IMDb रेटिंग
7.3/10
11 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA dramatization of one man's rescue of Jewish refugees in the German-occupied Polish city of Lvov.A dramatization of one man's rescue of Jewish refugees in the German-occupied Polish city of Lvov.A dramatization of one man's rescue of Jewish refugees in the German-occupied Polish city of Lvov.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 13 जीत और कुल 19 नामांकन
Aleksander Mincer
- Szlomo Landsberg
- (as Olek Mincer)
फ़ीचर्ड समीक्षाएं
I watched this 5 days ago, and still find it in my mind - in the middle of the night/ while shopping/ washing/ walking down the street.
I don't think I will ever forget it.
Film is dramatic, tense, witty, and above all haunting.
A remarkable film, there is nothing more I can say.
I would just add that the acting is really good.
The story breaks my heart.
The film makes vivid a story from our history, a history that should not ever be forgotten.
There is something compelling in remembering the Nazi atrocities, and also in viewing films about them.
Watching this film, I felt part of a shared experience - respecting and grieving all the people who died and suffered at the hands of the Nazis.
I don't think I will ever forget it.
Film is dramatic, tense, witty, and above all haunting.
A remarkable film, there is nothing more I can say.
I would just add that the acting is really good.
The story breaks my heart.
The film makes vivid a story from our history, a history that should not ever be forgotten.
There is something compelling in remembering the Nazi atrocities, and also in viewing films about them.
Watching this film, I felt part of a shared experience - respecting and grieving all the people who died and suffered at the hands of the Nazis.
My last day in Savannah, I had the the misfortune of having to choose between seeing Lily Tomlin in person at a tribute/screening of "The Late Show" or seeing Agnieszka Holland's baity but promising Holocaust drama, "In Darkness." I chose the later with the hope that I would see Tomlin somewhere around town. I didn't spot her, but I am very pleased with my choice.
"In Darkness" tells the tale of Leopold Socha, a Catholic sewer worker in Lvov, Poland during the Nazi occupation. Along with his work partner, Socha (played magnificently by Robert Wieckiewicz) has begun breaking into the vacant homes of Jewish citizens that have been moved into the ghetto and stashing their valuables in the sewers for his own personal safekeeping. Meanwhile, as the Nazi's began their assault on the ghetto, a large group of Jews manage to dig down under their house and into the sewers where they are surprised by Socha just minutes after breaking through. Socha sees an opportunity to make some money and a deal is struck.
The audience is introduced to so many characters in the first half hour, it can be a bit difficult to know who you really need to focus on. Aside from the obvious lead, Socha, it soon becomes apparent who the other main players are and you form your attachments appropriately. While you see Socha as a loving husband and hard-working father right off the bat, how he takes advantage of the already desperate crowd he finds beneath the city showcases him as a bit less than a hero. Having him forced on you as the unlikely protagonist allows for a great evolution to play out. Wieckiewicz gives us a deeply nuanced turn as he we watch him learn both the impact he has had on those in the darkness and the impact they have had on him.
Visually, the movie is as dark as the name suggests. At least half of the film takes place in the sewers, thus evoking the proper sense of claustrophobia. A couple shots in particular felt nearly iconic to me; a woman in vivid blue running through the gray streets of the ghetto during the Nazi raid, Socha bringing a little girl up to the surface just enough to poke her head above the street. The production tips closer to minimalistic than lush, which works well under Holland's careful direction and in the bleak setting.
The movie is very powerful and carries a scholarly tone that should allow it to maintain a presence in the genre for years. As far as the Academy is concerned, this is a sure bet for a Best Foreign Language nomination (as Poland's submission) and a definite contender to take home the trophy. Wieckiewicz would have a place on my ballot as well as considerations for the film in Best Picture and several technical categories. This would be a great film for the Atlanta Jewish Film Festival to add to their lineup.
4.5 out of 5 stars.
Check out more reviews by Cameron McAllister at Reel Georgia - www.ReelGA.com
"In Darkness" tells the tale of Leopold Socha, a Catholic sewer worker in Lvov, Poland during the Nazi occupation. Along with his work partner, Socha (played magnificently by Robert Wieckiewicz) has begun breaking into the vacant homes of Jewish citizens that have been moved into the ghetto and stashing their valuables in the sewers for his own personal safekeeping. Meanwhile, as the Nazi's began their assault on the ghetto, a large group of Jews manage to dig down under their house and into the sewers where they are surprised by Socha just minutes after breaking through. Socha sees an opportunity to make some money and a deal is struck.
The audience is introduced to so many characters in the first half hour, it can be a bit difficult to know who you really need to focus on. Aside from the obvious lead, Socha, it soon becomes apparent who the other main players are and you form your attachments appropriately. While you see Socha as a loving husband and hard-working father right off the bat, how he takes advantage of the already desperate crowd he finds beneath the city showcases him as a bit less than a hero. Having him forced on you as the unlikely protagonist allows for a great evolution to play out. Wieckiewicz gives us a deeply nuanced turn as he we watch him learn both the impact he has had on those in the darkness and the impact they have had on him.
Visually, the movie is as dark as the name suggests. At least half of the film takes place in the sewers, thus evoking the proper sense of claustrophobia. A couple shots in particular felt nearly iconic to me; a woman in vivid blue running through the gray streets of the ghetto during the Nazi raid, Socha bringing a little girl up to the surface just enough to poke her head above the street. The production tips closer to minimalistic than lush, which works well under Holland's careful direction and in the bleak setting.
The movie is very powerful and carries a scholarly tone that should allow it to maintain a presence in the genre for years. As far as the Academy is concerned, this is a sure bet for a Best Foreign Language nomination (as Poland's submission) and a definite contender to take home the trophy. Wieckiewicz would have a place on my ballot as well as considerations for the film in Best Picture and several technical categories. This would be a great film for the Atlanta Jewish Film Festival to add to their lineup.
4.5 out of 5 stars.
Check out more reviews by Cameron McAllister at Reel Georgia - www.ReelGA.com
It's WWII in German-occupied Polish city Lwów. Leopold Socha is a sewer worker and an opportunist looking to enrich himself with Jewish gold. At first, he and his co-worker friend Szczepek Wróblewski help the Jews but only for a price. However, the danger of discovery mounts. Some people get suspicious. Leopold finds himself alone hiding his group even after they run out of money.
The obvious holocaust movie comparison is the great 'Schindler's List'. Of course, there is similarity between Schindler and Socha. However the characters in this movie seem move gritty. It's more than the grungy sewer location. It is the people's pettiness and ugly racism. It's not just the Germans, or the Ukranians or the Poles. It's also the Jews. For most of the movie, the motives are not high-minded. Fear and the survival instincts hold sway. The eventual idealism comes not as a single revelation as Schindler riding his horse watching the ghetto be liquidated. It comes in a series of steps that moves forward and backwards. More than once, Socha almost abandons his Jews and almost as many times, Socha is about to be killed by his Jews. This is more gritty and compelling in a different way. Socha is a hero almost by chance but it is his humanity overcoming his fears that is the true story. He is no mover and shaker. He is a blue collar grunt and he risks the little that he had for the sake of strangers. Filming in the narrow confines of the sewer set does limit the visual scale. It doesn't always provide the best views.
The obvious holocaust movie comparison is the great 'Schindler's List'. Of course, there is similarity between Schindler and Socha. However the characters in this movie seem move gritty. It's more than the grungy sewer location. It is the people's pettiness and ugly racism. It's not just the Germans, or the Ukranians or the Poles. It's also the Jews. For most of the movie, the motives are not high-minded. Fear and the survival instincts hold sway. The eventual idealism comes not as a single revelation as Schindler riding his horse watching the ghetto be liquidated. It comes in a series of steps that moves forward and backwards. More than once, Socha almost abandons his Jews and almost as many times, Socha is about to be killed by his Jews. This is more gritty and compelling in a different way. Socha is a hero almost by chance but it is his humanity overcoming his fears that is the true story. He is no mover and shaker. He is a blue collar grunt and he risks the little that he had for the sake of strangers. Filming in the narrow confines of the sewer set does limit the visual scale. It doesn't always provide the best views.
I saw this movie at the Savannah Film Festival in Georgia today... Going in I thought this movie would be just another holocaust movie. But it was more than just a holocaust movie the story which is based off a true story told the story of people who regardless of race are escaping from their deaths by hiding in a sewer throughout the war. I was amazed by how this movie could keep my attention throughout as seeing that it's just a group of people hiding underground but it did. It's a long movie but entertaining throughout. The story embraced these poor individuals and showed their struggles and I was amazed by the acting. I was also amazed by all the challenges that they had gone through to produce this movie and my thought of how stressful it would be to be on a set like this. As a young cinematographer myself, I was impressed by the lighting and the picture overall that was produced. I'm dying to know what lenses they used for such a beautiful film. For attending this film and not being from Georgia I heard some positive and some negative feedback from other attendees of the film. Some people had a little struggle of how long the movie was... But in my eyes I feel that it's important for the movie to be longer because these people are in a tunnel for over a year and are struggling to survive.
10ezager-1
While there have been other movies dealing with Holocaust this one is unique in its complexity. It takes place in Lvov, town populated by a number of ethnic groups which had coexisted in an uneasy truce in a sort of a Tower of Babel which first the Russian and then the German occupations easily destroyed.
The mix of peoples is apparent by the mix of languages spoken: Polish, Yiddish, Ukrainian, German . The subtitles by the way are excellent and easy to follow.
The movie shows the risks involved in helping Jews under the German occupation a very important but often forgotten point. Heart wrenching scenes caused more than one person to wipe their tears in this Polish audience. The humanity of Socha the imperfect hero makes him one of the most heart warming characters that I recall.
This movie is a thriller, a morality tale and in some ways reminds one of a classic Western where honor, justice and love survive under most adverse circumstances.
The mix of peoples is apparent by the mix of languages spoken: Polish, Yiddish, Ukrainian, German . The subtitles by the way are excellent and easy to follow.
The movie shows the risks involved in helping Jews under the German occupation a very important but often forgotten point. Heart wrenching scenes caused more than one person to wipe their tears in this Polish audience. The humanity of Socha the imperfect hero makes him one of the most heart warming characters that I recall.
This movie is a thriller, a morality tale and in some ways reminds one of a classic Western where honor, justice and love survive under most adverse circumstances.
क्या आपको पता है
- ट्रिवियाPoland's candidate to compete for Best Foreign Language Film at the 2012 Academy Awards.
- गूफ़When Poldek is taking a bath, a scar from a smallpox vaccine is clearly visible on his left arm. Most of the world's populace wasn't vaccinated before the WHO Smallpox Vaccination program began in 1967.
- कनेक्शनFeatured in Maltin on Movies: The Vow (2012)
- साउंडट्रैकDido's Lament
Written by Henry Purcell
Performed by Urska Arlic Gololicic (Soprano) and Mary Komasa (as Maria Komasa-Lazarkiewicz) (Harpsichord)
[from the opera "Dido and Aeneas"]
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is In Darkness?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- In Darkness
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $10,41,455
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $27,413
- 12 फ़र॰ 2012
- दुनिया भर में सकल
- $99,55,885
- चलने की अवधि2 घंटे 25 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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