Fireball

I hate when you watch a film that not only feels like a waste of time but when you lament that time could have been spent elsewhere from watching a better film or cleaning the toilet. I knew not to expect an Ong Bak or a Chocolate. Also, I recently enjoyed the Legend of the Tsunami Warrior which was not a great film, but you can see the maturity of the Thailand popular cinema in terms of special effects and film techniques so I was curious on this film. Sometimes curiosity is dangerous.

Many times when you are watching a martial arts film (sometimes this goes with musicals as well) you can forgive an inane plot, idiotic characterizations and pretty much everything else if the fight scenes are sagacious. Usually when they are not it is because you are presented with actors (and/or choreographers) who know nothing about showcasing the proper aesthetics and the artistic ability to convey the beauty that makes martial art cinema great. Sometimes, like in this film, the actors have the martial arts ability, but it is the director, editor and cinematographer that help make this film an irritable exercise in how long can you sit at a time while watching this before you change and watch something else. I can forgive the film quality which has the feel of a low budget TV movie. I cannot forgive (besides the plot) the elliptical editing, the cinematography which seems to be done by a 300 pound ex-alcoholic after running a mile who is suffering delirium tremens, and the soundtrack with exception of the cool Thai rap heard early in the film. Honestly, I have no idea what they were trying to accomplish with the editing. Were they trying to outdo Michael Bay?

The plot was not much better. Here we have Tai (Preeti Barameeanat) a criminal who was set free because of his twin brother's Tan's (same actor) cash contributions that left Tan in a coma. Tan was making money with the underground basketball game called Fireball. Tai takes his identity and gets back into the game to find out who was responsible for his brother's condition as well as try to make money to pay for an operation for his deteriorating brother. In the meantime he is falling for his brother's girlfriend. I like the idea of having an underground basketball game featuring Muay Thai and run by drug lords. But the execution of it could have been better. Allowing weapons to be used really made it silly and stupid. I know I should not be thinking, but who would put themselves into that situation without much money or without having their family held hostage? Ultimately the best situation for this type of game where you win by scoring once (or dispatching all of your opponents) would be to hire very fast players who could score right off of a fast break (even with individuals trying to beat you up) since a good basketball player should be able to do a layup/dunk even with two or three guarding and not getting hit. With full disclosure I am a basketball fan – I have no idea whether that would predispose my thinking one way or the other for this movie.

One of the benefits of lower budget films is that much is done on location. You get to see a lot of city life and as a byproduct of the frenzied fight scenes I found myself enjoying the surroundings more (it is usually a bad sign for a film when you start paying attention to things like background people, possibly product placement and anything but what you are supposed to be focusing on). The attempt at creating a commentary on the social-economic conditions of these youths ultimately did not work because of a few plot threads that either made you to hate the drug lords yet put your sympathy on the one upcoming drug lord who recruited the protagonist and a few others who you get to see a bit of their daily lives.

The Lionsgate release had no issues though it does seem that there are dubtitles – so there is an English dub along with this as well. Special Features include a trailer for the film, additional Lionsgate trailers (Wushu, Death Warrior, Four Dragons, Bodyguard: A New Beginning, Never Surrender) and a Behind The Scenes which lasts around 11m 44s. The Behind The Scenes is in Thai with intercut scenes of the movie in English dub and even has some outtakes and behind the scene footage (where wires are shown). It has the director Thanakorn Pongsuwan talking about the origin of the story, the plot of the film and choice of actors. Also featured are: the producer Sangar Chatchairungruang (can't believe he stated that goal of the film was creating fun), the lead actor(s) Preeti Barameeanat (from Clash Band), actor Sam Kasem (Zing; in real life he is a Thai boxer who fights in Japan) and actor Arucha Tosawat (Tun).

Action movies are a dime a dozen in the world of DVD. Go to any rental or place that carried DVD's, and you will find several-sometimes many-action movies that didn't get a theatrical release in the U.S. Personally, I think that the king of this market may be Lionsgate, who seem to crank out Direct to DVD exploitation junk on a regular basis, and action and horror are the main course. Ususally, this kind of fair tends to be nearly excruciatingly bad ("Wrong Side of Town" for example), so while not a miracle, it's almost sort of refreshing to find a watchable entry in the Thai action flick "Fireball."

Arrested on a crime charge, Tai (Preeti Barameeanat) is set free thanks to his twin brother Tan. Problem is, Tan has suffered severe injuries and is in a coma (I know, I know it's serious.) Trying to trace how his brother ended up like this, Tai discovers the world of underground basketball gambling. He ends up in a "Fireball" team, or a team of five players who play-and fight-to the death until there is one man left standing, and in the process, learns more about what happened to Tan.

On the plus side, the action scenes in "Fireball" are fantastic, not to mention bloody. People are impaled, bones are broken, flying kicks and punches are traded, blood spills-I could go on, but this aspect of the film is a lot of fun, and certainly earns it's R-rating. At it's best, the movie reminded me at times of 80's action movies like "Bloodsport", in that it shares a similar plot and has no clearer ambitions other than to give the viewer a bloody action movie that doesn't demand too much. In some cases here, it certainly succeeds.

That out of the way, while the acting is fine, the movie falters in the fact that there is little is any real characterization going on in the film. Without anybody to care about, many of the scenes in which there isn't anything action or maybe even sex related feel too long, not to mention kind of boring. The fact that there isn't much as far as characterization is concerned also hurts the various sub-plots-particularly one involving mob bosses-as we aren't given any other reason to take interest other than "Hey, look at what's happening now!" Without any way for the audience to invest in any of these characters or plot points, the viewer ends up getting bored, waiting for the next action scene.

I really can't recommend "Fireball", as it feels a bit too much like a missed opportunity to be a really fun piece of action trash. That out of the way, the action scenes are a lot of fun, and for a rainy day viewing, you can do a whole lot worse.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

The Thais are fast taking over the Chinese, Koreans and Japanese in terms of producing the most acclaimed martial arts films in the heart of their home countries, without the aid of any Hollywood CGI or props to spruce them up. We've had Tony Jaa in the Ong-bak films delivering his breath taking visual displays and now we have this less successful effort from director and co writer Thanakorn Pongsuwan, focusing on some competitors in an underground interfusion of basketball and muay thai, that obligatorily forgoes the use of a decent plot and unhammy acting. Sadly, it's also just never any fun, the close ups on the fights and their sheer relentless nature proving more distracting than entertaining and it all ends up feeling like it's really dragging on. Some fun here and there, but generally as much fun as a 'fireball' in the gut. **

Rather than Fireball: Muay Thai Dunk, this could have been more aptly titled as Firebrawl: Anything Goes, and I mean that in a nice way. We know enough of how sports and martial arts can coexist in movies, either in comical fashion like Stephen Chow's Shaolin Soccer, or played in a more deadpan, idol-movie like manner with the Jay Chou vehicle Kung Fu Dunk. Joining their ranks is this latest action film directed by Thanakorn Pongsuwan, which fuses an illegal underground basketball league, and Muay Thai fighting.

For those who want to organize their own tournament, here are the extremely simple rules as explained in the movie. It's your standard 5 on 5 basketball on a full length court, except that when the whistle blows, you can brawl with your opponent immediately, which makes it something like a WWE Royal Rumble, only faster and more brutal. To win, you still have to put the ball into your opponent's goal/basket (it's still basketball after all), but it only takes one dunk to win. Either that, or the team with the last man standing will be the victor. Killing your opponent is allowed, but only within the court (anything outside equals to punishment for the team), but there's no replacement players allowed as you progress through the stages. Which means survivors get to split more cash between them, but suffer from numerical disadvantage. Weapons are optional too.

Which makes the film perfect as an all out actioner, and Pongsuwan doesn't think twice about indulging the audience into detailed, well executed fights which take precedence over a decent game of basketball. While watching the film I felt it was a throwback to the 80s Bloodsport type of movie with gladiators battling in an arena, sans plot and character development, where the focus is to let the fists and feet do most of the talking. That said, the fight sequences were nicely shot and tightly choreographed, though it seemed more like an all-out street brawl than sticking to Muay Thai principles. Fans of hard-hitting action will definitely appreciate the ring-side seat to all of the action here, which is relentless in pace and powerful in execution.

Story-wise, it tells of the tale of Tai (Preeti Barameeanat), who has recently been released from prison because twin brother Tan got him out of jail by raising required funds for bribery, but at the price of fighting for his life in a coma at the hospital. Tai learns from Tan's main squeeze Pang (Khanutra Chuchuaysuwan), who provides a cursory and unnecessary romantic angle, that Tan often got himself badly knocked up, and discovers that his twin was actually knocked comatose by an opponent in a Fireball tournament. So like a Jean-Claude Van Damme movie, Tai adopts Tan's identity, and finds himself looking for a team to join for the tournament, seeking revenge.

Enter Boss Den (Phutharit Prombandal), who recruits Tai's Tan into his Fireball team, led by captain and best fighter of the lot Zing (9 Million Sam, yes you read that right!), with Muk (Kumpanat Oungsoongnern), K (Anuwat Saejao) and teenager IQ (Kannut Samerjai) as the rag-tag, hastily assembled team with trust issues amongst one another, and personal issues, each from the doldrums of society, mercenaries for hire if you like, eyeing that prize money at the end of the rainbow in order to lift their lot. Throw in some match-fixing potential, which is de-facto in any underground fights, and nasty opponents with no qualms for un- sportsmanship behaviour, and you're all set for a non-stop action film where the drama in between becomes an excuse to glue the multi-faceted fight scenarios together. One of the best involves a training sequence where the boys play a friendly in and around a narrow and cramped apartment block, resembling a parkour-yamakasi piece.

Given knowledge that a prequel will be made, I can't help but to think that this film could end up as the "middle" movie, since it ended the way it did with doors opened for a sequel, and of course the story of Tan provides ample room for scenes before the opening shot here. The players too are likely to be similar for the prequel, and it could follow John Woo's A Better Tomorrow where you can bring back the key actor from the excuse that we're looking at the twin / likeness resembling relative, which this film had all set up, and set subsequent movies back in time too.

That said, as a basketball-type movie, Fireball would not muster any merit for lay-ups and slam dunks. But as an action film, then yes, it will satisfy any action junkie who misses the good old days of no holds barred fights, multiplied by the number of players on the court all happening at the same time.

Tai (Preeti Barameeanat) is released from jail, all charges dropped, his brother Tan (also played by Barameeanat) having greased some palms with cash earned playing the violent street sport Fireball. After Tai arrives home to discover his brother in a coma, badly bruised and beaten, he enters the Fireball arena to try and find the person responsible, while earning some cash to pay for a much-needed operation.

Thai martial arts movie Fireball (AKA Muay Thai Dunk) revolves around an illegal tournament in which two teams of five men battle it out on a basketball court, maiming and killing their opponents while trying to score a single basket. As such, I wasn't expecting much in the way of a gripping (or logical) storyline—and I didn't get one. I was, however, expecting some decent fight scenes—a bit of bone crunching, adrenaline fuelled action, as the quote on the DVD cover promised—but I didn't get that either.

Director Thanakorn Pongsuwan seems to have gone out of his way to reduce every potentially exciting scene to an incomprehensible mess through the use of wobbly camera-work and rapid editing. There are several lengthy Fireball matches, but it is virtually impossible to work out who is punching or kicking who, making the film an extremely frustrating (and utterly boring) experience. In between the 'action', Pongsuwan pads out the running time with cloying emotional drama, but since I couldn't care less about any of his horribly clichéd characters, this did nothing to help improve my opinion of the film as a whole.

So bad it makes the barely above average Kung Fu Dunk (2008) look like a work of pure genius by comparison, I have no reservations in giving Fireball the lowest possible rating of 1/10.