प्रतिभाशाली और अपरंपरागत वैज्ञानिक डॉ. गॉडविन बैक्सटर की कहानी जो युवा महिला बेला बैक्सटर को पुनर्जीवित करते है.प्रतिभाशाली और अपरंपरागत वैज्ञानिक डॉ. गॉडविन बैक्सटर की कहानी जो युवा महिला बेला बैक्सटर को पुनर्जीवित करते है.प्रतिभाशाली और अपरंपरागत वैज्ञानिक डॉ. गॉडविन बैक्सटर की कहानी जो युवा महिला बेला बैक्सटर को पुनर्जीवित करते है.
- 4 ऑस्कर जीते
- 120 जीत और कुल 419 नामांकन
Anders Olof Grundberg
- Kid in London Street
- (as Anders Grundberg)
सारांश
Reviewers say 'Poor Things' is visually striking with standout performances by Emma Stone and Willem Dafoe. It delves into feminism, liberation, and societal norms through a surreal lens. Critics laud its unique cinematography and bold storytelling but note uneven pacing and character depth. The film's sexual content and portrayal of Bella have sparked controversy, making it a thought-provoking yet divisive experience.
फ़ीचर्ड समीक्षाएं
This isn't an easy film to watch and capture everything it tries to convey, on the contrary, it's quite complex.
I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.
I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.
While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.
So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.
I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.
I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.
I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.
While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.
So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.
I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.
This is a very unusual movie. I enjoyed watching it, even though it felt awkward at times (as promised by the creators and many reviewers). In my opinion, many users who gave it a 1/10, missed the point. For sure, it is a movie for very mature and sophisticated audiences. It contains a lot of ugly truths about the world, so don't watch it if those bother you. (Don't watch it with teenagers, either, wait until they are 20 or 21.) I appreciated the creative direction, cinematography, and Emma Stone's acting talent. The plot covers multiple aspects of privilege and abuse in thought-provoking ways. On a very high level, you could say that it has some similarities to Barbie, but a very different approach. It is almost the anti-Barbie. The contrast between these two 2023 movies is definitely worth a class discussion in some graduate course of film criticism.
Clearly a lot of people enjoyed this grotesque movie, but it wasn't for me. Some of the scenes in it made me feel sick, and maybe they were supposed to, but it seemed unnecessary. Don't even get me started on how pretentious the movie was.
I also found this movie very frustrating because the acting was good, the sets and costuming were good, and some scenes used striking cinematography. These things all made me feel like I should've liked the movie, but I don't. It could have been put to much better use.
The sex and nudity is beyond gratuitous. I'm usually not bothered by sex scenes in movies, but for this particular film it felt perverted. Maybe the director has a weird fetish.
Ultimately, this film made me want to crack my own head open and pour bleach over my brain. It's one of those movies I'd like to block out. I don't think I'll ever watch anything else by Lanthimos.
I also found this movie very frustrating because the acting was good, the sets and costuming were good, and some scenes used striking cinematography. These things all made me feel like I should've liked the movie, but I don't. It could have been put to much better use.
The sex and nudity is beyond gratuitous. I'm usually not bothered by sex scenes in movies, but for this particular film it felt perverted. Maybe the director has a weird fetish.
Ultimately, this film made me want to crack my own head open and pour bleach over my brain. It's one of those movies I'd like to block out. I don't think I'll ever watch anything else by Lanthimos.
Poor Thins was the last Best Picture nominee on my list.
As someone who likes the work of Lanthimos but does not *love it* I didn't know what to expect all I can say is I love it!
For me, this film represents female liberation like no other. Bella represents the new beginning and self-discovery. Emma should win an Oscar for this is not even questionable.
The scenes are magnificent and the whole world Lanthimos created is stunning to look at.
The cast (for the most part) delivers outstanding performances even though their accents sometimes miss the mark.
The only cast member that I found lacking was Margaret Qualley.
It's an outstanding film that deserves the recognition it got and it's the perfect feminist text. I loved it.
As someone who likes the work of Lanthimos but does not *love it* I didn't know what to expect all I can say is I love it!
For me, this film represents female liberation like no other. Bella represents the new beginning and self-discovery. Emma should win an Oscar for this is not even questionable.
The scenes are magnificent and the whole world Lanthimos created is stunning to look at.
The cast (for the most part) delivers outstanding performances even though their accents sometimes miss the mark.
The only cast member that I found lacking was Margaret Qualley.
It's an outstanding film that deserves the recognition it got and it's the perfect feminist text. I loved it.
Well it was just weird. But I really loved Mark Ruffalo in the movie. He was so funny. And he really made the role very believable. The other actors and actresses were great but their roles didn't have the same kind of acting needed. Ruffalo was able to put more emotion into his role. Emma Stone did her role very well as the lovely Bella. Who was learning more and becoming a more rounded role for her. So her "frankinsteinish" role was well played. Dafoe as the mad scientist who let his creation loose into the world was well played as well! Personally I would have just watched it for Mark Ruffalo though.
क्या आपको पता है
- ट्रिवियाWillem Dafoe described the makeup process, "Four hours in, two hours out every day - I'm showing up at three o'clock in the morning, sitting in the chair, meditating and trying to deal with standing still. You can't sleep because it's intricate enough that you've got to work with the people applying it. It's a grind, but I liked working with a mask in there - quite literally, a mask."
- गूफ़Mark Ruffalo's attempt at a British accent is extremely unconvincing.
However, an unconvincing accent is simply a limitation of the actor's ability and not a mistake on the part of the filmmakers. Also, what is considered unconvincing is a subjective matter of opinion.
- भाव
Bella Baxter: [on the wailing infant] I must go punch that baby.
- क्रेज़ी क्रेडिटThe opening and closing credits are shown as a frame around the image.
- इसके अलावा अन्य वर्जनThe UK's BBFC viewed the film during editing to provide advice on classification, and informed the distributor it required changes to one short sequence to secure an "18" rating. The scene depicted sexual activity in the presence of children. Under UK law, this could be illegal and therefore required removal before being distributed within the country. The changes were made before formal classification, and this same version of the film was ultimately released everywhere.
- कनेक्शनFeatured in WatchMojo: Top 10 Best Movies of 2023 (2023)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Pobres criaturas
- फ़िल्माने की जगहें
- Origo Film Studio, बुडापेस्ट, हंगरी(soundstages)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,45,53,225
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $6,61,230
- 10 दिस॰ 2023
- दुनिया भर में सकल
- $11,76,25,455
- चलने की अवधि
- 2 घं 21 मि(141 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.66 : 1
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