Jian guo da ye

Though obviously a big budget production this is a totally uninteresting movie. I had hoped at least, to get some insight into the historical events that led to the present situation in China. To further complicate things I had little doubt that the movie was propaganda. Its totally confusing as to what's going. Theres no cohesiveness to the story. The actors playing the main political figures were carefully cast, and did bear a strong resemblance to those they portrayed. All in all, this is a dog's breakfast of rhetoric. Not the least bit understandable or engrossing. Give it a miss. Remember, it's made in China.

People must see this movie this movie as an entertainment, opportunity to see something produced in other country with not conventional story. Some people says its propaganda and judges by their political views, but these same people dont say the same when its US movies like Black Hawk Down, Saving Private Ryan, Chuck Norris and Stallone movies about Vietnam War/Soviets and etc. Those movies arent propaganda??????? Also US movies dont talk about their attrocities commited in those movies, because no country talks bad about yourself. If you expect that dont even watch the movie.

The movie objective is to talk about the foundation of PRC and the film does well, have great actors, its good in their proposal. If you want to see costumes, behaviour of that times see the movie.

This is not a movie as such; but more of a propaganda film from some Chinese government brainwashing program. The films producer, the China Film Group (CFG) is actually a state owned media branch of the Chinese Communist Party (CCP), and are the sole importer/exporter of film in China. 'The Founding of a Republic' has to be the most classic example of communist propaganda to be produced by the CCP. Completely geared at glorifying the communist regime now in control of China, historical fact takes a back seat in this zombifying dissemination which is comparable to such films found in 1930s Germany. In the film the antagonists are the party who governed China during World War 2, the Kuomintang (KMT), while the protagonists are -yup you guessed it- the CCP; and not mention history's biggest mass murderin' glorious leader -Chairman Mao Zedong. And while the KMT ruled brutally, no one was prepared for the bloody reign of terror of Chairman Mao who left a body count greater than that of Hitler's and Stalin's combined. The regime has obviously spared no cost at producing a high quality production, but it can't hide the fact this film is cheesy and over dramatic as it attempts to incite ultra-nationalist sentiment in Chinese viewers. This film glorifies the dictator, it glorifies the regime, it glorifies the party. This government mouthpiece of a movie points the fingers at everyone else's wrongdoings, and condemns them for it, yet refuses to accept responsibility for or even acknowledge the crimes the communist party have committed, and indeed, are still committing. Whenever a film about a political party is made it can't amount to anything but propaganda and you just can't take it seriously. And less so when the direction and dialog is corny and the 'facts' are inaccurate and over-dramatized, and as the 2008 Olympics have taught us the regime in 'The Peoples Republic' are not shy to boast of their glory yet completely ignore their own heinous crimes.

The biggest problem with Founding of a Republic is that it is quite dull. An historic, or quasi-historic, film about the origins of the current government in China, the movie tends to be surprisingly free of anything of cinematic interest. The action is sparse, the dialogue is neither amusing nor animated, and all the major events are well-known to history students. The cameo appearances by several major Chinese stars, such as Jackie Chan, Jet Lee and Zhang Ziyi, are so short as to be hardly worth mentioning. We already know the outcome, and there is little in the film to hold the viewer's interest, aside from some of its subtle if unexpected features, such as its surprisingly enlightened attitude toward Chiang Kai-shek.

In much of the propaganda that pervades previous characterizations of Chiang and his Nationalist forces, the Chinese Communists have tended to portray the Chinese civil war as one of black v white, good v evil, with victorious communist forces "liberating" the people from an evil regime. These words still appear today when it is advantageous to Chinese communists' interest. But in this film Chiang seems reflective, fair-minded and concerned over excesses in his own regime--a rather positive image.

Mao is treated to several revisions, appearing jovial, tolerant, and even permissive of some forms of capitalism, the latter something Mao never actually was in his revolutionary days. Indeed, there is little revolutionary fervor in Mao's dialogue in this film, a fervor which in real life permeated Mao's thinking. This seems deliberate, as these ideas would accord little with the current regime in Beijing. In one scene where Mao is shown in an avuncular, loving role with children, even though in real life Mao abandoned his children to pursue his broad revolutionary ambitions.

While KMT excesses are detailed, including several assassinations, there is absolutely no mention of CCP atrocities committed during the Chinese civil war. And, while KMT violations of the interim treaty between the two sides are highlighted, there is no mention of CCP violations of the same pre-civil war accords.

While most of the film is richly detailed in costumes and settings, the special effects are not very realistic, with several airplane scenes being utterly unconvincing as they are obvious CGI. The film is a product of Chinese film makers, but political interests in Beijing factored heavily in its production. I doubt that the movie will generate much interest outside of China.

The movie has big weaknesses.

* Mao Zedong is portrayed as almost childish at times and as leaving most of the work to Zhou Enlai and others. In fact, he worked hard on a mountain of issues.

* Areas where Mao worked hard were the military campaigns (with Zhu De) and land reform in the newly liberated areas. Yet the movie gives most of its time to maneuvering among the "democratic parties" of the capitalists and intellectuals; the CPC; and the KMT. We hardly see peasants.

These faults in this 2009 movie are a result of Deng Xiaoping's turn to capitalism, reversing the socialist line of Mao Zedong.

(I posted these remarks as a comment on the Youtube page for the movie. They disappeared overnight. Whenever it can, the Chinese government uses the same instant-censorship apparatus around the world that it uses within its borders.)