X-मॅन: वुलवरीन 2

If there's one major element that truly sets this picture apart from any other standard "solid" comic book movie is the way through which the director communicates the experience of being Wolverine. His healing factor and the idea of out-living everyone you know is daunting and depressing. Finding purpose after facing true vulnerability adds so much to the character and FAR more than we've seen before. Tremendous visual and emotional imagery is presented throughout the movie and provides the viewer with greater insight into the hero and even the villains. This one screams quality from the opening through the amazing final act. I've seen it mentioned that the resolution deviates from the comic books but I honestly couldn't care less. What hits the screen more then works in movie form.

For those going into this flick expecting simple fun, prepare to enjoy but prepare to be surprised. Fun is not the only piece of this pie. In fact, I think movie fans of all kind will be stunned at how many levels this movie delivers upon. This is an action packed but surprisingly deep film that, for me, really delivers. The Wolverine will leave your movie-going senses on high and I honestly can't wait to see it again.

This film is like a prototype of Logan (2017), trying to achieve a weary, violent film revolving around Wolverine, but not quite hitting the same mark. Compared to its predecessor X-Men Origins: Wolverine (2009), it's better in some ways but actually is worse in others. On the plus side, the plot is far more comprehensible and the action is not very silly until the end. The small scale of the film was quite a departure for the X-Men franchise and only the fleeting inclusion of another mutant makes it relevant. While some might appreciate this realistic setting, I didn't find the Japanese corporate conspiracy plot very engaging. The film slowed down too much at times as the action scenes got repetitive (other than an interesting sequence on top of a train). While the film is not as silly as its predecessor, it's unfortunately not as interesting either.

Wolverine plus Samurai makes a pretty good combination for me. A great film that is based on the X-Men comic books and movie series.

This is basically a tale of two movies. I know Hugh Jackman wanted this movie to be an adaptation of the classic Chris Claremont/Frank Miller comic book mini-series. You can see bits of that story here. But then you have this other stuff, far removed from that story, that seems to be studio-imposed and ultimately hurts what could have been one of the best comic book movies to date. The good stuff, the stuff worth watching this for, are the slower, quieter parts of the story. The Wolverine and Mariko parts, basically. But all of the special effects-heavy parts and the loud, flashy action sequences suck and take away from the impact the movie would have otherwise had. There's probably no better example than the different climactic battle scenes. Wolverine vs Shingen is a much more powerful, emotional scene than the shallow, garish stuff with Viper and a guy in robot armor.

I don't really blame James Mangold. No doubt it was Fox's interference that caused the problems and also caused Darren Aronofsky to bail before filming. You can see a better movie underneath this one. But Fox didn't have the guts to make that movie. Probably felt it wasn't commercial enough. Needed more robots and CGI fights on top of a speeding train. Still, it's good enough to watch and enjoy most of it. It's certainly miles better than the last Wolverine movie. But I can't help but feel sad thinking about what might have been. They very well could have given Wolverine his own 'Batman Begins' but instead we get just another watchable popcorn movie with hints at something more substantial.

Some time after the events of The Last Stand, this sequel of sorts focuses on Logan/Wolverine as a tortured soul living in isolation and haunted by vivid memories of his lost love. Now, having reached an emotional impasse, he travels to Japan to visit an old comrade. Once there, he quickly gets caught up in a complex political power struggle that, for the first time in his life, makes him truly vulnerable. Jackman, not unexpectedly, is formidable in the lead, and there are lots of visceral action scenes, but that does little to compensate for the faults; film's tone is grim, its characters—sans Jackman—are unappealing, plotting is convoluted, subject matter turns ugly, and the pace lags heavily after a strong start. Jackman effectively spits, scowls, snarls, and flexes his muscles in what has become his go-to role, but he has almost no support; too long, too dark, and too serious to really be fun. **