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True Grit

  • 2010
  • 16
  • 1 घं 50 मि
IMDb रेटिंग
7.6/10
3.7 लाख
आपकी रेटिंग
लोकप्रियता
1,202
191
Jeff Bridges, Matt Damon, Josh Brolin, and Hailee Steinfeld in True Grit (2010)
True Grit: "Click" TV Trailer
trailer प्ले करें0:33
24 वीडियो
99+ फ़ोटो
पीरियड ड्रामाड्रामापश्चिमी

ट्रू ग्रिट प्रतिशोध और वीरता की एक सशक्त कहानी है जो एक निर्मम और अप्रत्याशित सीमांत में आरम्भ होती है जहाँ न्याय सरल है और दया दुर्लभ है।ट्रू ग्रिट प्रतिशोध और वीरता की एक सशक्त कहानी है जो एक निर्मम और अप्रत्याशित सीमांत में आरम्भ होती है जहाँ न्याय सरल है और दया दुर्लभ है।ट्रू ग्रिट प्रतिशोध और वीरता की एक सशक्त कहानी है जो एक निर्मम और अप्रत्याशित सीमांत में आरम्भ होती है जहाँ न्याय सरल है और दया दुर्लभ है।

  • निर्देशक
    • Ethan Coen
    • Joel Coen
  • लेखक
    • Joel Coen
    • Ethan Coen
    • Charles Portis
  • स्टार
    • Jeff Bridges
    • Matt Damon
    • Hailee Steinfeld
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    3.7 लाख
    आपकी रेटिंग
    लोकप्रियता
    1,202
    191
    • निर्देशक
      • Ethan Coen
      • Joel Coen
    • लेखक
      • Joel Coen
      • Ethan Coen
      • Charles Portis
    • स्टार
      • Jeff Bridges
      • Matt Damon
      • Hailee Steinfeld
    • 910यूज़र समीक्षाएं
    • 447आलोचक समीक्षाएं
    • 80मेटास्कोर
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    • 10 ऑस्कर के लिए नामांकित
      • 38 जीत और कुल 170 नामांकन

    वीडियो24

    True Grit: "Click" TV Trailer
    Trailer 0:33
    True Grit: "Click" TV Trailer
    True Grit: Trailer #2
    Trailer 2:30
    True Grit: Trailer #2
    True Grit: Trailer #2
    Trailer 2:30
    True Grit: Trailer #2
    True Grit
    Trailer 1:16
    True Grit
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    True Grit: One Eyed Man
    Clip 0:51
    True Grit: One Eyed Man
    True Grit: I'm A Texas Ranger
    Clip 0:53
    True Grit: I'm A Texas Ranger

    फ़ोटो212

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    + 206
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    टॉप कलाकार54

    बदलाव करें
    Jeff Bridges
    Jeff Bridges
    • Rooster Cogburn
    Matt Damon
    Matt Damon
    • LaBoeuf
    Hailee Steinfeld
    Hailee Steinfeld
    • Mattie Ross
    Josh Brolin
    Josh Brolin
    • Tom Chaney
    Barry Pepper
    Barry Pepper
    • Lucky Ned Pepper
    Dakin Matthews
    Dakin Matthews
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    Jarlath Conroy
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    Paul Rae
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    Domhnall Gleeson
    Domhnall Gleeson
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    Elizabeth Marvel
    Elizabeth Marvel
    • 40-Year-Old Mattie
    Roy Lee Jones
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    • (as Ed Lee Corbin)
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    Leon Russom
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    Bruce Green
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    • निर्देशक
      • Ethan Coen
      • Joel Coen
    • लेखक
      • Joel Coen
      • Ethan Coen
      • Charles Portis
    • सभी कास्ट और क्रू
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    फ़ीचर्ड समीक्षाएं

    8CinemaFrostedBetty

    A Must-See Film

    Joel and Ethan Coen's True Grit (2010) is undoubtedly one of the best films I have seen all year. Westerns seemed to have fallen off the wagon in Hollywood these past few decades, but the Coen brothers have truly worked their magic, once again, to resuscitate this genre. In this beautifully constructed Western remake of Henry Hathaway's 1969 version, 14-year-old girl Mattie Ross (Hailee Steinfeld) sets out with an eye-for-an-eye attitude to capture Tom Chaney (Josh Brolin), the man who has mercilessly killed her father. In order for justice to be served she teams up with Reuben J. "Rooster" Cogburn (Jeff Bridges), a man of "true grit" and Texas Ranger LaBoeuf (Matt Damon). True Grit is simple, straightforward (not words one would typically use to describe a Coen Brothers film), but as usual, it's an f-ing masterpiece. What struck me the most about this film was its skillfully crafted ambiance. Everything presented from the costumes to the settings to the dialogue— I felt completely immersed in the narrative. Thanks to cinematographer Roger Deakins for that visual thrill-ride! It's pretty apparent that Jeff Bridges had some major shoes to fill in his role originally played by John Wayne. It's safe to say it was a job well done. His style was completely powerful in this unforgettable performance. Every step he takes or word he speaks is done with thought. If there was an Oscar for 'baddest ass' Jeff Bridges would clearly hold the title, hands down. I was also quite impressed with Hailee Steinfeld's performance. As a newcomer to the Hollywood scene, she makes it pretty clear she means business. Even next to Damon, Bridges, and Brolin, she holds an extremely professional and talented composure. This is most definitely not the last time we will see her on the silver screen.
    8Rockwell_Cronenberg

    Surprisingly un-Hollywood. Unsurprisingly brilliant.

    The least "Coen" of all of the Coens films is also one of their finest. It has a few Coen inflections to it (Damon's twang of a voice, a few random mustached characters crossing paths with our heroes) but for the most part it's a lot more straight forward and less humored. Surprisingly this doesn't detract from the film at all, which is a riveting character journey in classic old school Hollywood fashion. And while generally "old school Hollywood fashion" would be something I would cringe and run away from, the Coens make it enjoyable, emotional and breathtaking. The technical qualities are all astounding; fantastic costumes, a beautiful score and some of the most exquisite cinematography I have ever seen, courtesy of the always reliable Roger Deakins. It's such an entertaining film, with some emotional power that resonates afterwards. There's a lot of twists that I didn't see it taking and none of the characters ended up being what I initially expected them to be. There's a real lack of obvious arcs for these people and that was a nice surprise. The Coens do what they can to avoid Hollywood conventions in what is, at it's core, a very Hollywood film.

    Above all else, the film is a character piece and what a wonderful one it is. Unsurprisingly, these people are written very intelligently, given lots of depth and room to grow and surprise. There's a constant battle over what grit truly means and over the course of the film the balance shifts back and forth over which of the three has the truest grit. From the very opening, we see that Mattie Ross has a whole mess of it, this headstrong girl who won't back down to anyone, despite her small stature. Hailee Steinfeld is remarkable here, an actor with talent well beyond her years. She's entirely convincing, taking a character that could have been this annoying little brat and making her simultaneously strong, whip smart, endearing and adorable. I enjoyed watching her in every second. Jeff Bridges was different than I had expected, but I love his arc throughout the film. Maddie goes to him because she believes he has the most grit of all and that he is the right choice for her, but as the journey goes on she doubts her decision and Rooster Cogburn plays with our perception of him quite a few times. Bridges was my least favorite of the three, performance-wise, but that's not a huge slant given how highly I thought of the other two. Matt Damon gets arguably the most interesting role, a character who is detestable when we first meet him and then has the large task of making us realize that he just may have the truest grit of all. LaBoeuf is a silly man who thinks too highly of himself, but as the film progresses it becomes very hard not to care for him. He's a good man at his heart, as are Maddie and Rooster, and it makes it easy to root for all three of them to come out of this alright.

    This is a film that I enjoyed even more than I thought I would, a Coen film in the most un-Coen of ways (which was a nice change of pace given that their previous effort, A Serious Man, is probably the most Coen film out there). I enjoyed living with these characters very much and wish that there had been more time to just be with them on their journey. The final confrontation with the men they are hunting is turns suspenseful, surprising and a little too short-lived. I didn't much care for the epilogue, but with the wildly entertaining journey that came before it, I can't fault the film that strongly for it. It's a real cinematic piece, surprisingly Hollywood for the Coens, but it doesn't fall into a lot of the traps that it could have. In fact, it does the opposite, jumping into holes where it could become clichéd and sentimental and then digging it's way out, surprising at every turn. I like that the story doesn't quite end after the basic plot is resolved, because it's not about hunting down the man that killed Maddie's father and hoping to bring him to justice. It's about so much more. It's about these characters and finding out who they really are when it all comes down to it.
    8Hey_Sweden

    Time just gets away from us.

    Jeff Bridges gets to put his own spin on the character of Reuben "Rooster" Cogburn, first portrayed by an Oscar-winning John Wayne in the 1969 film adaptation. Rooster is hired by a very plucky 14 year old girl, Mattie Ross (debuting Hailee Steinfeld), who wants to avenge her father. Dad was murdered by the cowardly Tom Chaney (Josh Brolin), who made out for Indian territory and who may now be riding with an outlaw, Ned Pepper (Barry Pepper), and his gang. They are joined by a determined Texas Ranger, LaBoeuf (Matt Damon), who wants to arrest Chaney for a crime committed in the Lone Star state.

    This new version of the Charles Portis novel was scripted and directed by the great filmmaking brothers Joel and Ethan Coen, who treat the material respectfully, even reverently. The dialogue is antiquated, yet quite literate, and it truly comes to life when spoken by this well-chosen cast. The story is straightforward and without filler, the pacing very efficient. Serious at times (and funny at other times), the film never veers too far into melodrama. It hits the ground running, with an older Mattie (Elizabeth Marvel) narrating and giving us the back story of Mr. Ross' killing. Two frequent Coen brothers collaborators work some real magic: cinematographer Roger Deakins, whose widescreen compositions are wonderful, and composer Carter Burwell, whose music is breathtaking.

    Bridges completely disappears inside the role of the surly, tough, hard drinking marshal, while Damon gives one of his better performances. Brolin and Pepper don't show up until around the 80 minute mark, but do extremely effective work. As soon as you meet Chaney, you know you loathe him; he's that much of a heel. The strong supporting cast includes Dakin Matthews, Paul Rae, Domhnall Gleeson, and Leon Russom; it's also great to see Jarlath Conroy from George Romeros' "Day of the Dead" as the undertaker. But young Steinfeld leaves the greatest impression, giving us a heroine who is capable, determined, and very mature for her age, a girl who can hold her own dealing with a character like Stonehill (Matthews).

    "True Grit" 2010 is sometimes violent (and strikingly so), but is basically just a good, solid example of impassioned storytelling that maintains viewer interest for the better part of two hours.

    Eight out of 10.
    8jrcj41

    A Classic Western

    If there's something to be said for classicism, it's certainly proved in Joel and Ethan Coen's 2010 Western drama True Grit. The adventure begins in 19th century Arkansas, where 14 year old tough-as- nails cowgirl Maddie Ross (Hailee Steinfeld) sets out to avenge her father's murder at the hands of outlaw Tom Chaney (Josh Brolin). With the most relentless local bounty hunter by her side in Reuben J. Cogburn (Jeff Bridges), she is determined to bring justice to her cause. Complications arise when the pair cross paths with the hotshot LaBoeuf (Matt Damon), a Texas Ranger who is confidently taking aim at the same man. After a series of alliances and realignments Maddie finds herself face-to-face with Chaney; her quivery hand clutching a silver pistol and her mind wrestling with the most important decision yet.

    True Grit is a more than worthy successor to it's 1969 predecessor, as the Coen Brothers have followed more strictly the original 1968 novel by Charles Portis. The retention of the female narrator gives the plot an intimate personal aspect, encouraging the audience to root for Maddie throughout her adventure.

    Hailee Steinfeld is a surprisingly mature newcomer to the screen, holding her own next to the incomparable talents of Bridges and Damon. With cowboys, outlaws, gun fights and plenty of hard boiled dialogue, True Grit is a classically made conventional western, whose brilliantly raw cinematography transports the audience to the dusty plains of the old west; a land of revenge, passion and grit.
    8Monotreme02

    Good ol' fashioned storytelling

    As is to be expected, the film has all the classic Coen flourishes, first and foremost its use of language. The Coens have always been impeccably tuned in to language and accents, from the most creative use of swear words in The Big Lebowski and Burn After Reading to the colorful, stylized prose of The Hudsucker Proxy and The Man Who Wasn't There to the very distinct accents in Raising Arizona, Fargo, O Brother, Where Art Thou? and No Country for Old Men. In classic Coen fashion, the use of language is very much emphasized in True Grit. The characters have a very distinct use of words, lifted right out of the novel and, as it feels at least, right out of the time period the film takes place in. Unlike something like Deadwood which features a very modernized and stylized version of 18th century speak, the dialogue in True Grit sounds completely authentic and, along with the impeccable and accurate-feeling costume and set design, really adds to the realism of the world True Grit creates. Accents are also very important – the harsh Southern drawl that the Coens have always been attracted to is very prominent and plays a very large role in the film.

    As has become expected of the brothers, especially in recent years, the film looks incredibly beautiful, mainly thanks to regular DP Roger Deakins' stunning cinematography. All of his trademarks are in place: harsh but very naturalistic lighting, washed-out colors, especially in the outdoor scenes, smooth camera movements, and just a generally beautiful palette he uses to paint the world of the film with. Also very prominent in the film is the beautiful score by Carter Burwell. It hearkens back to his more melodic work on the Coen brothers' earlier films, especially Miller's Crossing. Using themes from classic hymns from the time period of the film, the soundtrack, along with the language of the dialogue, helps add a very strong feeling of authenticity to the film. It is a beautiful piece of music: dramatic but not heavy- handed, whimsical but with a hint of darkness to it. These two long-time Coen collaborators, as well as the costume and set designers, with whom the Coens have also worked with many times before, all deliver top-notch work and show once again just how strong the power of long-term collaboration can be.

    Other returning collaborators are a number of the cast members. The Coens seem to have grown distant from most of their long-time regular cast members (Jon Polito, John Turturro, John Goodman, Steven Buscemi, and others), but Coen regulars still make appearances in some of their recent work. In this case, it is "The Dude" Lebowski himself, Jeff Bridges, who makes his triumphant return in a Coen brothers film, filling the very large shoes of John Wayne, who gave an iconic performance as Rooster Cogburn in the first adaptation of True Grit, from 1969. Bridges brings his own unique style and sensibilities to the role, combining his drunken goofiness with the demeanor of a serious and very skilled hunter and lawman. It is a wonderful performance playing to all of Bridges' best abilities as an actor, and it is just a joy to watch. Also playing to his best qualities is Matt Damon, who delivers one of the loosest and most fun performances of his career as Texas Ranger LaBoeuf (or "La Beef", as he is referred to, by himself as well, in the film). Damon is clearly having fun with the role, although like Bridges, he, too, manages to find a very excellent balance between the humor and the seriousness and skill his character has. But the standout performance has to be newcomer Hailee Steinfeld, who beat out 15,000 other girls for the part. Open casting calls often provide disappointing results, as nonprofessional actors tend to be just that – not professional. 14-year-old Steinfeld proves she is a talent to watch, though – she totally commands the screen with her strong-willed, stubborn character, and manages to hold her own against Bridges, Damon and Josh Brolin, who makes a brief but memorable appearance later in the film. It is a fantastic, powerful performance that is an absolute joy to watch. I foresee great things from Steinfeld in the future.

    Many people will be turned off by the straightforwardness of the storytelling in True Grit. I have already heard complaints that the film lacks poignancy. But that isn't what it lacks. What it lacks is irony. It's actually quite amazing to see a film so completely and utterly devoid of irony such as this one – it seems like most films these days, including the Coen brothers' recent output, all carry this air of cynicism about them. True Grit hearkens back to a more classic form of plot and character-driven storytelling, and in that sense, it succeeds immensely. Ultimately, True Grit is a piece of pure entertainment – and it is quite an entertaining film: thrilling, engaging, and very, very funny. I have read many opinions claiming that this "doesn't feel like a Coen brothers film," but its storytelling style and techniques actually remind me most of another classic Coen film, Miller's Crossing. That film was also completely stripped of irony and instead focused on telling a good old-fashioned yarn, nothing more, nothing less. So while True Grit is not one of the very best films in the Coen's oeuvre, it is still just a darn good film overall.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Because of child labor laws, Joel Coen and Ethan Coen were unable to film any scenes past midnight with Hailee Steinfeld (especially difficult because the movie contains many night scenes), and because of scheduling problems, any time there is a shot of another character over Mattie's shoulder or back, Mattie is played by an adult double, not Steinfeld.
    • गूफ़
      Mattie and her horse are completely dry right after swimming across the river. This same error occurs in the original film.
    • भाव

      LaBoeuf: As I understand it, Chaney... or Chelmsford, as he called himshelf in Texas... shot the senator's dog. When the senator remonstrated, Chelmsford shot him as well. You could argue that the shooting of the dog was merely an instance of malum prohibitum, but the shooting of a senator is indubitably an instance of malum in se.

      Rooster Cogburn: Malla-men what?

      Mattie Ross: Malum in se. The distinction is between an act that is wrong in itself, and an act that is wrong only according to our laws and mores. It is Latin.

      Rooster Cogburn: I am struck that LaBoeuf is shot, trampled, and nearly severs his tongue, and not only does not cease to talk, but spills the banks of English!

    • क्रेज़ी क्रेडिट
      Buster Coen, Ethan Coen's son, is listed in the end credits as "Mr. Damon's abs double". In reality, he was an on-set assistant to the script supervisor.
    • कनेक्शन
      Featured in The Tonight Show with Jay Leno: एपिसोड #19.51 (2010)
    • साउंडट्रैक
      Leaning on the Everlasting Arms
      Written by Elisha A. Hoffman and Anthony J. Showalter

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    अक्सर पूछे जाने वाला सवाल27

    • How long is True Grit?Alexa द्वारा संचालित
    • Where are the locations that True Grit was shot?
    • Is "True Grit" based on a book?
    • In what year is True Grit set?

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