Shortcomings

Saw this at the 2023 Sundance Film Festival

"Shortcomings" is a story about a trio of young Bay Area urbanites--Ben Tanaka, Miko Hayashi, and Alice Kim--as they navigate a range of interpersonal relationships, traversing the country in search of the ideal connection. This is Randall Park's first debut feature and I gotta say it's a pretty good first time directing project. Shortcomings explores about friendship, love, narcissism, and growth revolving around Asians or Asian American communities. I wasn't fully wowed by anything from the movie but I was still able to connect with the movie.

Park is able to capture the interesting chemistry between the cast members and the modern setting with some fun humor and personalities explored. The performances from each cast members was really good and Justin H. Min does a pretty good job portraying a man child of a person. The camerawork wasn't too special but it was good for the overall setting. The production is good and some of the dialogue was well-written and funny.

However, the story does become pretty predictable as it continues. A generic rom-com story where predictable movements were going to happen. But without Park's charms and chemistry, it would have been like a bad hallmark movie. Despite having some good dialogue, there were some dialogue moments that felt really awkward or forced and I am not sure if that was intentional or not. If it was intentional then I can understand but if not then those dialogue moments were pretty rough. Some of the supporting characters were a little annoying. Even with my gripes, I was still able to be entertained throughout this film.

By all means, it's a decent romantic comedy with good pacing and interesting concepts explored. I'd recommend for those who wanna have a drink or two and watch it for fun.

Rating: B-

Rating: 5.0 Overall, a pretty bland movie that tries way too hard to be meta and 'anti-woke' that it does not do a good job at being realistic as the direction of actors is pretty bad and the writing is bland/predictable, with the ending feeling like a Dhar Mann video.

Pretty Bad Direction (Moves the story forward in a decent way, but it just feels like there is a lot of empty space in the interpersonal scenes cause it doesn't feel like the characters have chemistry with each other (They just feel like stock videos); uses the Rom-Com template as a foil as many aspects of the movie steal from the genre's tropes (but makes fun of it in a meta manner)), Pretty Bad to Decent Acting (Pretty Bad to Decent from Justin H. Min (Has some moments where he is pretty good but somewhere he clearly is reaching a dramatic limit (Does not hold his own as the leading character as he does not have good chemistry with the rest of the cast (which could be attributed to how he was written))), Decent to Pretty Good from Sherry Cola (The best performance of the movie as plays to her characters strengths well (the comic-relief best friend trope) and gives some range within the confines of what her character is supposed to do (though there is some visible limitation)), Pretty Bad from Ally Maki (The performance just feels a bit one-dimension and the scenes with Min do not have any chemistry (which makes their interpersonal scenes very bland)), Pretty Bad to Decent from Tavi Gevinson (This is more of how the character is written but she just does not feel that believable in this role (mainly from poor direction)), Pretty Bad from Debby Ryan (Does not have any chemistry with Min as her performance just feels very bland and stock), Decent to Pretty Good from Sonoya Mizuno (The most experienced member of the cast as she does show some range of emotion (the only issue being that she does not have that many times to show it and does not work well off of the other characters)), Decent from Jacob Batalon (The comedic relief character that does a decent job at eliciting laughs from the audience, but does not feel very fluid as some parts of the performance felt off), Pretty Bad from the rest of the cast (Just a lot of minor side characters that do not provide anything)), Pretty Bad Story (The main purpose of the story is to mock the Rom-Com genre, but by doing this it does not develop good story elements as it is more focused on the dialogue and jokes rather than developing an interesting story (everything just feels very stock and safe)), Bad Screenplay (The dialogue feels incredibly simplistic; there were some good jokes but it mostly just felt like the movie was trying to be too Meta to the point that some of the conversations are just hard to listen to for how much back-pedaling there is; the symbolism and message is very shallow as the movie is overt in what it is trying to say but does not do a good job at making the meaning believable), Decent Score (Pretty generic for a rom-com), Decent Cinematography, Decent Sound (The scene where they used the concession microphone in the conversation was a very nice touch, but there were some moments where the mixing felt off), Pretty Bad to Decent Editing (Felt incredibly simplistic and choppy (just safe overall so nothing incredibly wrong)), Plot Structure follows a very similar template to that of a Rom-Com (even though the elements are meant to mimic the opposite), Pacing was a bit quicker than I would have liked (maybe adding 10 minutes to help slow the movie down would have been nice), Climax was incredibly cliche and predictable as the movie builds up to being an 'anti-climax'; the ending sequence of the movie is just so safe and bland that it feels like a Dhar Mann ending (especially with the narration and montage sequence), Tone was incredibly bland as the whole movie felt like it was a stock/fake movie that they would use in a real film (which is ironic given there is one of those in this movie)

Of course, a protagonist can be a loser, but he or she has to have something of quality that the audience can fall in love with or even at least can relate to or root for. Ben is controlling, unfaithful, negative, and being a racist himself. Most importantly, he's the biggest hypocrite. All the other things, he can be loved by character development, but he does what he despises and criticizes without any moral conflict. That's when the audience drops any interest left in him. The ending is weak as well.

As Randall Park's directorial debut, 'Shortcomings' is not bad at telling the story and continuing it smoothly without any huge leap of logic.

In a funny way, this movie is exactly the type of movie that is talk about in Shortcoming... The main character is someone who does not accept himself with his bias...but also project on others this bias...he is unhappy and make everyone around him unhappy ...your typical guest to find happiness by discovering & accepting who were are...the thing that make this movie different is that the main characters are Asian...but also their acting which make it believable, some funny moments, some serious, some unreal, just like life itself. An other spectator used the term man\child which would also fit.

Greetings again from the darkness. In the past twenty years, Randall Park has built an excellent acting career, likely best known as nice guy dad, husband, and restauranteur on the long-running TV series "Fresh Off the Boat". He also had prominent roles in the mini-series "WandaVision", "Veep", and the Ant-Man movies. Now taking his shot as a feature film director, Mr. Park sticks closely to the Asian community, while simultaneously taking a step forward by not emphasizing generational aspects and familiar cultural tropes. He's working from a script that Adrian Tomine adapted from his own graphic novel.

The film opens with Miko (Ally Maki, "Wrecked") and Ben (Justin H Min, AFTER YANG) watching the end of a film festival movie. It plays as a parody of the hugely successful CRAZY RICH ASIANS (2018) and leads to contrasting reactions and an argument for Miko and Ben. Miko is the curator of the film festival and is thrilled the movie received such positive audience reactions, while Ben, a struggling indie filmmaker, is totally offput by the film's pandering and mass appeal. We quickly realize Ben is a condescending jerk and Miko is fed up.

Ben manages a small arthouse movie theater in Berkeley and often has lunch at a local diner with his only other friend, Alice (a terrific Sherry Cola, JOY RIDE), who points out that his smugness doesn't play well with others. Alice is gay and laughs off her tendency to 'play the field'. Miko calls out Ben on his blonde, blue-eyed white girl fetish, and then soon after announces she is taking an internship in New York City, causing us to realize this movie is probably going to deal with Ben's road to redemption (hopefully resulting in a worthwhile human being).

With Miko living across the country, Ben seems to be at his most comfortable with Classic Movies and solo chill. He's a film school dropout with no filter and no sense of timing with his comments and critiques. Basically, he's not a likable guy, and we see this in his separate pursuit of two blond, blue-eyed white girls. He hires performance artist Autumn (Tavi Gevinson) to work the ticket booth at the theater, and has no idea how to deal with her emotional swings and artistic leanings. Things are even worse with Sasha (Debby Ryan), who is coming off a breakup with her girlfriend. Despite warnings from Alice to stay clear, Ben's pompous nature is once again exposed, leaving him all alone.

Ben's world changes abruptly when Alice informs him she is also moving to New York and invites him to come visit. He sees this as a chance to get back together with Miko, who has quasi-ghosted him since she left. When Ben arrives, he finds Alice living with Meredith (Sonoya Mizuno, EX MACHINA) in a serious relationship, and stumbles on Miko in a situation that causes confusion, and of course, conflict. Leon (Timothy Simons, "Veep") is a NYC fashion designer with an Asian fetish plays a key role in this segment.

The film is billed as a comedy, and while there are some funny moments, there is actually a sadness throughout ... most of it related to how most everyone is searching for love while trying to avoid loneliness. During this search, we are often our own worst enemy (Ben being the prime example here). The message here is that while we are all flawed, one can only find joy once they sincerely enjoy the happiness of others. Watching Ben's journey is not always a pleasant viewing experience, however his story is well told.

In theaters beginning August 4, 2023.