IMDb रेटिंग
5.6/10
40 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss's old mentor to secure for him a multi-billion do... सभी पढ़ेंAn entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss's old mentor to secure for him a multi-billion dollar advantage.An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss's old mentor to secure for him a multi-billion dollar advantage.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Will Peltz
- Morgan
- (as William Peltz)
फ़ीचर्ड समीक्षाएं
"The lights always look brighter across the river." After saying the wrong things, Adam (Hemsworth) an up-and-coming employee at a powerful corporation finds himself and his friends out of a job. After the owner Nicolas Wyatt (Oldman) recruits him to spy on rival Jock Goddard (Ford) to find out what his company is coming up with Adam finds himself stuck in the middle of a dangerous game. When he wants out he realizes that it's not just his life is threatened unless he completes his task. I was looking forward to watching this for two reasons. Harrison Ford and Gary Oldman, also Richard Dreyfuss is in this but in a lesser role. I cannot recall a movie they have been in that has been bad (Kingdom of the Crystal Skull was bad but its still Indiana Jones so I can't hate it and I blame Lucas for that anyway). I did find out how to mess up a movie with those two legendary actors...add baby Thor (Liam Hemsworth). I'm not saying he was a bad actor in this because it wasn't terrible but when you have those two in a movie and you make baby Thor the main focus you have screwed up somewhere. I'd compare this to the movie Son Of No One in the way that you have Ray Liotta and Al Pacino and you make Channing Tatum the focus. Nothing personal against Hemsworth or Tatum but when you have such high caliber actors why waste them? As far as this movie goes the scenes with Oldman and Ford are amazing as expected, as far as the rest goes it was slow, a little boring and not exciting at all. With the plot being about the seedy underworld of the cellphone app industry though you don't have much to work with. Overall, a movie that could have been so much better but ended up being almost not worth seeing. It pains me to do this but I give it a C.
This movie is not gripping {Inception}. This movie will not keep you guessing {Now You See Me}. This movie is not Oldman/Ford material and why they took the job is beyond me. If you are 25 or younger it's a great date movie (because there's time to make out as the film drags in several spots). It doesn't twist and turn and the revelations are minimal and far from making the audience gasp. Four out of ten stars may be generous. Good-looking stars and block-busting legends does not a good movie make; much less a great movie. Though I would like to get hold of that ring-tone. Character development was sloppy and dialog was quite pedantic.
Thankfully, Gary Oldman can make almost any film bearable and his portrayal here of a ruthless, corrupt CEO is just about the only thing that this derivative movie has going for it. He manages to infuse a one-dimensional character with at least one more dimension.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
PARANOIA is one of those corporate suspense thrillers about rival businesses, spying, and the like. All of these films seem to owe a debt to WALL STREET in the depiction of fresh-faced newcomers going under the wings of seasoned and cynical professionals.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
With a title like "Paranoia," I expected suspicion, suspense, maybe even a cool chase scene, but this movie not only lacks the characteristics its title suggests, but is really devoid of any depth. It seems to be a vehicle to see Liam Hemsworth shirtless as much as possible, as well as in some gorgeous suits.
Amid a lot of techie razzle-dazzle, the plot is rather thin and predictable and there is absolutely NO character development, except a small amount for Richard Dreyfuss, who seems to be the most interesting character in the movie. It was nice to see him in this role.
Harrison Ford doesn't look good with a shaved head. Reminded me of Mr. Magoo without the glasses.
Not a bad movie, but certainly not a thriller and definitely forgettable
Amid a lot of techie razzle-dazzle, the plot is rather thin and predictable and there is absolutely NO character development, except a small amount for Richard Dreyfuss, who seems to be the most interesting character in the movie. It was nice to see him in this role.
Harrison Ford doesn't look good with a shaved head. Reminded me of Mr. Magoo without the glasses.
Not a bad movie, but certainly not a thriller and definitely forgettable
क्या आपको पता है
- ट्रिवियाKevin Spacey turned down the role of Nicholas Wyatt.
- गूफ़When Adam Cassidy is playing chess with Wyatt, there is no way he can make a checkmate without making check with his queen.
- भाव
Jock Goddard: Privacy. Absolute myth. There's no such thing.
- कनेक्शनFeatured in Chelsea Lately: एपिसोड #7.121 (2013)
- साउंडट्रैकAlive (Zedd Remix)
Performed by Empire of the Sun
Composed by Nick Littlemore (as Nicholas Littlemore), Peter Mayes, Luke Steele, Jonathan Sloan, Steve Bach (as Steven Bach) and Zedd (as Anton Zaslavski)
Administered by: Universal Music Publishing Group Pty Ltd, on behalf of
Chenfeld Ltd and Solola Ltd, Sony/ATV Music Publishing (Australia) P ty Ltd.
admin by Sony/ATV Tunes LLC, Pulse Recording Songs (ASCAP) admin by
Downtown DLJ Songs (ASCAP), Bach to Bach Music (ASCAP),
Zedd Music Empire (ASCAP) admin by Kobalt Songs Music Publishing.
Courtesy of EMI Music Australia Pty Ltd./Astralwerks
under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Paranoia?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Traición al límite
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $73,88,654
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $35,28,376
- 18 अग॰ 2013
- दुनिया भर में सकल
- $1,70,56,265
- चलने की अवधि
- 1 घं 46 मि(106 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें