Come Undone

... Cone Undone (Cosa voglio di più) really is one of the better films in the wife/partner-infidelity-genre... all is good.. script-casting-acting-production.values, all of it... unsatisfied-unhappy in her bland relationship, she quickly gets involved with a married man that has two small children... he just-wants a mistress (and his family), she's looking for a different-exciting-lustful-relationship

... story moves along more or less logically, sex scenes seeming real and intensely-passionate, chemistry between actors exceptionally-good.. blowing up a relationship you're not completely happy in doesn't appear to come at a very high price for her.. it's what she wants-desires

... if the movie were to continue on, how would you want it to go.. do they remain clandestinely-together.. does she find another lover that she can have a life with (more than just couple hours a week)... or does she stay with her live-in-partner without seeking outside-affairs... what's good about the work is that each of these scenarios seem realistically-plausible... real ending's in viewer's mind.

A fast pace in the first minutes, then it keeps slowing down over and over till it leaves a sense of loss. "What more do I want" keeps telling a story with almost no surprise. Probably a teenage love story in a non-teenage context, shaking because of its voids.

Most of the social, political subjects are kept in the background. Full of love, love and more love. Or surrogates of it.

An upsetting watercolor painting in my opinion.

I do not know how this film can sell in the countries where it has been produced. Looks also strange how money can be invested in such a story and put in a film with good acting, photography, and direction.

When it comes to hot and heavy sex scenes this film takes the cake. Oh, brother! Sure got me going. The rest of the film was okay but the sex scenes are what makes this film unforgettable and memorable. The director here sure knew what he was doing. He managed to make you want both the man and the woman at the same time! Yikes! What goes on here? The story is not at all original but the telling of it keeps you on the edge of your seat constantly. It was even difficult to take a break, the intensity of the situation was so demanding. Everything about the film was first rate. The acting, the script, the settings, the photography, the music, it just all comes together in a very classy way.

COME UNDONE ('Cosa voglio di più', the Italian title means 'What More Do I Want') is a very slight film by the well respected director Silvio Soldini ('Bread and Tulips', 'Days and Clouds', etc), a story that seems to get mired in its own passion, unable to transmit a story line that will keep the audience's attention. Perhaps this is due to the 'too many cooks spoil the broth' concept: in addition to Soldini the story and screenplay were nursed by Doriana Leondeff, and Angelo Carbone. The cast is a strong one but the actors are just not given much to develop, leaving the audience with the repeated question 'what if...?'

Anna (Alba Rohrwacher) is an accountant for an important insurance firm and lives with her longterm lover Alessio (Giuseppe Battiston) - a man who longs fro a stable longterm relationship with children, a home, etc. Anna, feeling as though the fire has fizzled in that relationship and takes up with co-worker Domenico (Pierfrancesco Favino) and the two begin a passionate affair. Now it is Anna who is considering a longterm relationship but is thwarted by the fact that Domenico is married to Miriam (Teresa Saponangelo) and has children and doesn't want to leave his wife, instead preferring passionate occasional intervals with Anna in tacky motels. It becomes a struggle of human nature - which is preferable, a stable home life or intermittent moments of passion?

The actors give this film their all and the encounters between Anna and Domenico are incredibly sensuous. The problem lies with the story's lack of resolution or even momentum: it gets stuck in the process of offering a solution for the lovers. It is simply not up to the same standards as Soldini's other works - but those are fairly high standards to reach. Given the film's few flaws it is still a beautiful visual experience.

Grady Harp

Once the Italians gave up on realism in film they were stuck with movies by such dullards as Antonioni, the bored doings of the rich and fashionable Italians. This movie is not about rich and fashionable Italians but it is still boring. Sexual attraction, can you believe it?, causes problems for all involved and the principal characters have to decide how far they will go in self gratification which also involves harming many other people. Here the ending could go any number of ways and the way it finally goes is certainly believable but also banal. I cannot imagine two more boring hours with some very unappealing Milanesi, not one is really attractive, male or female. Perhaps this is the new realism; give me the old!