अपनी भाषा में प्लॉट जोड़ेंA woman steals an ancient artefact and flees to Hong Kong in order to sell it. Little does she know that the box contains an ancient vial of poison and the people she is dealing with will go... सभी पढ़ेंA woman steals an ancient artefact and flees to Hong Kong in order to sell it. Little does she know that the box contains an ancient vial of poison and the people she is dealing with will go to any lengths to obtain it.A woman steals an ancient artefact and flees to Hong Kong in order to sell it. Little does she know that the box contains an ancient vial of poison and the people she is dealing with will go to any lengths to obtain it.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Stefan Wong
- Patrick
- (as Stephen Huynh)
Hin-Wai Au
- Inspecteur des douanes
- (as John Au)
Louis Kwok-Wah Keung
- Homme de main M. Ko 1
- (as Keung Kwok-Wah)
Bruce Mang
- Homme de main M. Ko 2
- (as Mang Fan-Lung)
फ़ीचर्ड समीक्षाएं
This movie was so bad it could have been a comedy. The acting was so wooden and the plot, so ridiculous and weak.
I thought I was watching a very poor tv series from the 1960's.
I thought I was watching a very poor tv series from the 1960's.
This is a Hong Kong, French and Belgium flick. Just look at the last country, Amer was also coming out of that country and let that be a giallo. I can say the same of Red Nights, it is also a giallo. You love it or you hate it, that's all I can say from giallo's, most of them aren't my cup of tea but this has some extra milk to pour on my tea. It all takes place in Hong Kong and here you will have some extra's on part of Asian movements of hands and rituals.
The way it was shot is a pure ode to the old Italian giallo's, the colours are very brightly and the use of some extra green lighting here and there adds toward that feeling. Naturally we do have a glove, a thing that is necessary in a giallo and the nudity.
The acting is sublime but that lays in the fact of Carrie Ng who we knew from Naked Killer (1992) and Fréderique Bel. Both are known in their own country but I would also praise a newcomer, Carole Brana.
I have heard people complaining about the fact that the story doesn't have anything to offer but that wasn't the case for me. There are a few surprises in it. On the horror factor it also deliver, there are a few gory shots and they also added some bondage to it. I wouldn't recommend it to the feint hearted because the opening scene were a full frontal nude Asian chick is covered with latex gives you a weird feeling. The torturing isn't for everybody too, some things are rather gory. If you like for example Takashi Miike flicks then you will love this one too.
Another giallo gem coming from Belgium with a sweet Asian overtone. I was surprised with it.
Gore 3/5 Nudity 2/5 Effects 3/5 Story 3/5 Comedy 0/5
The way it was shot is a pure ode to the old Italian giallo's, the colours are very brightly and the use of some extra green lighting here and there adds toward that feeling. Naturally we do have a glove, a thing that is necessary in a giallo and the nudity.
The acting is sublime but that lays in the fact of Carrie Ng who we knew from Naked Killer (1992) and Fréderique Bel. Both are known in their own country but I would also praise a newcomer, Carole Brana.
I have heard people complaining about the fact that the story doesn't have anything to offer but that wasn't the case for me. There are a few surprises in it. On the horror factor it also deliver, there are a few gory shots and they also added some bondage to it. I wouldn't recommend it to the feint hearted because the opening scene were a full frontal nude Asian chick is covered with latex gives you a weird feeling. The torturing isn't for everybody too, some things are rather gory. If you like for example Takashi Miike flicks then you will love this one too.
Another giallo gem coming from Belgium with a sweet Asian overtone. I was surprised with it.
Gore 3/5 Nudity 2/5 Effects 3/5 Story 3/5 Comedy 0/5
I just watched it in Fantasporto Film Festival 2011. Wow! The relations between the women are stunningly wicked and the images of the film are beautifully disturbing. Killing people softly but till death do they part! It is such a revolutionary film, never seen anything like it before! If you watch it with a conservative mind and try to put it in any existing frame of genres in cinema, you will be lost. Because this movie is obvious an exploration of new sensations in cinema. A challenge in moral and an escape in reality, this movie is a crossover of love and death, modern and ancient, beauty and fear. Try to watch it with an open mind and you will be surprised how it drills in your heart. Love it!!!
A woman steals an ancient artefact and flees to Hong Kong in order to sell it. Little does she know that the box contains a vial of poison, a poison that paralyses its victim but heightens their senses of pleasure and pain. The people she is dealing with will go to any lengths to obtain the poison.
This film had potential: an intriguing start, the mysterious woman after the poison, the tough, resourceful thief assailed on all sides, the dark tone of the film, the good production values. Yet, for all this its more miss than hit.
The main problem is the plot: it's clumsy, with some contrived, silly developments. Just because the film falls in the horror category doesn't mean you have to fall back on horror clichés. Even worse, the pacing is all over the place. Some incredibly intense scenes that move at a great pace in among some scenes that are incredibly slow and empty, padding the movie. This all leads to a start-stop sort of journey.
The ending is a bit weak too.
Overall: disappointing.
This film had potential: an intriguing start, the mysterious woman after the poison, the tough, resourceful thief assailed on all sides, the dark tone of the film, the good production values. Yet, for all this its more miss than hit.
The main problem is the plot: it's clumsy, with some contrived, silly developments. Just because the film falls in the horror category doesn't mean you have to fall back on horror clichés. Even worse, the pacing is all over the place. Some incredibly intense scenes that move at a great pace in among some scenes that are incredibly slow and empty, padding the movie. This all leads to a start-stop sort of journey.
The ending is a bit weak too.
Overall: disappointing.
I just got back from this film, as it was screening at the Stockholm Film Festival. Going into it I had no idea what to expect, and the first 20 minutes of the film are not bad, and even give the illusion that the film might be about something or involve an unraveling mystery of some sort with suspense and layers and that sort of thing, you know, content. Nope. The movie is just about a box from ancient times containing an ancient poison, and everyone wants this (can't imagine why) and is ready to tear each other to pieces over it. The film climaxes with an excessively gory torture scene that goes on for a very long time. Absolutely nothing here, if I could go back in time I'd give it a miss and select a movie with content.
On the bright side . . . the movie looks very good. It is well shot.
On the bright side . . . the movie looks very good. It is well shot.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Red Nights?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 38 मि(98 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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