Seann William Scott, who is known for playing a particular kind of character. Check out the 'People who liked this also liked...' section on the page for this movie. You'll see flicks like The Hangover, Crazy, Stupid Love, and Role Models. If those are your type of movies, chances are you'll enjoy Goon.

The premise of the movie is that a likable, polite, not-exactly-bright bouncer, Doug Glatt, is invited to join a semi-professional hockey team as an enforcer. I think what I chiefly liked about the film was that yes, there's lewd and crude humour and a somewhat predictable plot line, but you'll like the characters and at no point does the movie start to drag or fail to entertain.

I was also pleased to see that, as a Canadian hockey fan myself, I wasn't spoon-fed easy stereotype jokes. The things that were funny hadn't been recycled a hundred times in every other movie that pointedly features Canada as a setting. The characters do drag out the old 'eh' every now and again, but you feel more like it's a wink to Baruchel's home audience rather than something intended to hit you over the head with a 'SEE, we're in CANADA!'

Bottom line: This flick isn't going to win any Oscars. But if you want to see something thoroughly entertaining, it's a good bet. If you don't laugh at least once, you're - probably my grandmother.

There is one element that distinguishes a "great" sports movie from a "good" sports movie. It's "the feel". It doesn't matter if the movie is about baseball, basketball, football or hockey. If it doesn't smack of authenticity you might as well flip over to a live game. "The Natural" had the feel of baseball and for hockey "Slapshot" has always been the template for the great hockey movie. I happily add "Goon" to that rarefied space.

As far as movie making goes, it has all the right stuff. The acting is convincing and solid, the jokes are funny and there is lots of on-ice action. But the defining feature of this film is that it feels real. It feels like these are real guys playing a real game in front of real fans. True hockey fans will get the in jokes, wince at the ankle injury, relate to the dressing room banter, and feel tempted to yell "head's up" when the bad guy starts to take a run at the little guy.

The key scene is, of course, the final showdown between "good goon" and "bad goon". We know it's coming, but sometimes we know the NHL fights are inevitable, as the tough guys line up before the face-off and start jabbering. The build-up is just as visceral in "Goon", and when they finally drop the gloves it reminded me of that great final shoot-out scene in "The Good, The Bad and the Ugly", as the guys do the pre-fight strip tease and wait for other to draw first.

I will risk the wrath of my fellow hockey fans who have grown up worshipping at the church of "Slapshot". It was a great movie, although a bit long. I found "Goon" to be more entertaining, as authentic and more believable. Nice work guys!

'Goon' revolves around a very simple idea that a lovable but stupid nobody gets a chance at becoming an ice hockey champion because of his very powerful fists. Cue some of the most incredibly violent, unnecessary fight scenes seen in cinema for a long time. It makes a Quentin Tarantino film look normal! However, If you buy the idea, despite the familiar and predictable narrative, you will leave the cinema with a big grin on your face; At heart, 'Goon' is just another Indie feel-good comedy.

Written by Jay Baruchel (also starring) and Evan Goldberg (the man to thank for 'Superbad' & 'Pineapple Express'), the words come to life on screen and audiences should delight in some incredibly amusing one-liners (watch out for the foul-mouthed Baruchel) but also be engaged in the kind hearted and naive Sean William-Scott. You will realise after a while that the pacing of the film is unorthodox as it doesn't focus on the story of the ice hockey team, rather than the 'Goon' himself. This shows a focus which is integral to the film's unique quality and it often takes many unexpected turns as far as typical narratives go. The Goon is the heart of this film and has many redeeming features. This softer approach to a predictably comic performance from William-Scott and the introduction of a possible love story between him and Alison Pill's character (also giving her best shot in this picture) are what elevates the film to a level most comedy's fail to reach.

Having said that, this film is no 'Juno' or '(500) Days Of Summer'. It mixes the soft, charming and comedic elements with often harsh truths and big fights. There is blood, lost teeth, broken bones and sliced ankles throughout. Never has there been such realistic sounding punches! However, in the end, 'Goon' proves that you don't need a film crammed full of laughs to make a good comedy. It has charm, honesty, some very big fights, some very funny moments and an undeniably uplifting, feel-good ending which makes it just that cut above your average 'dumb' comedy.